Early Music

Articles

TIM CARTER

Editorial
Early Music 1999 XXVII: 356-357; doi:10.1093/earlyj/XXVII.3.356 [PDF] [Request Permissions]  

Laurie Stras

Recording Tarquinia: imitation, parody and reportage in Ingegneri's ‘Hor che 'l ciel e la terra e 'l vento tace’
Early Music 1999 XXVII: 358-378; doi:10.1093/earlyj/XXVII.3.358 [PDF] [Request Permissions]  

Leofranc Holford-Strevens

‘Her eyes became two spouts’: classical antecedents of Renaissance laments
Early Music 1999 XXVII: 379-394; doi:10.1093/earlyj/XXVII.3.379 [PDF] [Request Permissions]  

Tim Carter

Lamenting Ariadne?
Early Music 1999 XXVII: 395-406; doi:10.1093/earlyj/XXVII.3.395 [PDF] [Request Permissions]  

Anne MacNeil

Weeping at the water's edge
Early Music 1999 XXVII: 407-418; doi:10.1093/earlyj/XXVII.3.407 [PDF] [Request Permissions]  

Jeanice Brooks

Catherine de Médicis, nouvelle Artémise: women's laments and the virtue of grief
Early Music 1999 XXVII: 419-436; doi:10.1093/earlyj/XXVII.3.419 [PDF] [Request Permissions]  

Suzanne G. Cusick

Re-voicing Arianna (and laments): two women respond
Early Music 1999 XXVII: 436-450; doi:10.1093/earlyj/XXVII.3.436 [PDF] [Request Permissions]  

Paola Besutti

The ‘Sala degli Specchi’ uncovered: Monteverdi, the Gonzagas and the Palazzo Ducale, Mantua
Early Music 1999 XXVII: 451-466; doi:10.1093/earlyj/XXVII.3.451 [PDF] [Request Permissions]  

Franco Bruni

17th-century music prints at Mdina Cathedral, Malta
Early Music 1999 XXVII: 467-480; doi:10.1093/earlyj/XXVII.3.467 [PDF] [Request Permissions]  

Roger Bowers

Documentary synthesis
Early Music 1999 XXVII: 481-483; doi:10.1093/earlyj/XXVII.3.481 [PDF] [Request Permissions]  

Peter Jeffery

Solesmes High Mass—or Low?
Early Music 1999 XXVII: 483-485; doi:10.1093/earlyj/XXVII.3.483 [PDF] [Request Permissions]  

Fabrice Fitch

A chromatic fantasia
Early Music 1999 XXVII: 485-488; doi:10.1093/earlyj/XXVII.3.485 [PDF] [Request Permissions]  

David Fallows

Josquin's heritage?
Early Music 1999 XXVII: 489-490; doi:10.1093/earlyj/XXVII.3.489 [PDF] [Request Permissions]  

Barry Cooper

A Shield opera?
Early Music 1999 XXVII: 490-492; doi:10.1093/earlyj/XXVII.3.490 [PDF] [Request Permissions]  

Philip Weller

‘Notre divin Orlande’: Lassus in his time and in ours
Early Music 1999 XXVII: 493-499; doi:10.1093/earlyj/XXVII.3.493 [PDF] [Request Permissions]  

Peter Holman

Biber's Mystery sonatas
Early Music 1999 XXVII: 500-501; doi:10.1093/earlyj/XXVII.3.500 [PDF] [Request Permissions]  

Fabrice Fitch

Postscript
Early Music 1999 XXVII: 501-502; doi:10.1093/earlyj/XXVII.3.501 [PDF] [Request Permissions]  

Michael Spitzer

Haydn symphonies and quartets
Early Music 1999 XXVII: 502-506; doi:10.1093/earlyj/XXVII.3.502 [PDF] [Request Permissions]  

Susan Wollenberg

C. P. E. Bach conference
Early Music 1999 XXVII: 507; doi:10.1093/earlyj/XXVII.3.507 [PDF] [Request Permissions]  

Peter Holman, Jane Ryan, Pam Munks, and Stephen Dodgson

Francis and June Baines
Early Music 1999 XXVII: 508-509; doi:10.1093/earlyj/XXVII.3.508 [PDF] [Request Permissions]  

GRAYDON BEEKS

Guadagni in the dock
Early Music 1999 XXVII: 510; doi:10.1093/earlyj/XXVII.3.510-a [PDF] [Request Permissions]  

Howard Patricia

Guadagni in the dock
Early Music 1999 XXVII: 510; doi:10.1093/earlyj/XXVII.3.510-b [PDF] [Request Permissions]  

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