Early Music

Articles

TESS KNIGHTON

Editorial
Early Music 2000 XXVIII: 340-342; doi:10.1093/earlyj/XXVIII.3.340 [PDF] [Request Permissions]  

Christopher Page

Around the Performance of a 13th-century motet
Early Music 2000 XXVIII: 343-358; doi:10.1093/earlyj/XXVIII.3.343 [PDF] [Request Permissions]  

Magnus Williamson

Pictura et scriptura: The Eton Choirbook in its iconographical context
Early Music 2000 XXVIII: 359-382; doi:10.1093/earlyj/XXVIII.3.359 [PDF] [Request Permissions]  

Klaus Pietschmann

A Renaissance composer writes to his patrons: Newly discovered letters from Cristóbal de Morales to Cosimo I de' Medici and Cardinal Alessandro Farnese
Early Music 2000 XXVIII: 383-402; doi:10.1093/earlyj/XXVIII.3.383 [PDF] [Request Permissions]  

Noel O'Regan

Tomás Luis de Victoria‘s Roman churches revisited
Early Music 2000 XXVIII: 403-420; doi:10.1093/earlyj/XXVIII.3.403 [PDF] [Request Permissions]  

Edmund A. Bowles

Music in court festivals of state: festival books as sources for performance practices
Early Music 2000 XXVIII: 421-444; doi:10.1093/earlyj/XXVIII.3.421 [PDF] [Request Permissions]  

Edward Corp

François Couperin and the Stuart court at Saint-Germain-en-Laye, 1691–1712; a new interpretation
Early Music 2000 XXVIII: 445-453; doi:10.1093/earlyj/XXVIII.3.445 [PDF] [Request Permissions]  

Bernard D. Sherman

Bach’s notation of tempo and early music performance: some reconsiderations
Early Music 2000 XXVIII: 454-468; doi:10.1093/earlyj/XXVIII.3.454 [PDF] [Request Permissions]  

Eva Badura-skoda

The Anton Walter fortepiano—Mozart's beloved concert instrument: A response to Michael Latcham
Early Music 2000 XXVIII: 469-473; doi:10.1093/earlyj/XXVIII.3.469 [PDF] [Request Permissions]  

Eva Badura-skoda

Michael Latcham replies
Early Music 2000 XXVIII: 474-476; doi:10.1093/earlyj/XXVIII.3.474 [PDF] [Request Permissions]  

Dean Jeffrey

Musicians in late 15th-century Milan
Early Music 2000 XXVIII: 477-479; doi:10.1093/earlyj/XXVIII.3.477 [PDF] [Request Permissions]  

Keith Elcombe

Choir sizes again
Early Music 2000 XXVIII: 480-482; doi:10.1093/earlyj/XXVIII.3.480 [PDF] [Request Permissions]  

Fabrice Fitch

Double Martini
Early Music 2000 XXVIII: 483-484; doi:10.1093/earlyj/XXVIII.3.483 [PDF] [Request Permissions]  

David Fallows

Briefly noted
Early Music 2000 XXVIII: 484-486; doi:10.1093/earlyj/XXVIII.3.484 [PDF] [Request Permissions]  

Yolanda Plumley

Guillaume de Machaut 700 years on
Early Music 2000 XXVIII: 487-489; doi:10.1093/earlyj/XXVIII.3.487 [PDF] [Request Permissions]  

Fabrice Fitch

Agricola on CD
Early Music 2000 XXVIII: 489-491; doi:10.1093/earlyj/XXVIII.3.489 [PDF] [Request Permissions]  

Lucy Robinson

Holborne and Dowland: passion and melancholy
Early Music 2000 XXVIII: 491-493; doi:10.1093/earlyj/XXVIII.3.491 [PDF] [Request Permissions]  

Howard Schott

Byrd's keyboard music complete
Early Music 2000 XXVIII: 494-495; doi:10.1093/earlyj/XXVIII.3.494 [PDF] [Request Permissions]  

John Kitchen

Music by Scarlatti, Provenzale, Bononcini and Caldara
Early Music 2000 XXVIII: 496-499; doi:10.1093/earlyj/XXVIII.3.496 [PDF] [Request Permissions]  

Jennifer Thorp

Historical dance conference
Early Music 2000 XXVIII: 500-501; doi:10.1093/earlyj/XXVIII.3.500 [PDF] [Request Permissions]  

Howard Schott

Vivaldi's violins
Early Music 2000 XXVIII: 502-503; doi:10.1093/earlyj/XXVIII.3.502 [PDF] [Request Permissions]  

Beryl Kenyon de Pascual

Investigating early pianos
Early Music 2000 XXVIII: 503-505; doi:10.1093/earlyj/XXVIII.3.503 [PDF] [Request Permissions]  

Michael Zwiebach

Berkeley Festival
Early Music 2000 XXVIII: 505-506; doi:10.1093/earlyj/XXVIII.3.505 [PDF] [Request Permissions]  

SIMON RAVENS

Countertenor counterblast
Early Music 2000 XXVIII: 507-508; doi:10.1093/earlyj/XXVIII.3.507 [PDF] [Request Permissions]  

DAVID HUMPHREYS

Talli's Suscipe quaeso
Early Music 2000 XXVIII: 508-509; doi:10.1093/earlyj/XXVIII.3.508 [PDF] [Request Permissions]  

JOSÉ SIERRA PÉREZ

El Escorial polyphony
Early Music 2000 XXVIII: 509; doi:10.1093/earlyj/XXVIII.3.509-a [PDF] [Request Permissions]  

CARL WILLETTS

Gibbons keyboard music
Early Music 2000 XXVIII: 509; doi:10.1093/earlyj/XXVIII.3.509-b [PDF] [Request Permissions]  

Howard Schott replies
Early Music 2000 XXVIII: 509; doi:10.1093/earlyj/XXVIII.3.509-c [PDF] [Request Permissions]  

PETER DOWNEY

Early music of Ireland
Early Music 2000 XXVIII: 510; doi:10.1093/earlyj/XXVIII.3.510-a [PDF] [Request Permissions]  

Early music of Ireland: Ann Buckley, Consultant Editor of the Irish issue, replies
Early Music 2000 XXVIII: 510; doi:10.1093/earlyj/XXVIII.3.510-b [PDF] [Request Permissions]  

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