Early Music

Articles

TESS KNIGHTON

Editorial
Early Music 1997 XXV: 5; doi:10.1093/earlyj/XXV.1.5 [PDF] [Request Permissions]  

Christopher Page

An English motet of the 14th century in performance: two contemporary images
Early Music 1997 XXV: 7-34; doi:10.1093/earlyj/XXV.1.7 [PDF] [Request Permissions]  

Matthew Dirst

Bach's French overtures and the politics of overdotting
Early Music 1997 XXV: 35-46; doi:10.1093/earlyj/XXV.1.35 [PDF] [Request Permissions]  

Ido Abravaya

A French overture revisited: Another look at the two versions of BWV831
Early Music 1997 XXV: 47-62; doi:10.1093/earlyj/XXV.1.47 [PDF] [Request Permissions]  

Paul Corneilson

Reconstructing the Mannheim court theatre
Early Music 1997 XXV: 63-82; doi:10.1093/earlyj/XXV.1.63 [PDF] [Request Permissions]  

Lucy Wojcicka-Hruza

A manuscript source for Magnificats by Victoria
Early Music 1997 XXV: 83-99; doi:10.1093/earlyj/XXV.1.83 [PDF] [Request Permissions]  

David Montgomery

Modern Schubert interpretation in the light of the pedagogical sources of his day
Early Music 1997 XXV: 101-120; doi:10.1093/earlyj/XXV.1.101 [PDF] [Request Permissions]  

Barbara Haggh

New publications in Dutch on music before 1700 and a newly discovered 15th-century Dutch manuscript with songs
Early Music 1997 XXV: 121-130; doi:10.1093/earlyj/XXV.1.121 [PDF] [Request Permissions]  

John Harper

Of pipes and windchests: the English organ newly surveyed
Early Music 1997 XXV: 131-133; doi:10.1093/earlyj/XXV.1.131 [PDF] [Request Permissions]  

Alison Wray

Specialist pronunciation for singers
Early Music 1997 XXV: 133-134; doi:10.1093/earlyj/XXV.1.133 [PDF] [Request Permissions]  

Daniel Leech-Wilkinson

A guide to Machaut
Early Music 1997 XXV: 137; doi:10.1093/earlyj/XXV.1.137 [PDF] [Request Permissions]  

Susan Rankin

Parisian polyphony
Early Music 1997 XXV: 139-141; doi:10.1093/earlyj/XXV.1.139 [PDF] [Request Permissions]  

Richard Rastall

Holy Week ceremonies
Early Music 1997 XXV: 141-142; doi:10.1093/earlyj/XXV.1.141 [PDF] [Request Permissions]  

Juan Carlos Asensio

Before Quasimodo: very early polyphony
Early Music 1997 XXV: 145-147; doi:10.1093/earlyj/XXV.1.145 [PDF] [Request Permissions]  

Christopher D. S. Field

Rehabilitating William Lawes
Early Music 1997 XXV: 149-152; doi:10.1093/earlyj/XXV.1.149 [PDF] [Request Permissions]  

Gregory S. Johnston

German sacred Baroque
Early Music 1997 XXV: 152-155; doi:10.1093/earlyj/XXV.1.152 [PDF] [Request Permissions]  

Graham Sadler

To Hell with Charpentier
Early Music 1997 XXV: 155-156; doi:10.1093/earlyj/XXV.1.155 [PDF] [Request Permissions]  

Arthur Searle

Printed and manuscript music
Early Music 1997 XXV: 159-164; doi:10.1093/earlyj/XXV.1.159 [PDF] [Request Permissions]  

KATALIN KOMLÓS

The early fortepiano
Early Music 1997 XXV: 167; doi:10.1093/earlyj/XXV.1.167-a [PDF] [Request Permissions]  

David Rowland

The early fortepiano
Early Music 1997 XXV: 167-168; doi:10.1093/earlyj/XXV.1.167-b [PDF] [Request Permissions]  

PETER PHILLIPS

Obrecht's Maria zart: scholarly opinion versus subjective interpretation
Early Music 1997 XXV: 168-171; doi:10.1093/earlyj/XXV.1.168 [PDF] [Request Permissions]  

Fabrice Fitch

Obrecht's Maria zart: scholarly opinion versus subjective interpretation
Early Music 1997 XXV: 171; doi:10.1093/earlyj/XXV.1.171 [PDF] [Request Permissions]  

PETER WALLS

Performing Corelli's op.5
Early Music 1997 XXV: 172; doi:10.1093/earlyj/XXV.1.172-a [PDF] [Request Permissions]  

JOHN BRYAN

A viol error, certainly
Early Music 1997 XXV: 172; doi:10.1093/earlyj/XXV.1.172-b [PDF] [Request Permissions]  

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