Early Music

Articles

TESS KNIGHTON

Editorial
Early Music 1997 XXV: 356; doi:10.1093/earlyj/XXV.3.356 [PDF] [Request Permissions]  

Anthony Pryer

Monteverdi, two sonnets and a letter
Early Music 1997 XXV: 357-372; doi:10.1093/earlyj/XXV.3.357 [PDF] [Request Permissions]  

Cliff Eisen

Another look at the ‘corrupt passage’ in Mozart's G minor symphony, K550
Early Music 1997 XXV: 373-382; doi:10.1093/earlyj/XXV.3.373 [PDF] [Request Permissions]  

Michael Latcham

Mozart and the pianos of Gabriel Anton Walter
Early Music 1997 XXV: 383-400; doi:10.1093/earlyj/XXV.3.383 [PDF] [Request Permissions]  

Gretchen Peters

Urban musical culture in late medieval southern France: Evidence from private notarial contracts
Early Music 1997 XXV: 403-410; doi:10.1093/earlyj/XXV.3.403 [PDF] [Request Permissions]  

Beryl Kenyon de Pascual

Two contributions to dulcian iconography
Early Music 1997 XXV: 412-428; doi:10.1093/earlyj/XXV.3.412 [PDF] [Request Permissions]  

Edward R. Reilly

Quantz and the transverse flute: Some aspects of his practice and thought regarding the instrument
Early Music 1997 XXV: 429-440; doi:10.1093/earlyj/XXV.3.429 [PDF] [Request Permissions]  

Steven Zohn

New light on Quantz's advocacy of Telemann's music
Early Music 1997 XXV: 441-461; doi:10.1093/earlyj/XXV.3.441 [PDF] [Request Permissions]  

Bernard D. Sherman

Tempos and proportions in Brahms: period evidence
Early Music 1997 XXV: 463-478; doi:10.1093/earlyj/XXV.3.463 [PDF] [Request Permissions]  

Tim Jones

Mozart's keyboard concertos reconsidered
Early Music 1997 XXV: 479-484; doi:10.1093/earlyj/XXV.3.479 [PDF] [Request Permissions]  

Owen Rees

Singing the meaning
Early Music 1997 XXV: 484-488; doi:10.1093/earlyj/XXV.3.484 [PDF] [Request Permissions]  

Magnus Williamson

Early Scottish music
Early Music 1997 XXV: 489-491; doi:10.1093/earlyj/XXV.3.489 [PDF] [Request Permissions]  

Bruno Turner

New World polyphony
Early Music 1997 XXV: 491-493; doi:10.1093/earlyj/XXV.3.491 [PDF] [Request Permissions]  

Greta Olson

A 17th-century cancionero
Early Music 1997 XXV: 495-498; doi:10.1093/earlyj/XXV.3.495 [PDF] [Request Permissions]  

C. Jane Gosine

Sacred music by Charpentier
Early Music 1997 XXV: 499-502; doi:10.1093/earlyj/XXV.3.499 [PDF] [Request Permissions]  

John Edwards

Dowland lute solos and songs
Early Music 1997 XXV: 503-506; doi:10.1093/earlyj/XXV.3.503 [PDF] [Request Permissions]  

Philip Weller

Le Jeune and Janequin
Early Music 1997 XXV: 506-509; doi:10.1093/earlyj/XXV.3.506 [PDF] [Request Permissions]  

Graham Sadler

The French Baroque at prayer and at play
Early Music 1997 XXV: 509-512; doi:10.1093/earlyj/XXV.3.509 [PDF] [Request Permissions]  

Howard Schott

Pioneer harpsichordists on CD
Early Music 1997 XXV: 513-518; doi:10.1093/earlyj/XXV.3.513 [PDF] [Request Permissions]  

Joseph Kerman

Piano concertos by Mozart and Beethoven
Early Music 1997 XXV: 519-522; doi:10.1093/earlyj/XXV.3.519 [PDF] [Request Permissions]  

Barbara Haggh

Two conferences—Ockeghem and newly catalogued sources
Early Music 1997 XXV: 523-528; doi:10.1093/earlyj/XXV.3.523 [PDF] [Request Permissions]  

Arthur Searle

Manuscript and printed music
Early Music 1997 XXV: 529-533; doi:10.1093/earlyj/XXV.3.529 [PDF] [Request Permissions]  

Jeremy Montagu

Instruments
Early Music 1997 XXV: 533-538; doi:10.1093/earlyj/XXV.3.533 [PDF] [Request Permissions]  

Charles Mould

Michael Thomas (1922–97)
Early Music 1997 XXV: 539-540; doi:10.1093/earlyj/XXV.3.539 [PDF] [Request Permissions]  

TON KOOPMAN

One-to-a-part? Who then turns the pages?—More on Bach's chorus
Early Music 1997 XXV: 541-542; doi:10.1093/earlyj/XXV.3.541 [PDF] [Request Permissions]  

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