Early Music

Articles

PETER HOLMAN

Editorial
Early Music 2000 XXVIII: 516; doi:10.1093/earlyj/XXVIII.4.516 [PDF] [Request Permissions]  

Brian Robins

The catch club in 18th-century England
Early Music 2000 XXVIII: 517-530; doi:10.1093/earlyj/XXVIII.4.517 [PDF] [Request Permissions]  

Richard Platt

New light on Richard Mudge, 1718–63: Some aspects of social status and amatuer music-making
Early Music 2000 XXVIII: 531-546; doi:10.1093/earlyj/XXVIII.4.531 [PDF] [Request Permissions]  

Susan Wollenberg

The Oxford exercises in the 18th century
Early Music 2000 XXVIII: 546-556; doi:10.1093/earlyj/XXVIII.4.546 [PDF] [Request Permissions]  

Rachel Cowgill

‘The most musical spot for its size in the kingdom’: music in Georgian Halifax
Early Music 2000 XXVIII: 557-576; doi:10.1093/earlyj/XXVIII.4.557 [PDF] [Request Permissions]  

Peter Holman

The Colchester partbooks
Early Music 2000 XXVIII: 577-596; doi:10.1093/earlyj/XXVIII.4.577 [PDF] [Request Permissions]  

Claire Nelson

Tea-table miscellanies: The development of Scotland's song culture, 1720–1800
Early Music 2000 XXVIII: 596-620; doi:10.1093/earlyj/XXVIII.4.596 [PDF] [Request Permissions]  

Sally Drage

Elias Hall, ‘the faithful chronicter’ of Oldham psalmody
Early Music 2000 XXVIII: 621-636; doi:10.1093/earlyj/XXVIII.4.621 [PDF] [Request Permissions]  

Peter Holman and Richard Maunder

The accompaniment of concertos in 18th-century England
Early Music 2000 XXVIII: 636-652; doi:10.1093/earlyj/XXVIII.4.636 [PDF] [Request Permissions]  

Roger Bowers

Summarizing Gibbons
Early Music 2000 XXVIII: 653-654; doi:10.1093/earlyj/XXVIII.4.653 [PDF] [Request Permissions]  

Anthony Rooley

Henry Lawes gets a chance
Early Music 2000 XXVIII: 654-655; doi:10.1093/earlyj/XXVIII.4.654 [PDF] [Request Permissions]  

David Fallows

Briefly noted
Early Music 2000 XXVIII: 655-656; doi:10.1093/earlyj/XXVIII.4.655 [PDF] [Request Permissions]  

John Morehen

Byrd Edition approaches completion
Early Music 2000 XXVIII: 657-658; doi:10.1093/earlyj/XXVIII.4.657 [PDF] [Request Permissions]  

Paul McCreesh

Monteverdi's 1610 Vespers
Early Music 2000 XXVIII: 658-660; doi:10.1093/earlyj/XXVIII.4.658 [PDF] [Request Permissions]  

David Johnson

Bach cello suites
Early Music 2000 XXVIII: 660-662; doi:10.1093/earlyj/XXVIII.4.660 [PDF] [Request Permissions]  

Alison Bullock

Fayrfax and a cappella anthologies
Early Music 2000 XXVIII: 663-665; doi:10.1093/earlyj/XXVIII.4.663 [PDF] [Request Permissions]  

Fabrice Fitch

Josquin and friends
Early Music 2000 XXVIII: 666-667; doi:10.1093/earlyj/XXVIII.4.666 [PDF] [Request Permissions]  

Noel O'Regan

Battles and burials in Renaissance Spain
Early Music 2000 XXVIII: 668-671; doi:10.1093/earlyj/XXVIII.4.668 [PDF] [Request Permissions]  

Stephen Rose

Bach cantatas in abundance
Early Music 2000 XXVIII: 671-674; doi:10.1093/earlyj/XXVIII.4.671 [PDF] [Request Permissions]  

Fabrice Fitch

Postscript
Early Music 2000 XXVIII: 676; doi:10.1093/earlyj/XXVIII.4.676 [PDF] [Request Permissions]  

Mark Humphreys

Imagination and historical sense
Early Music 2000 XXVIII: 677; doi:10.1093/earlyj/XXVIII.4.677 [PDF] [Request Permissions]  

Miguel Ángel Marín

Bach comes to Dublin
Early Music 2000 XXVIII: 678-679; doi:10.1093/earlyj/XXVIII.4.678 [PDF] [Request Permissions]  

Eric Van Tassel

Bach performance practice
Early Music 2000 XXVIII: 679-680; doi:10.1093/earlyj/XXVIII.4.679 [PDF] [Request Permissions]  

Jeremy Montagu

Instruments
Early Music 2000 XXVIII: 681-684; doi:10.1093/earlyj/XXVIII.4.681 [PDF] [Request Permissions]  

RICHARD MAUNDER

Mozart's Walter fortepiano
Early Music 2000 XXVIII: 685-686; doi:10.1093/earlyj/XXVIII.4.685 [PDF] [Request Permissions]  

EVA BADURA-SKODA

Mozart's Walter fortepiano
Early Music 2000 XXVIII: 686; doi:10.1093/earlyj/XXVIII.4.686 [PDF] [Request Permissions]  

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