Early Music

Articles

Tess Knighton

Editorial
Early Music 2000 XXVIII: 5-7; doi:10.1093/earlyj/XXVIII.1.5 [PDF] [Request Permissions]  

Myrna Herzog

Is the quinton a viol? A puzzle unravelled
Early Music 2000 XXVIII: 8-31; doi:10.1093/earlyj/XXVIII.1.8 [PDF] [Request Permissions]  

David Hunter

Patronizing Handel, inventing audiences: The intersections of class, money, music and history
Early Music 2000 XXVIII: 32-49; doi:10.1093/earlyj/XXVIII.1.32 [PDF] [Request Permissions]  

Anthony Fiumara

Escobedo's Missa Philippus Rex Hispanie: a Spanish descendant of Josquin's Hercules Mass
Early Music 2000 XXVIII: 50-64; doi:10.1093/earlyj/XXVIII.1.50 [PDF] [Request Permissions]  

Samantha Owens

An Italian oboist in Germany: double reed making c. 1750
Early Music 2000 XXVIII: 65-72; doi:10.1093/earlyj/XXVIII.1.65 [PDF] [Request Permissions]  

Bart van Oort

Haydn and the English classical piano style
Early Music 2000 XXVIII: 73-90; doi:10.1093/earlyj/XXVIII.1.73 [PDF] [Request Permissions]  

John Koster

A contemporary example of harpsichord forgery
Early Music 2000 XXVIII: 91-97; doi:10.1093/earlyj/XXVIII.1.91 [PDF] [Request Permissions]  

John Byrt

Some new interpretations of the notes inégales evidence
Early Music 2000 XXVIII: 98-113; doi:10.1093/earlyj/XXVIII.1.98 [PDF] [Request Permissions]  

Margaret Bent

Varieties of motet
Early Music 2000 XXVIII: 114-116; doi:10.1093/earlyj/XXVIII.1.114 [PDF] [Request Permissions]  

David Fallows

Briefly noted
Early Music 2000 XXVIII: 116-120; doi:10.1093/earlyj/XXVIII.1.116 [PDF] [Request Permissions]  

Peter Syrus

Italian instrumental music from Garland
Early Music 2000 XXVIII: 121-122; doi:10.1093/earlyj/XXVIII.1.121 [PDF] [Request Permissions]  

Lionel Sawkins

French opera large and small
Early Music 2000 XXVIII: 123-124; doi:10.1093/earlyj/XXVIII.1.123 [PDF] [Request Permissions]  

Jenny Hodgson

I Fiamminghi
Early Music 2000 XXVIII: 125-131; doi:10.1093/earlyj/XXVIII.1.125 [PDF] [Request Permissions]  

Alison Bullock

Byrd consort songs
Early Music 2000 XXVIII: 131-133; doi:10.1093/earlyj/XXVIII.1.131 [PDF] [Request Permissions]  

Jeanice Brooks

16th-century French secular music
Early Music 2000 XXVIII: 133-137; doi:10.1093/earlyj/XXVIII.1.133 [PDF] [Request Permissions]  

Christopher Maxim

Buxtehude vocal music
Early Music 2000 XXVIII: 138-139; doi:10.1093/earlyj/XXVIII.1.138 [PDF] [Request Permissions]  

Howard Schott

Bach partitas on the clavichord
Early Music 2000 XXVIII: 140-142; doi:10.1093/earlyj/XXVIII.1.140 [PDF] [Request Permissions]  

David J. Smith

Sweelinck symposium
Early Music 2000 XXVIII: 143; doi:10.1093/earlyj/XXVIII.1.143 [PDF] [Request Permissions]  

Lance Whitehead

The tangent strikes again
Early Music 2000 XXVIII: 144-146; doi:10.1093/earlyj/XXVIII.1.144 [PDF] [Request Permissions]  

Cynthia J. Cyrus

Josquin in the fishbowl
Early Music 2000 XXVIII: 147-148; doi:10.1093/earlyj/XXVIII.1.147 [PDF] [Request Permissions]  

Kate Bolton

Scarlatti in Sicily
Early Music 2000 XXVIII: 149; doi:10.1093/earlyj/XXVIII.1.149 [PDF] [Request Permissions]  

Tess Knighton, Nicholas Kenyon, Peter Campbell, Howard Schott, Peter Phillips, Neal Zaslaw, Eric Van Tassel, Antony Rowland-Jones, and Arthur Boyars

Obituary
Early Music 2000 XXVIII: 150-158; doi:10.1093/earlyj/XXVIII.1.150 [PDF] [Request Permissions]  

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