Early Music

Articles

Tess Knighton

A love affair
Early Music 1997 XXV: 548-549; doi:10.1093/earlyj/XXV.4.548 [PDF] [Request Permissions]  

John Mansfield Thomson

Early music—100 issues!
Early Music 1997 XXV: 549-553; doi:10.1093/earlyj/XXV.4.549 [PDF] [Request Permissions]  

Arthur Boyars

The survivor speaks
Early Music 1997 XXV: 553-554; doi:10.1093/earlyj/XXV.4.553 [PDF] [Request Permissions]  

Nicholos Kenyon

Time to talk back to treatises!
Early Music 1997 XXV: 555-557; doi:10.1093/earlyj/XXV.4.555 [PDF] [Request Permissions]  

Howard Schott

Early music yesterday, today and tomorrow
Early Music 1997 XXV: 557-558; doi:10.1093/earlyj/XXV.4.557 [PDF] [Request Permissions]  

Curtis Price

Early music: listening practice and living museums
Early Music 1997 XXV: 559-561; doi:10.1093/earlyj/XXV.4.559 [PDF] [Request Permissions]  

Julie Anne Sadie

A sense of place
Early Music 1997 XXV: 561-563; doi:10.1093/earlyj/XXV.4.561 [PDF] [Request Permissions]  

Daniel Leech-Wilkinson

Early music—observations and predictions
Early Music 1997 XXV: 563-564; doi:10.1093/earlyj/XXV.4.563 [PDF] [Request Permissions]  

David Fallows

Two early music revolutions
Early Music 1997 XXV: 564-566; doi:10.1093/earlyj/XXV.4.564 [PDF] [Request Permissions]  

Margaret Bent

‘Authentic’ listening?
Early Music 1997 XXV: 567; doi:10.1093/earlyj/XXV.4.567 [PDF] [Request Permissions]  

Neal Zaslaw

In vino veritas
Early Music 1997 XXV: 568-569; doi:10.1093/earlyj/XXV.4.568 [PDF] [Request Permissions]  

Cezary Zych

A political dimension
Early Music 1997 XXV: 569-570; doi:10.1093/earlyj/XXV.4.569 [PDF] [Request Permissions]  

Clemens Goldberg

A listener's odyssey
Early Music 1997 XXV: 571-573; doi:10.1093/earlyj/XXV.4.571 [PDF] [Request Permissions]  

Dinko Fabris

25 years of early music in Italy
Early Music 1997 XXV: 573-576; doi:10.1093/earlyj/XXV.4.573 [PDF] [Request Permissions]  

Fabrice Fitch

Be in my video
Early Music 1997 XXV: 577-583; doi:10.1093/earlyj/XXV.4.577 [PDF] [Request Permissions]  

John Milsom

The passing of time
Early Music 1997 XXV: 583-590; doi:10.1093/earlyj/XXV.4.583 [PDF] [Request Permissions]  

CHRISTOPHER PAGE

Listening practice—an introduction
Early Music 1997 XXV: 591-592; doi:10.1093/earlyj/XXV.4.591 [PDF] [Request Permissions]  

Bonnie J. Blackburn

For whom do the singers sing?
Early Music 1997 XXV: 593-610; doi:10.1093/earlyj/XXV.4.593 [PDF] [Request Permissions]  

Jeffrey Dean

Listening to sacred polyphony c.1500
Early Music 1997 XXV: 611-637; doi:10.1093/earlyj/XXV.4.611 [PDF] [Request Permissions]  

Christopher Page

Listening to to the trouvères
Early Music 1997 XXV: 639-660; doi:10.1093/earlyj/XXV.4.639 [PDF] [Request Permissions]  

Tess Knighton

Spaces and contexts for listening in 15th–century Castile: the case of the Constable's palace in Jaén
Early Music 1997 XXV: 661-677; doi:10.1093/earlyj/XXV.4.661 [PDF] [Request Permissions]  

William Weber

Did people listen in the 18th century?
Early Music 1997 XXV: 678-692; doi:10.1093/earlyj/XXV.4.678 [PDF] [Request Permissions]  

Shai Burstyn

In quest of the period ear
Early Music 1997 XXV: 692-701; doi:10.1093/earlyj/XXV.4.692 [PDF] [Request Permissions]  

Eric Van Tassel

‘Something utterly new’: listening to Schubert Lieder
Early Music 1997 XXV: 702-714; doi:10.1093/earlyj/XXV.4.702 [PDF] [Request Permissions]  

Malcolm Bilson

The future of Schubert interpretation: what is really needed?
Early Music 1997 XXV: 715-722; doi:10.1093/earlyj/XXV.4.715 [PDF] [Request Permissions]  

Robert D. Levin

Performance prerogatives in Schubert
Early Music 1997 XXV: 723-727; doi:10.1093/earlyj/XXV.4.723 [PDF] [Request Permissions]  

Joshua Rifkin

Page turns, players and ripieno parts: more questions of scoring in Bach's vocal music
Early Music 1997 XXV: 728-735; doi:10.1093/earlyj/XXV.4.728 [PDF] [Request Permissions]  

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