Early Music

Articles

TESS KNIGHTON

Editorial
Early Music 1998 XXVI: 4-5; doi:10.1093/earlyj/XXVI.1.4 [PDF] [Request Permissions]  

Daniel R. Melamed

Who wrote Lassus's most famous piece?
Early Music 1998 XXVI: 6-28; doi:10.1093/earlyj/XXVI.1.6 [PDF] [Request Permissions]  

Jeanice Brooks

A singer's book in the British Library
Early Music 1998 XXVI: 29-50; doi:10.1093/earlyj/XXVI.1.29 [PDF] [Request Permissions]  

Gregory S. Johnston

Polyphonic keyboard accompaniment in the early Baroque: an alternative to basso continuo
Early Music 1998 XXVI: 51-65; doi:10.1093/earlyj/XXVI.1.51 [PDF] [Request Permissions]  

Ghislaine Kenyon

A Hogarth puzzle
Early Music 1998 XXVI: 66-70; doi:10.1093/earlyj/XXVI.1.66 [PDF] [Request Permissions]  

David P. Jensen

A Florentine harpsichord: Revealing a transitional technology
Early Music 1998 XXVI: 71-86; doi:10.1093/earlyj/XXVI.1.71 [PDF] [Request Permissions]  

Peter Allsop

Da camera e da ballo — alla francese et all'italiana: Functional and national distinctions in Corelli's sonate da camera
Early Music 1998 XXVI: 87-98; doi:10.1093/earlyj/XXVI.1.87 [PDF] [Request Permissions]  

John Butt

Bach's vocal scoring: what can it mean?
Early Music 1998 XXVI: 99-108; doi:10.1093/earlyj/XXVI.1.99 [PDF] [Request Permissions]  

Ton Koopman

Bach's choir, an ongoing story
Early Music 1998 XXVI: 109-122; doi:10.1093/earlyj/XXVI.1.109 [PDF] [Request Permissions]  

Simon Ravens

‘A sweet shrill voice’: The countertenor and vocal scoring in Tudor England
Early Music 1998 XXVI: 123-136; doi:10.1093/earlyj/XXVI.1.123 [PDF] [Request Permissions]  

John Caldwell

Carolingian theory interpreted
Early Music 1998 XXVI: 137-139; doi:10.1093/earlyj/XXVI.1.137 [PDF] [Request Permissions]  

Bonnie J. Blackburn

Ancient music and modern practice
Early Music 1998 XXVI: 139-141; doi:10.1093/earlyj/XXVI.1.139 [PDF] [Request Permissions]  

Bernadette Nelson

Music in 16th-century Toledo
Early Music 1998 XXVI: 141-143; doi:10.1093/earlyj/XXVI.1.141 [PDF] [Request Permissions]  

David J. Smith

Sweelinck's keyboard music
Early Music 1998 XXVI: 143-145; doi:10.1093/earlyj/XXVI.1.143 [PDF] [Request Permissions]  

John Butt

Reinventing Bach criticism
Early Music 1998 XXVI: 145-147; doi:10.1093/earlyj/XXVI.1.145 [PDF] [Request Permissions]  

John Butt

Bach's ‘Great Catholic Mass’
Early Music 1998 XXVI: 147-149; doi:10.1093/earlyj/XXVI.1.147 [PDF] [Request Permissions]  

DR

Book Reviews
Early Music 1998 XXVI: 149-150; doi:10.1093/earlyj/XXVI.1.149 [PDF] [Request Permissions]  

David Skinner

The Byrd Edition; Gradualia II
Early Music 1998 XXVI: 151-152; doi:10.1093/earlyj/XXVI.1.151 [PDF] [Request Permissions]  

Stephen Farr

Frescobaldi's Fiori musicali
Early Music 1998 XXVI: 152-153; doi:10.1093/earlyj/XXVI.1.152 [PDF] [Request Permissions]  

C.Jane Gosine

François Couperin: sacred vocal music
Early Music 1998 XXVI: 153-156; doi:10.1093/earlyj/XXVI.1.153 [PDF] [Request Permissions]  

David Fallows

Dufay's Mass for St Anthony of Padua
Early Music 1998 XXVI: 157-158; doi:10.1093/earlyj/XXVI.1.157 [PDF] [Request Permissions]  

Sean Gallagher

Ockeghem De plus en plus en plus
Early Music 1998 XXVI: 158-160; doi:10.1093/earlyj/XXVI.1.158 [PDF] [Request Permissions]  

Bonnie J. Blackburn

Ockeghem Fors seulement
Early Music 1998 XXVI: 160-162; doi:10.1093/earlyj/XXVI.1.160 [PDF] [Request Permissions]  

Tim Carter

Baroque splendours
Early Music 1998 XXVI: 162-164; doi:10.1093/earlyj/XXVI.1.162 [PDF] [Request Permissions]  

Keith Elcombe

North German Baroque
Early Music 1998 XXVI: 164-165; doi:10.1093/earlyj/XXVI.1.164 [PDF] [Request Permissions]  

Eric Hoeprich

Paris—the New Musée de la Musique
Early Music 1998 XXVI: 166-168; doi:10.1093/earlyj/XXVI.1.166 [PDF] [Request Permissions]  

Bojan Bujic

Music in medieval Slovenia
Early Music 1998 XXVI: 168-169; doi:10.1093/earlyj/XXVI.1.168 [PDF] [Request Permissions]  

Jeremy Summerly

Encontros de Música da Casa de Mateus
Early Music 1998 XXVI: 169-171; doi:10.1093/earlyj/XXVI.1.169 [PDF] [Request Permissions]  

James Chater

Utrecht Early Music Festival 1997
Early Music 1998 XXVI: 171-173; doi:10.1093/earlyj/XXVI.1.171 [PDF] [Request Permissions]  

Virginia Pleasants

Magnano Clavichord Symposium
Early Music 1998 XXVI: 173-174; doi:10.1093/earlyj/XXVI.1.173 [PDF] [Request Permissions]  

Jeremy Montagu

Instruments
Early Music 1998 XXVI: 175-179; doi:10.1093/earlyj/XXVI.1.175 [PDF] [Request Permissions]  

Layton Ring

Some memories of Haslemere
Early Music 1998 XXVI: 180-181; doi:10.1093/earlyj/XXVI.1.180 [PDF] [Request Permissions]  

Virginia Pleasants

Ruth Dyson—a personal tribute
Early Music 1998 XXVI: 181; doi:10.1093/earlyj/XXVI.1.181-a [PDF] [Request Permissions]  

Tim Crawford

Robert Spencer, 1932–97
Early Music 1998 XXVI: 181-183; doi:10.1093/earlyj/XXVI.1.181-b [PDF] [Request Permissions]  

Donald Burrows

Alan Kitching, 1906–97
Early Music 1998 XXVI: 183-184; doi:10.1093/earlyj/XXVI.1.183 [PDF] [Request Permissions]  

Richard Henwood and Nicholas Kenyon

George Malcolm, 1917–97
Early Music 1998 XXVI: 184-187; doi:10.1093/earlyj/XXVI.1.184 [PDF] [Request Permissions]  

SALLY FORTINO

Preserving old pianos
Early Music 1998 XXVI: 188; doi:10.1093/earlyj/XXVI.1.188-a [PDF] [Request Permissions]  

JOHN BYRT

A la recherche du temps perdu ...
Early Music 1998 XXVI: 188; doi:10.1093/earlyj/XXVI.1.188-b [PDF] [Request Permissions]  

IDO ABRAVAYA

A la recherche du temps perdu ...
Early Music 1998 XXVI: 188; doi:10.1093/earlyj/XXVI.1.188-c [PDF] [Request Permissions]  

JOHN CALDWELL

An early English motet
Early Music 1998 XXVI: 189-190; doi:10.1093/earlyj/XXVI.1.189 [PDF] [Request Permissions]  

DAVID SKINNER

The Succession of the earls of Arundel
Early Music 1998 XXVI: 190; doi:10.1093/earlyj/XXVI.1.190 [PDF] [Request Permissions]  

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