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Contents: Volume XXX, Number 4, November 2002   [Index by Author] 
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Down Editorial
Down The Expressive Clavier
Down Images and Instruments
Down Mechanical Instruments
Down Performance in Context
Down Review Article
Down Book Reviews
Down Music Reviews
Down Recording Reviews
Down Salerooms
Down Correction
Down Correspondence


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Front Matter (PDF) | Back Matter (PDF)

To see an article, click its [Full Text] or [PDF] link. To review many abstracts, check the boxes to the left of the titles you want, and click the 'Get All Checked Abstract(s)' button. To see one abstract at a time, click its [Abstract] link.

Editorial Back

John Milson, Nicholas Kenyon, and Tess Knighton
Editorial
Early Music 2002 XXX: 500-501; doi:10.1093/em/XXX.4.500 [PDF] [Request Permissions]  

The Expressive Clavier Back

Michael Latcham
Swirling from one level of the affects to another: the expressive Clavier in Mozart's time
Early Music 2002 XXX: 502-521; doi:10.1093/em/XXX.4.502 [PDF] [Request Permissions]  

Tilman Skowroneck
Beethoven's Erard piano: its influence on his compositions and on Viennese fortepiano building
Early Music 2002 XXX: 523-539; doi:10.1093/em/XXX.4.523 [PDF] [Request Permissions]  

Images and Instruments Back

Jeremy Montagu
The crozier of William of Wykeham
Early Music 2002 XXX: 541-564; doi:10.1093/em/XXX.4.541 [PDF] [Request Permissions]  

Mechanical Instruments Back

Patrizio Barbieri
Michele Todini's galleria armonica: its hitherto unknown history
Early Music 2002 XXX: 565-583; doi:10.1093/em/XXX.4.565 [PDF] [Request Permissions]  

Beverly Jerold
A re-examination of tempos assigned to the Earl of Bute's machine organ
Early Music 2002 XXX: 585-592; doi:10.1093/em/XXX.4.585 [PDF] [Request Permissions]  

Performance in Context Back

Edward Wickham
Finding closure: performance issues in the Agnus Dei of Ockeghem's Missa L'homme armé
Early Music 2002 XXX: 593-607; doi:10.1093/em/XXX.4.593 [PDF] [Request Permissions]  

Review Article Back

Thomas McGeary
A gay-studies Handel: Ellen T. Harris, Handel as Orpheus: voice and desire in the chamber cantatas
Early Music 2002 XXX: 609-614; doi:10.1093/em/XXX.4.609 [PDF] [Request Permissions]  

Book Reviews Back

Michael F. Robinson
Spanish opera: Emilio Casares Rodicio and Alvaro Torrente eds., La ópera in España e Hispanoamérica
Early Music 2002 XXX: 615-617; doi:10.1093/em/XXX.4.615 [PDF] [Request Permissions]  

Neal Zaslaw
Vivaldi's ‘flutes’: Federico Maria Sardelli, La musica per flauto di Antonio Vivaldi
Early Music 2002 XXX: 617-618; doi:10.1093/em/XXX.4.617 [PDF] [Request Permissions]  

Sam Barrett
Chant studies: Peter Jeffery ed., The study of medieval chant: paths and bridges, east and west: in honor of Kenneth Levy
Early Music 2002 XXX: 619; doi:10.1093/em/XXX.4.619 [PDF] [Request Permissions]  

Graham Sadler
The neglected Michel Lambert: Catherine Massip, L'art de bien chanter: Michel Lambert (1610–1696)
Early Music 2002 XXX: 619-620; doi:10.1093/em/XXX.4.619-a [PDF] [Request Permissions]  

David Wulstan
Early English religious drama: Richard Rastall, Minstrels playing: music in early English religious drama
Early Music 2002 XXX: 620-621; doi:10.1093/em/XXX.4.620 [PDF] [Request Permissions]  

Timothy Morris
Choral foundations: Keri Dexter, ‘A good Quire of voices’: the provision of choral music at St George's Chapel, Windsor Castle, and Eton College, c.1640–1733; Kenneth Milne ed., Christ Church Cathedral Dublin: a history; Gerard Gillen ed., Irish musical studies, vi: A historical anthology of Irish church music
Early Music 2002 XXX: 621-623; doi:10.1093/em/XXX.4.621 [PDF] [Request Permissions]  

Bruce Wood
A fardle of hard names: Rebecca Herissone, Music theory in seventeenth-century England
Early Music 2002 XXX: 623-626; doi:10.1093/em/XXX.4.623 [PDF] [Request Permissions]  

Music Reviews Back

Mark Levy
The English trio sonata?: John Jenkins, Andrew Ashbee ed., Fantasia-suites
Early Music 2002 XXX: 627-628; doi:10.1093/em/XXX.4.627 [PDF] [Request Permissions]  

Peter Downey
A Baroque trumpet manuscript: Antonio Carlini ed., Il libro del trombetta: Trento, sec. XVII
Early Music 2002 XXX: 628-630; doi:10.1093/em/XXX.4.628 [PDF] [Request Permissions]  

Laura Macy
Anglicized ditties: Thomas Watson, Albert Chatterley ed., Italian Madrigals Englished (1590)
Early Music 2002 XXX: 631-633; doi:10.1093/em/XXX.4.631 [PDF] [Request Permissions]  

Jeremy Summerly
Lassus and Bach—but not as we know them: Rudolph di Lasso, Alexander J. Fisher ed., Virginalia eucharistica (1615)
Early Music 2002 XXX: 634-636; doi:10.1093/em/XXX.4.634 [PDF] [Request Permissions]  

Recording Reviews Back

Frederick Hammond
A celestial siren and her music
Early Music 2002 XXX: 637-639; doi:10.1093/em/XXX.4.637 [PDF] [Request Permissions]  

Fabrice Fitch
Postscript
Early Music 2002 XXX: 639-641; doi:10.1093/em/XXX.4.639 [PDF] [Request Permissions]  

David Fallows
Odhecaton after 500 years
Early Music 2002 XXX: 641-644; doi:10.1093/em/XXX.4.641 [PDF] [Request Permissions]  

Shirley Thompson
Charpentier, sacred and secular
Early Music 2002 XXX: 645-650; doi:10.1093/em/XXX.4.645 [PDF] [Request Permissions]  

Salerooms Back

Jeremy Montagu
Instruments
Early Music 2002 XXX: 651-652; doi:10.1093/em/XXX.4.651 [PDF] [Request Permissions]  

Correction Back

Correction
Early Music 2002 XXX: 652; doi:10.1093/em/XXX.4.652 [PDF] [Request Permissions]  

Correspondence Back

Ruth Deford and Charles Turner
Du Fay's canons
Early Music 2002 XXX: 653-654; doi:10.1093/em/XXX.4.653 [PDF] [Request Permissions]  

To see an article, click its [Full Text] or [PDF] link. To review many abstracts, check the boxes to the left of the titles you want, and click the 'Get All Checked Abstract(s)' button. To see one abstract at a time, click its [Abstract] link.