: Most-Read Full-Text Articles http://em.oxfordjournals.org/ Most-read rankings are recalculated at the beginning of the month based on usage of full-text and PDF views for the previous month. 2009-11-11 <![CDATA[Bach's extraordinary temperament: our Rosetta Stone--1]]> http://em.oxfordjournals.org/cgi/content/short/33/1/3?rss=1&ssource=mfc Feb 1, 2005; 33:3-24
Articles]]> Bradley Lehman 2005-02-01 10.1093/em/cah037 Oxford University Press <![CDATA[Letter from Aleppo: dating the Chelsea School performance of Dido and Aeneas]]> http://em.oxfordjournals.org/cgi/content/short/37/3/417?rss=1&ssource=mfc Aug 1, 2009; 37:417-428
PURCELL ANNIVERSARY I]]> Bryan White 2009-08-01 Oxford University Press <![CDATA[Hidalgo, merchant, poet, priest: the vihuela in the urban soundscape]]> http://em.oxfordjournals.org/cgi/content/short/37/3/355?rss=1&ssource=mfc Aug 1, 2009; 37:355-366
URBAN MUSIC IN RENAISSANCE SPAIN]]> John Griffiths 2009-08-01 Oxford University Press <![CDATA[Analysing Haydn's quartets]]> http://em.oxfordjournals.org/cgi/content/short/35/1/122?rss=1&ssource=mfc Feb 1, 2007; 35:122-125
]]> Danuta Mirka 2007-02-01 Oxford University Press <![CDATA[Bach's extraordinary temperament: our Rosetta Stone--2]]> http://em.oxfordjournals.org/cgi/content/short/33/2/211?rss=1&ssource=mfc May 1, 2005; 33:211-232
Boccherini Anniversary]]> Bradley Lehman 2005-05-01 10.1093/em/cah067 Oxford University Press <![CDATA[Power and musical exchange: the Dukes of Medina Sidonia in Renaissance Seville]]> http://em.oxfordjournals.org/cgi/content/short/37/3/401?rss=1&ssource=mfc Aug 1, 2009; 37:401-416
URBAN MUSIC IN RENAISSANCE SPAIN]]> Juan Ruiz Jimenez 2009-08-01 Oxford University Press <![CDATA[Iconography in the history of the recorder up to 1430--Part 2]]> http://em.oxfordjournals.org/cgi/content/short/34/1/3?rss=1&ssource=mfc Feb 1, 2006; 34:3-28
]]> Anthony Rowland-Jones 2006-02-01 10.1093/em/cah188 Oxford University Press <![CDATA[Early music's dramatic significance in Handel's Saul]]> http://em.oxfordjournals.org/cgi/content/short/35/2/173?rss=1&ssource=mfc May 1, 2007; 35:173-190
]]> Ruth Smith 2007-05-01 10.1093/em/cam030 Oxford University Press <![CDATA[Where did Purcell keep his theatre band?]]> http://em.oxfordjournals.org/cgi/content/short/37/3/429?rss=1&ssource=mfc Aug 1, 2009; 37:429-444
PURCELL ANNIVERSARY I]]> Michael Burden 2009-08-01 Oxford University Press <![CDATA[Latin American Baroque: performance as a post-colonial act?]]> http://em.oxfordjournals.org/cgi/content/short/36/3/441?rss=1&ssource=mfc Aug 1, 2008; 36:441-448
]]> Geoff Baker 2008-08-01 Oxford University Press <![CDATA[Beyond church and court: city musicians and music in Renaissance Valladolid]]> http://em.oxfordjournals.org/cgi/content/short/37/3/367?rss=1&ssource=mfc Aug 1, 2009; 37:367-378
URBAN MUSIC IN RENAISSANCE SPAIN]]> Cristina Diego Pacheco 2009-08-01 Oxford University Press <![CDATA[French harpsichord music]]> http://em.oxfordjournals.org/cgi/content/short/33/4/728?rss=1&ssource=mfc Nov 1, 2005; 33:728-729
]]> David Chung 2005-11-01 10.1093/em/cah185 Oxford University Press <![CDATA[Towards an optimal instrument: Domenico Scarlatti and the new wave of Iberian harpsichord making]]> http://em.oxfordjournals.org/cgi/content/short/35/4/575?rss=1&ssource=mfc Nov 1, 2007; 35:575-604
]]> John Koster 2007-11-01 10.1093/em/cam092 Oxford University Press <![CDATA[The early Irish harp]]> http://em.oxfordjournals.org/cgi/content/short/36/4/521?rss=1&ssource=mfc Nov 1, 2008; 36:521-532
]]> Simon Chadwick 2008-11-01 Oxford University Press <![CDATA[Editorial]]> http://em.oxfordjournals.org/cgi/content/short/37/3/353?rss=1&ssource=mfc Aug 1, 2009; 37:353-354
]]> Tess Knighton, 1 August 2009 2009-08-01 Oxford University Press <![CDATA[Words and Music in Machaut's Motet 9]]> http://em.oxfordjournals.org/cgi/content/short/XXXI/3/363?rss=1&ssource=mfc Aug 1, 2003; 31:363-390
Articles]]> Margaret Bent 2003-08-01 10.1093/earlyj/XXXI.3.363 Oxford University Press <![CDATA[A new case of number symbolism in Josquin?]]> http://em.oxfordjournals.org/cgi/content/short/37/1/21?rss=1&ssource=mfc Feb 1, 2009; 37:21-26
]]> Willem Elders 2009-02-01 Oxford University Press <![CDATA['How to be an emperor': acting Alexander the Great in opera seria]]> http://em.oxfordjournals.org/cgi/content/short/36/2/181?rss=1&ssource=mfc May 1, 2008; 36:181-202
]]> Richard G. King 2008-05-01 Oxford University Press <![CDATA[Bach discoveries]]> http://em.oxfordjournals.org/cgi/content/short/37/3/489?rss=1&ssource=mfc Aug 1, 2009; 37:489-492
]]> David Yearsley 2009-08-01 Oxford University Press <![CDATA[Bach cantatas]]> http://em.oxfordjournals.org/cgi/content/short/37/3/508?rss=1&ssource=mfc Aug 1, 2009; 37:508-511
]]> Bradley Lehman, Andrew White 2009-08-01 Oxford University Press <![CDATA[What's in a quote? Josquin's (?) Jubilate Deo, omnis terra reconsidered]]> http://em.oxfordjournals.org/cgi/content/short/37/1/9?rss=1&ssource=mfc Feb 1, 2009; 37:9-20
]]> Eric Jas 2009-02-01 Oxford University Press <![CDATA[Du Fay and the style of Molinet]]> http://em.oxfordjournals.org/cgi/content/short/37/1/61?rss=1&ssource=mfc Feb 1, 2009; 37:61-72
]]> Alejandro Enrique Planchart 2009-02-01 Oxford University Press <![CDATA[Bach on the harpsichord]]> http://em.oxfordjournals.org/cgi/content/short/37/3/511?rss=1&ssource=mfc Aug 1, 2009; 37:511-513
]]> Dan McCoy 2009-08-01 Oxford University Press <![CDATA[Pianos and harpsichords for Their Majesties]]> http://em.oxfordjournals.org/cgi/content/short/36/3/359?rss=1&ssource=mfc Aug 1, 2008; 36:359-396
]]> Michael Latcham 2008-08-01 Oxford University Press <![CDATA[Lully's use of recorder symbolism]]> http://em.oxfordjournals.org/cgi/content/short/37/2/217?rss=1&ssource=mfc May 1, 2009; 37:217-250
]]> Anthony Rowland-Jones 2009-05-01 Oxford University Press <![CDATA[Around the Performance of a 13th-century motet]]> http://em.oxfordjournals.org/cgi/content/short/XXVIII/3/343?rss=1&ssource=mfc Aug 1, 2000; 28:343-358
Articles]]> Christopher Page 2000-08-01 10.1093/earlyj/XXVIII.3.343 Oxford University Press <![CDATA[Vivaldi catalogued]]> http://em.oxfordjournals.org/cgi/content/short/36/4/609?rss=1&ssource=mfc Nov 1, 2008; 36:609-616
]]> Kees Vlaardingerbroek 2008-11-01 Oxford University Press <![CDATA[Dancing at a wedding: some thoughts on performance issues in Monteverdi's 'Lasciate i monti' (Orfeo, 1607)]]> http://em.oxfordjournals.org/cgi/content/short/36/4/533?rss=1&ssource=mfc Nov 1, 2008; 36:533-546
]]> Virginia Christy Lamothe 2008-11-01 Oxford University Press <![CDATA[The century of Bach and Mozart?]]> http://em.oxfordjournals.org/cgi/content/short/37/3/475?rss=1&ssource=mfc Aug 1, 2009; 37:475-478
]]> W. Dean Sutcliffe 2009-08-01 Oxford University Press <![CDATA[Josquin and 'Il n'est plaisir']]> http://em.oxfordjournals.org/cgi/content/short/37/1/3?rss=1&ssource=mfc Feb 1, 2009; 37:3-8
]]> David Fallows 2009-02-01 Oxford University Press <![CDATA[Bach cello suites]]> http://em.oxfordjournals.org/cgi/content/short/XXVII/2/340?rss=1&ssource=mfc May 1, 1999; 27:340-342
Articles]]> John Butt 1999-05-01 10.1093/earlyj/XXVII.2.340 Oxford University Press <![CDATA[The tenor-castrato connection, 1760-1860]]> http://em.oxfordjournals.org/cgi/content/short/35/1/97?rss=1&ssource=mfc Feb 1, 2007; 35:97-112
]]> John Potter 2007-02-01 Oxford University Press <![CDATA[Bach cantata cycles]]> http://em.oxfordjournals.org/cgi/content/short/36/1/150?rss=1&ssource=mfc Feb 1, 2008; 36:150-152
]]> David R. M. Irving 2008-02-01 10.1093/em/cam140 Oxford University Press <![CDATA[Virtuosos of the Neapolitan opera in Madrid: Alessandro Scarlatti, Matteo Sassano, Petruccio and Filippo Schor]]> http://em.oxfordjournals.org/cgi/content/short/37/2/187?rss=1&ssource=mfc May 1, 2009; 37:187-200
]]> Leticia de Frutos 2009-05-01 Oxford University Press <![CDATA[Music from the Middle Ages]]> http://em.oxfordjournals.org/cgi/content/short/37/2/325?rss=1&ssource=mfc May 1, 2009; 37:325-328
]]> Lisa Colton 2009-05-01 Oxford University Press <![CDATA[The early Renaissance]]> http://em.oxfordjournals.org/cgi/content/short/37/3/495?rss=1&ssource=mfc Aug 1, 2009; 37:495-497
]]> Fabrice Fitch 2009-08-01 Oxford University Press <![CDATA[Review: Fernando Sor, composer-guitarist: Estudios sobre Fernando Sor/Sor Studies]]> http://em.oxfordjournals.org/cgi/content/short/32/1/148?rss=1&ssource=mfc Feb 1, 2004; 32:148-150
Articles]]> Thomas F. Heck 2004-02-01 10.1093/earlyj/32.1.148 Oxford University Press <![CDATA[Come, ye sons of art--again: court cross-subsidy for Purcell's opera orchestra, 1690-1695]]> http://em.oxfordjournals.org/cgi/content/short/37/3/445?rss=1&ssource=mfc Aug 1, 2009; 37:445-466
PURCELL ANNIVERSARY I]]> Andrew Pinnock, Bruce Wood 2009-08-01 Oxford University Press <![CDATA[The line of argument in Chopin's E minor Prelude]]> http://em.oxfordjournals.org/cgi/content/short/XXIX/3/434?rss=1&ssource=mfc Aug 1, 2001; 29:434-446
Articles]]> John Rink 2001-08-01 10.1093/earlyj/XXIX.3.434 Oxford University Press <![CDATA[Busnoys sacred music]]> http://em.oxfordjournals.org/cgi/content/short/XXXI/3/469?rss=1&ssource=mfc Aug 1, 2003; 31:469-471
Articles]]> David Fiala 2003-08-01 10.1093/earlyj/XXXI.3.469 Oxford University Press <![CDATA[Performances and popular culture in the German Reformation]]> http://em.oxfordjournals.org/cgi/content/short/33/2/295?rss=1&ssource=mfc May 1, 2005; 33:295-304
]]> Stephen Rose 2005-05-01 10.1093/em/cah072 Oxford University Press <![CDATA[A Josquin substitution]]> http://em.oxfordjournals.org/cgi/content/short/34/2/249?rss=1&ssource=mfc May 1, 2006; 34:249-258
]]> Jesse Rodin 2006-05-01 10.1093/em/cal002 Oxford University Press <![CDATA[Ritual, power and opera seria]]> http://em.oxfordjournals.org/cgi/content/short/37/3/473?rss=1&ssource=mfc Aug 1, 2009; 37:473-475
]]> Reinhard Strohm 2009-08-01 Oxford University Press <![CDATA[MUSIC]]> http://em.oxfordjournals.org/cgi/content/short/XVII/3/421?rss=1&ssource=mfc Aug 1, 1989; 17:421-424
Articles]]> David Fallows 1989-08-01 10.1093/earlyj/XVII.3.421 Oxford University Press <![CDATA[Ockeghem De plus en plus en plus]]> http://em.oxfordjournals.org/cgi/content/short/XXVI/1/158?rss=1&ssource=mfc Feb 1, 1998; 26:158-160
Articles]]> Sean Gallagher 1998-02-01 10.1093/earlyj/XXVI.1.158 Oxford University Press <![CDATA[Mozart's piano sonatas]]> http://em.oxfordjournals.org/cgi/content/short/XXVI/2/336?rss=1&ssource=mfc May 1, 1998; 26:336-337
Articles]]> Simon P. Keefe 1998-05-01 10.1093/earlyj/XXVI.2.336 Oxford University Press <![CDATA[Iberian discoveries: six Spanish 17th-century harpsichords]]> http://em.oxfordjournals.org/cgi/content/short/XXVII/2/183?rss=1&ssource=mfc May 1, 1999; 27:183-210
Articles]]> Keith McGowan 1999-05-01 10.1093/earlyj/XXVII.2.183 Oxford University Press <![CDATA['Clefless' notation, counterpoint and the fa-degree]]> http://em.oxfordjournals.org/cgi/content/short/36/1/51?rss=1&ssource=mfc Feb 1, 2008; 36:51-66
]]> Stefano Mengozzi 2008-02-01 10.1093/em/cam137 Oxford University Press <![CDATA[Behind the stage: some thoughts on the Codex Specialnik and the reception of polyphony in late 15th-century Prague]]> http://em.oxfordjournals.org/cgi/content/short/37/1/37?rss=1&ssource=mfc Feb 1, 2009; 37:37-48
]]> Lenka Mrackova 2009-02-01 Oxford University Press <![CDATA[Review: Women of the commedia dell'arte: Anne MacNeil, Music and women of the commedia dell'arte in the late sixteenth century]]> http://em.oxfordjournals.org/cgi/content/short/32/4/608?rss=1&ssource=mfc Nov 1, 2004; 32:608-611
Articles]]> Wendy Heller 2004-11-01 10.1093/em/32.4.608 Oxford University Press