Early Music

Articles

MICHAEL BURDEN

Editorial
Early Music 1998 XXVI: 549; doi:10.1093/earlyj/XXVI.4.549 [PDF] [Request Permissions]  

Reinhard Strohm

Dramatic dualities: Metastasio and the tradition of the opera pair
Early Music 1998 XXVI: 551-561; doi:10.1093/earlyj/XXVI.4.551 [PDF] [Request Permissions]  

Wendy Heller

Reforming Achilles:gender, opera seria and the rhetoric of the enlightened hero
Early Music 1998 XXVI: 562-582; doi:10.1093/earlyj/XXVI.4.562 [PDF] [Request Permissions]  

Roger Savage

Staging an opera: letters from the Cesarian poet
Early Music 1998 XXVI: 583-595; doi:10.1093/earlyj/XXVI.4.583 [PDF] [Request Permissions]  

Don Neville

Opera or ortorio?: Metastasio's sacred opere serie
Early Music 1998 XXVI: 596-608; doi:10.1093/earlyj/XXVI.4.596 [PDF] [Request Permissions]  

Michael Burden

‘Twittering and trilling’: Swedish reaction to Metastasio
Early Music 1998 XXVI: 609-622; doi:10.1093/earlyj/XXVI.4.609 [PDF] [Request Permissions]  

José-Máximo Leza

Metastasio on the Spanish stage: Operatic adaptations in the public theatres of Madrid in the 1730s
Early Music 1998 XXVI: 623-631; doi:10.1093/earlyj/XXVI.4.623 [PDF] [Request Permissions]  

Roger Savage

A dynastic marriage celebrated
Early Music 1998 XXVI: 632-636; doi:10.1093/earlyj/XXVI.4.632 [PDF] [Request Permissions]  

Andrew Parrott

Bach's chorus: beyond reasonable doubt
Early Music 1998 XXVI: 637-660; doi:10.1093/earlyj/XXVI.4.637 [PDF] [Request Permissions]  

Julian Grimshaw

William Byrd: life and works
Early Music 1998 XXVI: 661-662; doi:10.1093/earlyj/XXVI.4.661 [PDF] [Request Permissions]  

Christine Garratt

A new method for the Baroque flute
Early Music 1998 XXVI: 662-666; doi:10.1093/earlyj/XXVI.4.662 [PDF] [Request Permissions]  

Barbara Sachs

Around and about Locatelli
Early Music 1998 XXVI: 666-669; doi:10.1093/earlyj/XXVI.4.666 [PDF] [Request Permissions]  

Michael Burden

Mother Hubbard's cupboard: early opera in Opera Grove
Early Music 1998 XXVI: 669-672; doi:10.1093/earlyj/XXVI.4.669 [PDF] [Request Permissions]  

John Butt

Reconstructing Bach?
Early Music 1998 XXVI: 673-675; doi:10.1093/earlyj/XXVI.4.673 [PDF] [Request Permissions]  

Warwick Cole

The keyboard music of Georg Benda
Early Music 1998 XXVI: 675-678; doi:10.1093/earlyj/XXVI.4.675 [PDF] [Request Permissions]  

Geoffrey Webber

Through a glass darkly
Early Music 1998 XXVI: 678-680; doi:10.1093/earlyj/XXVI.4.678 [PDF] [Request Permissions]  

Stephen Rees

Late medieval secular song
Early Music 1998 XXVI: 681-685; doi:10.1093/earlyj/XXVI.4.681 [PDF] [Request Permissions]  

Fabrice Fitch

Giovanni de Macque in excelsis
Early Music 1998 XXVI: 685-689; doi:10.1093/earlyj/XXVI.4.685 [PDF] [Request Permissions]  

Lucy Robinson

‘The Spirit of Gambo’
Early Music 1998 XXVI: 689-690; doi:10.1093/earlyj/XXVI.4.689 [PDF] [Request Permissions]  

Eric Cross

An Italian collection
Early Music 1998 XXVI: 690-695; doi:10.1093/earlyj/XXVI.4.690 [PDF] [Request Permissions]  

Graham Sadler

From the birthplace of Venus to the banks of the Seine: opérasballets by Mondonville & Rameau
Early Music 1998 XXVI: 695-698; doi:10.1093/earlyj/XXVI.4.695 [PDF] [Request Permissions]  

Howard Schott

Domenico Scarlatti Festival in Boston
Early Music 1998 XXVI: 699-700; doi:10.1093/earlyj/XXVI.4.699 [PDF] [Request Permissions]  

Virginia Pleasants

Bruges keyboard competition
Early Music 1998 XXVI: 700-701; doi:10.1093/earlyj/XXVI.4.700 [PDF] [Request Permissions]  

Charles Mould

John Barnes, 1928–98
Early Music 1998 XXVI: 702; doi:10.1093/earlyj/XXVI.4.702 [PDF] [Request Permissions]  

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