Early Music

Articles

TESS KNIGHTON

Editorial
Early Music 1996 XXIV: 5-6; doi:10.1093/earlyj/XXIV.1.5 [PDF] [Request Permissions]  

Lynn Hulse

‘Musick & Poetry, Mixed’: Thomas Jordan's manuscript collection
Early Music 1996 XXIV: 7-26; doi:10.1093/earlyj/XXIV.1.7 [PDF] [Request Permissions]  

Andrew R. Walkling

Masque and politics at the Restoration court: John Crowne's Calisto
Early Music 1996 XXIV: 27-63; doi:10.1093/earlyj/XXIV.1.27 [PDF] [Request Permissions]  

Curtis Price and William M. S. Rasmussen

Musical images in a portrait of Teresa Blount
Early Music 1996 XXIV: 64-78; doi:10.1093/earlyj/XXIV.1.64 [PDF] [Request Permissions]  

Eric Van Tassel

Purcell's sacred music on record—II
Early Music 1996 XXIV: 79-94; doi:10.1093/earlyj/XXIV.1.79 [PDF] [Request Permissions]  

Neal Zaslaw

Ornaments for Corelli's Violin Sonatas, op.5
Early Music 1996 XXIV: 95-118; doi:10.1093/earlyj/XXIV.1.95 [PDF] [Request Permissions]  

Robert E. Seletsky

18th-century variations for Corelli's Sonatas, op.5
Early Music 1996 XXIV: 119-132; doi:10.1093/earlyj/XXIV.1.119 [PDF] [Request Permissions]  

Peter Walls

Performing Corelli's Violin Sonatas, op.5
Early Music 1996 XXIV: 133-143; doi:10.1093/earlyj/XXIV.1.133 [PDF] [Request Permissions]  

Noel O'Regan

The performance of Palestrina: some further observations
Early Music 1996 XXIV: 144-156; doi:10.1093/earlyj/XXIV.1.144 [PDF] [Request Permissions]  

Iain Fenlon

A Palestrina iconography and an archival study of music in Rome
Early Music 1996 XXIV: 157-158; doi:10.1093/earlyj/XXIV.1.157 [PDF] [Request Permissions]  

Malcolm Boyd

Bach as harmony teacher
Early Music 1996 XXIV: 159; doi:10.1093/earlyj/XXIV.1.159 [PDF] [Request Permissions]  

David Ledbetter

18th-century singing treatises
Early Music 1996 XXIV: 160-162; doi:10.1093/earlyj/XXIV.1.160 [PDF] [Request Permissions]  

David Rowland

Fortepianos and their music
Early Music 1996 XXIV: 162-166; doi:10.1093/earlyj/XXIV.1.162 [PDF] [Request Permissions]  

John Irving

Tudor keyboard music
Early Music 1996 XXIV: 167-168; doi:10.1093/earlyj/XXIV.1.167 [PDF] [Request Permissions]  

Judith Blezzard

Early English-texted sacred music
Early Music 1996 XXIV: 168-170; doi:10.1093/earlyj/XXIV.1.168 [PDF] [Request Permissions]  

Owen Rees

Triple-choir works by Palestrina and Victoria
Early Music 1996 XXIV: 170-172; doi:10.1093/earlyj/XXIV.1.170 [PDF] [Request Permissions]  

Christopher Morrongiello

French tablatures and German swans in a 17th-century miscellany
Early Music 1996 XXIV: 172-174; doi:10.1093/earlyj/XXIV.1.172 [PDF] [Request Permissions]  

Fabrice Fitch

Taking risks with the Ars subtilior
Early Music 1996 XXIV: 175-176; doi:10.1093/earlyj/XXIV.1.175 [PDF] [Request Permissions]  

Nicky Losseff

Anonymous 4, an ensemble apart
Early Music 1996 XXIV: 176; doi:10.1093/earlyj/XXIV.1.176-a [PDF] [Request Permissions]  

Daniel Leech-Wilkinson

When medieval music meets modern technology
Early Music 1996 XXIV: 176-178; doi:10.1093/earlyj/XXIV.1.176-b [PDF] [Request Permissions]  

Graham Sadler

‘Skilful musicians of goodwill’: towards a rehabilitation of Rameau's Hippolyte et Aricie
Early Music 1996 XXIV: 178-180; doi:10.1093/earlyj/XXIV.1.178 [PDF] [Request Permissions]  

Michael Burden

Purcell and Elgar
Early Music 1996 XXIV: 181-182; doi:10.1093/earlyj/XXIV.1.181 [PDF] [Request Permissions]  

Tim Carter

Holland Festival of Early Music
Early Music 1996 XXIV: 182-183; doi:10.1093/earlyj/XXIV.1.182 [PDF] [Request Permissions]  

Bonnie J. Blackburn

Binchois tout seul?
Early Music 1996 XXIV: 184-186; doi:10.1093/earlyj/XXIV.1.184 [PDF] [Request Permissions]  

Peter Watchorn

Isolde Ahlgrimm, 1914–95
Early Music 1996 XXIV: 187-188; doi:10.1093/earlyj/XXIV.1.187 [PDF] [Request Permissions]  

RALPH LEAVIS

C. P. E. Bach lost or Quantz found?
Early Music 1996 XXIV: 189; doi:10.1093/earlyj/XXIV.1.189-a [PDF] [Request Permissions]  

Jeanne Swack

C. P. E. Bach lost or Quantz found?
Early Music 1996 XXIV: 189; doi:10.1093/earlyj/XXIV.1.189-b [PDF] [Request Permissions]  

MALCOLM BOYD

Scarlatti and the fortepiano in Spain
Early Music 1996 XXIV: 189-190; doi:10.1093/earlyj/XXIV.1.189-c [PDF] [Request Permissions]  

David Sutherland

Scarlatti and the fortepiano in Spain
Early Music 1996 XXIV: 190; doi:10.1093/earlyj/XXIV.1.190-a [PDF] [Request Permissions]  

Historical instruments in recording
Early Music 1996 XXIV: 190; doi:10.1093/earlyj/XXIV.1.190-b [PDF] [Request Permissions]  

Handel Institute Awards 1996/97
Early Music 1996 XXIV: 190; doi:10.1093/earlyj/XXIV.1.190-c [PDF] [Request Permissions]  

Villa I Tatti
Early Music 1996 XXIV: 190; doi:10.1093/earlyj/XXIV.1.190-d [PDF] [Request Permissions]  

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