Early Music -- Table of Contents ( 2000, XXVIII [2])

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Contents: Volume XXVIII, Number 2, 2000 [Index by Author]
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Articles

ANN BUCKLEY: Editorial
Early Music 2000 XXVIII: 164; doi:10.1093/earlyj/XXVIII.2.164 [PDF] [Request Permissions]

Ann Buckley: Music and musicians in medieval Irish society
Early Music 2000 XXVIII: 165-192; doi:10.1093/earlyj/XXVIII.2.165 [PDF] [Request Permissions]

Patrick V. Brannon: Medieval Ireland: music in cathedral, church and cloister
Early Music 2000 XXVIII: 193-204; doi:10.1093/earlyj/XXVIII.2.193 [PDF] [Request Permissions]

Sara Gibbs Casey: ‘Through a glass, darkly’: Steps towards reconstructing Irish chant from the neumes of the Drummond Missal
Early Music 2000 XXVIII: 205-216; doi:10.1093/earlyj/XXVIII.2.205 [PDF] [Request Permissions]

Martin Czernin: Fragments of liturgical chant from medieval Irish monasteries in continental Europe
Early Music 2000 XXVIII: 217-225; doi:10.1093/earlyj/XXVIII.2.217 [PDF] [Request Permissions]

Theodore Karp: A serendipitous encounter with St Kilian
Early Music 2000 XXVIII: 227-237; doi:10.1093/earlyj/XXVIII.2.227 [PDF] [Request Permissions]

Barra Boydell: ‘Now that the Lord hath readvanc'd the crown’: Richard Hosier, Durham Ms. B.1 and the early Restoration anthem repertory at the cathedrals
Early Music 2000 XXVIII: 238-252; doi:10.1093/earlyj/XXVIII.2.238 [PDF] [Request Permissions]

Paul Nixon: Keyboard instruments in Dublin, c.1560–1860: ‘A much neglected section of Irish musical history ... ’
Early Music 2000 XXVIII: 253-269; doi:10.1093/earlyj/XXVIII.2.253 [PDF] [Request Permissions]

Jann Cosart, Angela Mariani, Chris Smith, and David Stattelman: Reconstructing the music of medieval Ireland: Altramar's Crossroads of the Celts
Early Music 2000 XXVIII: 271-282; doi:10.1093/earlyj/XXVIII.2.271 [PDF] [Request Permissions]

Fabrice Fitch: Busnoys the bruiser
Early Music 2000 XXVIII: 283-285; doi:10.1093/earlyj/XXVIII.2.283 [PDF] [Request Permissions]

Julie Anne Sadie: Lully's editorial conundrums
Early Music 2000 XXVIII: 286-287; doi:10.1093/earlyj/XXVIII.2.286 [PDF] [Request Permissions]

Stanley Sadie: Views of Handel
Early Music 2000 XXVIII: 288-290; doi:10.1093/earlyj/XXVIII.2.288 [PDF] [Request Permissions]

Peter Phillips: Practical Josquin?
Early Music 2000 XXVIII: 291; doi:10.1093/earlyj/XXVIII.2.291 [PDF] [Request Permissions]

David Fallows: More frottolas at last
Early Music 2000 XXVIII: 292-293; doi:10.1093/earlyj/XXVIII.2.292 [PDF] [Request Permissions]

Jonathan Baxendable: Purcell the teacher
Early Music 2000 XXVIII: 294-295; doi:10.1093/earlyj/XXVIII.2.294 [PDF] [Request Permissions]

Elizabeth Roche: Massed choirs
Early Music 2000 XXVIII: 296-298; doi:10.1093/earlyj/XXVIII.2.296 [PDF] [Request Permissions]

Ann Buckley: Demystifying the Celts
Early Music 2000 XXVIII: 299-301; doi:10.1093/earlyj/XXVIII.2.299 [PDF] [Request Permissions]

Martin Picker: Isaac, Senfl and friends
Early Music 2000 XXVIII: 301-304; doi:10.1093/earlyj/XXVIII.2.301 [PDF] [Request Permissions]

Howard Schott: Gibbons on the virginals
Early Music 2000 XXVIII: 304-305; doi:10.1093/earlyj/XXVIII.2.304 [PDF] [Request Permissions]

Tim Cater: Madrigals and duets
Early Music 2000 XXVIII: 306-308; doi:10.1093/earlyj/XXVIII.2.306 [PDF] [Request Permissions]

Donald Burrows: Handel oratorios (and L'Allegro)
Early Music 2000 XXVIII: 308-310; doi:10.1093/earlyj/XXVIII.2.308 [PDF] [Request Permissions]

James Parsons: The Lied before Schubert
Early Music 2000 XXVIII: 310-312; doi:10.1093/earlyj/XXVIII.2.310 [PDF] [Request Permissions]

Tim Carter: Urban musicology
Early Music 2000 XXVIII: 313-314; doi:10.1093/earlyj/XXVIII.2.313 [PDF] [Request Permissions]

Iain Fenlon: Franco-Italian cross-currents
Early Music 2000 XXVIII: 314-315; doi:10.1093/earlyj/XXVIII.2.314 [PDF] [Request Permissions]

Ruth Deford: Analysing Renaissance polyphony
Early Music 2000 XXVIII: 316-318; doi:10.1093/earlyj/XXVIII.2.316 [PDF] [Request Permissions]

Arthur Searle: Printed and manuscript music at auction,1999
Early Music 2000 XXVIII: 319-324; doi:10.1093/earlyj/XXVIII.2.319 [PDF] [Request Permissions]

David Fallows and Stefan Morent: Andrea von Ramm (1928–99)
Early Music 2000 XXVIII: 325-326; doi:10.1093/earlyj/XXVIII.2.325 [PDF] [Request Permissions]

Brain Jeffery: June Yakeley (1949–99)
Early Music 2000 XXVIII: 327-329; doi:10.1093/earlyj/XXVIII.2.327 [PDF] [Request Permissions]

ANDREAS E BEURMANN: Spanish harpsichords
Early Music 2000 XXVIII: 329; doi:10.1093/earlyj/XXVIII.2.329-a [PDF] [Request Permissions]

KERRY McCARTHY: Byrd's suscipe quaeso
Early Music 2000 XXVIII: 329; doi:10.1093/earlyj/XXVIII.2.329-b [PDF] [Request Permissions]

ALISON ADAMS: Barbarini Lupus
Early Music 2000 XXVIII: 329-330; doi:10.1093/earlyj/XXVIII.2.329-c [PDF] [Request Permissions]

CARL SLOANE: Initials in Scarlatti manuscripts
Early Music 2000 XXVIII: 330-331; doi:10.1093/earlyj/XXVIII.2.330 [PDF] [Request Permissions]

WINTON DEAN: Handel's audience
Early Music 2000 XXVIII: 331-332; doi:10.1093/earlyj/XXVIII.2.331 [PDF] [Request Permissions]

: Handel's audience: David hunter replies:
Early Music 2000 XXVIII: 332; doi:10.1093/earlyj/XXVIII.2.332 [PDF] [Request Permissions]

DAVID PONSFORD: Interpreting the notes inégales evidence
Early Music 2000 XXVIII: 333; doi:10.1093/earlyj/XXVIII.2.333 [PDF] [Request Permissions]