Early Music -- Table of Contents ( 1996, XXIV [2])

Receive this page by email each issue: [Sign up for eTOCs]

Contents: Volume XXIV, Number 2, 1996 [Index by Author]
Other Issues:

Articles

Find articles in this issue containing these words:
[Search ALL Issues]

Front Matter (PDF) | Back Matter (PDF)

To see an article, click its [Full Text] or [PDF] link. To review many abstracts, check the boxes to the left of the titles you want, and click the 'Get All Checked Abstract(s)' button. To see one abstract at a time, click its [Abstract] link.

Articles

TESS KNIGHTON: Editorial
Early Music 1996 XXIV: 197; doi:10.1093/earlyj/XXIV.2.197 [PDF] [Request Permissions]

Margaret Bent: The early use of the sign ${pi}$
Early Music 1996 XXIV: 199-226; doi:10.1093/earlyj/XXIV.2.199 [PDF] [Request Permissions]

Ephraim Segerman: A re-examination of the evidence on absolute tempo before 1700 — I
Early Music 1996 XXIV: 227-249; doi:10.1093/earlyj/XXIV.2.227 [PDF] [Request Permissions]

Graham Dixon: ‘Behold our affliction’: celebration and supplication in the Gonzaga household
Early Music 1996 XXIV: 251-262; doi:10.1093/earlyj/XXIV.2.251 [PDF] [Request Permissions]

Peter Downey: On sounding the trumpet and beating the drum in 17th-century England
Early Music 1996 XXIV: 263-278; doi:10.1093/earlyj/XXIV.2.263 [PDF] [Request Permissions]

Bennett Zon: The origin of Adeste fideles
Early Music 1996 XXIV: 279-289; doi:10.1093/earlyj/XXIV.2.279 [PDF] [Request Permissions]

Antony Pay: Phrasing in contention
Early Music 1996 XXIV: 290-321; doi:10.1093/earlyj/XXIV.2.290 [PDF] [Request Permissions]

John Butt: Acting up a text: the scholarship of performance and the performance of scholarship
Early Music 1996 XXIV: 323-332; doi:10.1093/earlyj/XXIV.2.323 [PDF] [Request Permissions]

Bonnie J. Blackburn: Voices and instruments
Early Music 1996 XXIV: 335-336; doi:10.1093/earlyj/XXIV.2.335 [PDF] [Request Permissions]

Robert Ehrlich: A guide to the recorder
Early Music 1996 XXIV: 337-338; doi:10.1093/earlyj/XXIV.2.337 [PDF] [Request Permissions]

John Butt: The classical French organ
Early Music 1996 XXIV: 338-340; doi:10.1093/earlyj/XXIV.2.338 [PDF] [Request Permissions]

David Sutherland: The early pianoforte
Early Music 1996 XXIV: 340-342; doi:10.1093/earlyj/XXIV.2.340 [PDF] [Request Permissions]

David Fallows: Manuscript facsimiles
Early Music 1996 XXIV: 345-346; doi:10.1093/earlyj/XXIV.2.345 [PDF] [Request Permissions]

Tess Knighton: Spanish ballads in full
Early Music 1996 XXIV: 346-349; doi:10.1093/earlyj/XXIV.2.346 [PDF] [Request Permissions]

Gretchen A. Wheelock: Recovering Mozart's Fantasy
Early Music 1996 XXIV: 349-351; doi:10.1093/earlyj/XXIV.2.349 [PDF] [Request Permissions]

Alison Bullock: Robert Fayrfax and Robert White
Early Music 1996 XXIV: 353-354; doi:10.1093/earlyj/XXIV.2.353 [PDF] [Request Permissions]

Owen Rees: Portuguese and Spanish music from the ‘Golden Age’ and beyond
Early Music 1996 XXIV: 354-355; doi:10.1093/earlyj/XXIV.2.354 [PDF] [Request Permissions]

Tim Carter: The glory of Venice
Early Music 1996 XXIV: 356-357; doi:10.1093/earlyj/XXIV.2.356 [PDF] [Request Permissions]

Margaret Mabbett: Monteverdi and other Italians
Early Music 1996 XXIV: 357-359; doi:10.1093/earlyj/XXIV.2.357 [PDF] [Request Permissions]

Simon McVeigh: Haydn, Dussek, Boccherini
Early Music 1996 XXIV: 359-360; doi:10.1093/earlyj/XXIV.2.359 [PDF] [Request Permissions]

MARC CHAMPOLLION: Loud and soft in the Baroque
Early Music 1996 XXIV: 363-364; doi:10.1093/earlyj/XXIV.2.363 [PDF] [Request Permissions]

Willem Kroesbergen: Loud and soft in the Baroque
Early Music 1996 XXIV: 364-366; doi:10.1093/earlyj/XXIV.2.364 [PDF] [Request Permissions]

PETER HOLMAN: Purcell and pitch
Early Music 1996 XXIV: 366; doi:10.1093/earlyj/XXIV.2.366-a [PDF] [Request Permissions]

Eric Van Tassel: Purcell and pitch
Early Music 1996 XXIV: 366; doi:10.1093/earlyj/XXIV.2.366-b [PDF] [Request Permissions]