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Contents: Volume XXIX, Number 4, 2001   [Index by Author] 
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To see an article, click its [Full Text] or [PDF] link. To review many abstracts, check the boxes to the left of the titles you want, and click the 'Get All Checked Abstract(s)' button. To see one abstract at a time, click its [Abstract] link.

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TESS KNIGHTON and JOHN MILSOM
Editorial
Early Music 2001 XXIX: 499-500; doi:10.1093/earlyj/XXIX.4.499-a [PDF] [Request Permissions]  

JOHN MILSOM
Editorial
Early Music 2001 XXIX: 499-500; doi:10.1093/earlyj/XXIX.4.499-b [PDF] [Request Permissions]  

Teresa M. Gialdroni and Agostino Ziino
New light on Ottaviano Petrucci's activity, 1520–38: An unknown print of the Motteti dal fiore
Early Music 2001 XXIX: 500-533; doi:10.1093/earlyj/XXIX.4.500 [PDF] [Request Permissions]  

Alexander McGrattan
Italian wind instrumentalists at the Scottish royal court during the 16th century
Early Music 2001 XXIX: 534-552; doi:10.1093/earlyj/XXIX.4.534 [PDF] [Request Permissions]  

Simon Jones
The legacy of the ‘stupendious’ Nicola Matteis
Early Music 2001 XXIX: 553-569; doi:10.1093/earlyj/XXIX.4.553 [PDF] [Request Permissions]  

Peter Leech
Musicians in the Catholic chapel of Catherine of Braganza, 1662–92
Early Music 2001 XXIX: 570-588; doi:10.1093/earlyj/XXIX.4.570 [PDF] [Request Permissions]  

Stephen Rose
Heinrich Albert's Arien in print and performance
Early Music 2001 XXIX: 588-606; doi:10.1093/earlyj/XXIX.4.588 [PDF] [Request Permissions]  

Xavier Cervantes and Thomas McGeary
Handel, Porpora and the ‘Windy Bumm’
Early Music 2001 XXIX: 607-618; doi:10.1093/earlyj/XXIX.4.607 [PDF] [Request Permissions]  

H. Diack Johnstone
A flourish for Handel
Early Music 2001 XXIX: 619-625; doi:10.1093/earlyj/XXIX.4.619 [PDF] [Request Permissions]  

Richard Charteris
Theophilus Hawney: a little-known composer and his much travelled works
Early Music 2001 XXIX: 626-634; doi:10.1093/earlyj/XXIX.4.626 [PDF] [Request Permissions]  

Jeremy Montagu
Medici instruments
Early Music 2001 XXIX: 635-636; doi:10.1093/earlyj/XXIX.4.635 [PDF] [Request Permissions]  

David Humphreys
Bach studies
Early Music 2001 XXIX: 637-640; doi:10.1093/earlyj/XXIX.4.637 [PDF] [Request Permissions]  

Ian Woodfield
Cataloguing the viol
Early Music 2001 XXIX: 640-641; doi:10.1093/earlyj/XXIX.4.640 [PDF] [Request Permissions]  

Robert Thompson
Paper studies present and future
Early Music 2001 XXIX: 641-643; doi:10.1093/earlyj/XXIX.4.641 [PDF] [Request Permissions]  

Robert L. Barclay
Making & preserving instruments
Early Music 2001 XXIX: 643-644; doi:10.1093/earlyj/XXIX.4.643 [PDF] [Request Permissions]  

Roger Bowers
Scotland's early church music
Early Music 2001 XXIX: 644-646; doi:10.1093/earlyj/XXIX.4.644 [PDF] [Request Permissions]  

Laurie Stras
Monteverdi and Ingegneri
Early Music 2001 XXIX: 647-648; doi:10.1093/earlyj/XXIX.4.647 [PDF] [Request Permissions]  

Sam Barrett
Making sense of the Office
Early Music 2001 XXIX: 648-650; doi:10.1093/earlyj/XXIX.4.648 [PDF] [Request Permissions]  

Deborah Kauffman
Tragédie en musique at Saint-Cyr
Early Music 2001 XXIX: 650-652; doi:10.1093/earlyj/XXIX.4.650 [PDF] [Request Permissions]  

Stanley Boorman
Petrucci's frottolas
Early Music 2001 XXIX: 653-654; doi:10.1093/earlyj/XXIX.4.653 [PDF] [Request Permissions]  

Keith Elcombe
Baroque Organ music
Early Music 2001 XXIX: 655-656; doi:10.1093/earlyj/XXIX.4.655 [PDF] [Request Permissions]  

Stephen Rose
Franck and Biber
Early Music 2001 XXIX: 656-657; doi:10.1093/earlyj/XXIX.4.656 [PDF] [Request Permissions]  

Barry Cooper
Potter's Tenth
Early Music 2001 XXIX: 657-658; doi:10.1093/earlyj/XXIX.4.657 [PDF] [Request Permissions]  

Kirkpatrick's ‘48’ on clavichord
Early Music 2001 XXIX: 659-660; doi:10.1093/earlyj/XXIX.4.659 [PDF] [Request Permissions]  

Michael Spitzer
Haydn's Seven Last Words
Early Music 2001 XXIX: 660-661; doi:10.1093/earlyj/XXIX.4.660 [PDF] [Request Permissions]  

Jeanice Brooks
Renaissance repertories
Early Music 2001 XXIX: 661-664; doi:10.1093/earlyj/XXIX.4.661 [PDF] [Request Permissions]  

Neil Heyde
‘Period’ string quartets
Early Music 2001 XXIX: 664-666; doi:10.1093/earlyj/XXIX.4.664 [PDF] [Request Permissions]  

UTA HENNING
Grunewald's Isenheim altarpiece
Early Music 2001 XXIX: 667; doi:10.1093/earlyj/XXIX.4.667-a [PDF] [Request Permissions]  

Mary Rasmussen replies
Early Music 2001 XXIX: 667-669; doi:10.1093/earlyj/XXIX.4.667-b [PDF] [Request Permissions]  

RICHARD MAUNDER
Mozart's Walter fortepiano
Early Music 2001 XXIX: 669; doi:10.1093/earlyj/XXIX.4.669 [PDF] [Request Permissions]  

JEREMY MONTAGU
The Arabic style
Early Music 2001 XXIX: 670; doi:10.1093/earlyj/XXIX.4.670-a [PDF] [Request Permissions]  

PAUL SIMMONDS
Clavichord techniques
Early Music 2001 XXIX: 670; doi:10.1093/earlyj/XXIX.4.670-b [PDF] [Request Permissions]  

To see an article, click its [Full Text] or [PDF] link. To review many abstracts, check the boxes to the left of the titles you want, and click the 'Get All Checked Abstract(s)' button. To see one abstract at a time, click its [Abstract] link.