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Contents: Volume XXX, Number 2, May 2002   [Index by Author] 
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Down Editorial
Down Reading Renaissance Notation
Down Castratos and Their Patrons
Down Performing Matter
Down Genres
Down Colloquy
Down Conference Report
Down Book Reviews
Down Music Reviews
Down Recording Reviews
Down Obituary
Down Correspondence


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Front Matter (PDF) | Back Matter (PDF)

To see an article, click its [Full Text] or [PDF] link. To review many abstracts, check the boxes to the left of the titles you want, and click the 'Get All Checked Abstract(s)' button. To see one abstract at a time, click its [Abstract] link.

Editorial Back

John Milsom
Editorial
Early Music 2002 XXX: 163; doi:10.1093/em/XXX.2.163 [PDF] [Request Permissions]  

Reading Renaissance Notation Back

Charles Turner
Sub obscuritate quadam ostendens: Latin canon in the early Renaissance motet
Early Music 2002 XXX: 165-188; doi:10.1093/em/XXX.2.165 [PDF] [Request Permissions]  

Cynthia J. Cyrus
The annotator of the Lorraine Chansonnier and his taste in accidentals
Early Music 2002 XXX: 189-201; doi:10.1093/em/XXX.2.189 [PDF] [Request Permissions]  

Castratos and Their Patrons Back

Thomas McGeary
Farinelli and the Duke of Leeds: ‘tanto mio amico e patrone particolare’
Early Music 2002 XXX: 203-213; doi:10.1093/em/XXX.2.203 [PDF] [Request Permissions]  

David Hunter
Senesino disobliges Caroline, Princess of Wales, and Princess Violante of Florence
Early Music 2002 XXX: 215-223; doi:10.1093/em/XXX.2.215 [PDF] [Request Permissions]  

Performing Matter Back

David Yearsley
The awkward idiom: hand-crossing and the European Keyboard scene around 1730
Early Music 2002 XXX: 225-235; doi:10.1093/em/XXX.2.225 [PDF] [Request Permissions]  

Genres Back

Christopher Hogwood
In defence of the Minuet and Trio
Early Music 2002 XXX: 237-251; doi:10.1093/em/XXX.2.237 [PDF] [Request Permissions]  

Colloquy Back

Clifford Bartlett, Anthony Hicks, Hans Joachim Marx, and Michael Talbot
The ‘Handel’ Gloria reconsidered
Early Music 2002 XXX: 253-263; doi:10.1093/em/XXX.2.253 [PDF] [Request Permissions]  

Conference Report Back

Barbara Haggh
Contemplating the Chantilly Codex
Early Music 2002 XXX: 265-269; doi:10.1093/em/XXX.2.265 [PDF] [Request Permissions]  

Book Reviews Back

Anthony Rooley
The lute in Britain: Matthew Spring, The lute in Britain: a history of the instrument and its music
Early Music 2002 XXX: 271-272; doi:10.1093/em/XXX.2.271 [PDF] [Request Permissions]  

Lois Rosow
Source Readings in French Opera: Caroline Wood and Graham Sadler, French Baroque opera: a reader
Early Music 2002 XXX: 273-275; doi:10.1093/em/XXX.2.273 [PDF] [Request Permissions]  

Kenneth Kreitner
Loud music seen: Patrick Tröster, Das Alta-Ensemble und seine Instrumente von der Spätgotik bis zur Hochrenaissance (1300–1550)
Early Music 2002 XXX: 275-276; doi:10.1093/em/XXX.2.275 [PDF] [Request Permissions]  

Peter Walls
A guide to the early violin: Robin Stowell, The early violin and viola: a practical guide
Early Music 2002 XXX: 276-280; doi:10.1093/em/XXX.2.276 [PDF] [Request Permissions]  

David Ledbetter
The Compleat Accompanist: Paul Murphy ed., José de Torres's treatise of 1736: General rules for accompanying on the organ, harpsichord, and the harp, by knowing only how to sing the part, or a bass in ‘canto figurado’,; Robert Zappulla, Figured bass accompaniment in France
Early Music 2002 XXX: 281-282; doi:10.1093/em/XXX.2.281 [PDF] [Request Permissions]  

Lowell E. Lindgren
Documenting the King's Theatre: Ian Woodfield, Opera and drama in eighteenth-century London
Early Music 2002 XXX: 282-284; doi:10.1093/em/XXX.2.282 [PDF] [Request Permissions]  

Raymond Head
Music in 18th-century India: Ian Woodfield, Music of the Raj: a social and economic history of music in late eighteenth century Anglo-Indian society
Early Music 2002 XXX: 284-285; doi:10.1093/em/XXX.2.284 [PDF] [Request Permissions]  

John Kitchen
A guide to the early keyboard: David Rowland, Early keyboard instruments: a practical guide
Early Music 2002 XXX: 285; doi:10.1093/em/XXX.2.285 [PDF] [Request Permissions]  

Stephen Rose
Schütz studies: Heide Volckmar-Waschk, Die ‘Cantiones sacrae’ von Heinrich Schütz: Entstehung— Texte—Analysen; Wolfram Steude, Annäherung durch Distanz: Texte zur älteren mitteldeutschen Musik und Musikgeschichte
Early Music 2002 XXX: 286-287; doi:10.1093/em/XXX.2.286 [PDF] [Request Permissions]  

Nicky Losseff
Music in the flesh: Bruce W. Holsinger, Music, body, and desire in medieval culture: Hildegard of Bingen to Chaucer
Early Music 2002 XXX: 287-290; doi:10.1093/em/XXX.2.287 [PDF] [Request Permissions]  

Music Reviews Back

Robert Shay
Two sides of Purcell's vocal music: Bruce Wood, Ian Spink eds., The works of Henry Purcell, vol.15: Royal welcome songs, part I, vol.22A: Catches
Early Music 2002 XXX: 291-293; doi:10.1093/em/XXX.2.291 [PDF] [Request Permissions]  

Fabrice Fitch
Variations on a song: Honey Meconi ed., Fortuna desperata:thirty-six settings of an Italian song
Early Music 2002 XXX: 293-294; doi:10.1093/em/XXX.2.293 [PDF] [Request Permissions]  

Bojan Bujic
Sicilian quarrels: Achille Falcone, Massimo Privitera and Siciliane Musiche Rinascimentali eds., Madrigali, motetti e ricercari (1603)
Early Music 2002 XXX: 294-296; doi:10.1093/em/XXX.2.294 [PDF] [Request Permissions]  

James Tyler
Francisco Guerau's guitar music: Francisco Guerau, Thomas Schmitt ed., Poema harmónico: compuesto de varias cifras por el temple de la guitarra española (Madrid, 1694)
Early Music 2002 XXX: 296-297; doi:10.1093/em/XXX.2.296 [PDF] [Request Permissions]  

David J. Smith
Merulo, Cornet and Scheidemann: Claudio Merulo, Ricercari d'intavolatura d'organo (1567); Peter Cornet, Pieter Dirksen and Jean Ferrard, Complete keyboard music; Heinrich Scheidemann, Pieter Dirksen ed., Sämtliche Werke für Clavier (Cembalo)
Early Music 2002 XXX: 297-299; doi:10.1093/em/XXX.2.297 [PDF] [Request Permissions]  

Peter Holman
An English amateur symphonist: John Marsh, Ian Graham-Jones ed., Symphonies, Part 1: The Salisbury and Canterbury symphonies (1778–1784), Part 2: The Chichester symphonies and finales (1788–1801)
Early Music 2002 XXX: 300-302; doi:10.1093/em/XXX.2.300 [PDF] [Request Permissions]  

Recording Reviews Back

Julian Rushton
Gluck operas and arias
Early Music 2002 XXX: 303-305; doi:10.1093/em/XXX.2.303 [PDF] [Request Permissions]  

Philippe Vendrix
Keiser revived
Early Music 2002 XXX: 305-306; doi:10.1093/em/XXX.2.305 [PDF] [Request Permissions]  

David Humphreys
Esoteric Bach
Early Music 2002 XXX: 307; doi:10.1093/em/XXX.2.307 [PDF] [Request Permissions]  

Fabrice Fitch
Briefly noted
Early Music 2002 XXX: 307-309; doi:10.1093/em/XXX.2.307-a [PDF] [Request Permissions]  

Obituary Back

Bruno Turner
Obituary: Michael Howard (1922–2002)
Early Music 2002 XXX: 311-312; doi:10.1093/em/XXX.2.311 [PDF] [Request Permissions]  

Correspondence Back

Michael Fleming
Grünewald's Isenheim altarpiece
Early Music 2002 XXX: 313-316; doi:10.1093/em/XXX.2.313 [PDF] [Request Permissions]  

Fabrice Fitch
Busnoys chansons
Early Music 2002 XXX: 317; doi:10.1093/em/XXX.2.317 [PDF] [Request Permissions]  

James Clements
Performing Biber
Early Music 2002 XXX: 317; doi:10.1093/em/XXX.2.317-a [PDF] [Request Permissions]  

Peter Leech
Miguel Ferreira
Early Music 2002 XXX: 317; doi:10.1093/em/XXX.2.317-b [PDF] [Request Permissions]  

John Jeffery
The Sun Insurance records
Early Music 2002 XXX: 317-318; doi:10.1093/em/XXX.2.317-c [PDF] [Request Permissions]  

To see an article, click its [Full Text] or [PDF] link. To review many abstracts, check the boxes to the left of the titles you want, and click the 'Get All Checked Abstract(s)' button. To see one abstract at a time, click its [Abstract] link.