Early Music -- Table of Contents ( 1995, XXIII [2])

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Contents: Volume XXIII, Number 2, 1995 [Index by Author]
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Articles

TESS KNIGHTON: Editorial
Early Music 1995 XXIII: 197; doi:10.1093/earlyj/XXIII.2.197 [PDF] [Request Permissions]

John Buttrey: New light on Robert Cambert in London, and his Ballet et Musique
Early Music 1995 XXIII: 198-222; doi:10.1093/earlyj/XXIII.2.198 [PDF] [Request Permissions]

Fiona Kisby: Music and musicians of early Tudor Westminster
Early Music 1995 XXIII: 223-242; doi:10.1093/earlyj/XXIII.2.223 [PDF] [Request Permissions]

David Sutherland: Domenico Scarlatti and the Florentine Piano
Early Music 1995 XXIII: 243-257; doi:10.1093/earlyj/XXIII.2.243 [PDF] [Request Permissions]

Eric Hoeprich: The earliest paintings of the clarinet
Early Music 1995 XXIII: 258-267; doi:10.1093/earlyj/XXIII.2.258 [PDF] [Request Permissions]

Michael Burden: ‘Gallimaufry’ at Covent Garden Purcell's The Fairy-Queen in 1946
Early Music 1995 XXIII: 268-286; doi:10.1093/earlyj/XXIII.2.268 [PDF] [Request Permissions]

Richard Maunder and David Rowland: Mozart's pedal piano
Early Music 1995 XXIII: 287-297; doi:10.1093/earlyj/XXIII.2.287 [PDF] [Request Permissions]

Rob C. Wegman: Sense and sensibility in late-medieval music: thoughts on aesthetics and ‘authenticity’
Early Music 1995 XXIII: 298-314; doi:10.1093/earlyj/XXIII.2.298 [PDF] [Request Permissions]

David Ledbetter: What Bach's choirboys knew
Early Music 1995 XXIII: 315-316; doi:10.1093/earlyj/XXIII.2.315 [PDF] [Request Permissions]

Fabrice Fitch: Lassus Magnificat settings
Early Music 1995 XXIII: 316-318; doi:10.1093/earlyj/XXIII.2.316 [PDF] [Request Permissions]

David Fallows: The Squarcialupi Codex
Early Music 1995 XXIII: 319-321; doi:10.1093/earlyj/XXIII.2.319 [PDF] [Request Permissions]

Owen Rees: Latin polyphony by Robert Parsons
Early Music 1995 XXIII: 322-325; doi:10.1093/earlyj/XXIII.2.322 [PDF] [Request Permissions]

Paul McCreesh: Monteverdi Vespers: three new editions
Early Music 1995 XXIII: 325-328; doi:10.1093/earlyj/XXIII.2.325 [PDF] [Request Permissions]

Alan Brown: Music for virginals and other instruments
Early Music 1995 XXIII: 329-330; doi:10.1093/earlyj/XXIII.2.329 [PDF] [Request Permissions]

Matthew Spring: Songs and instrumental music for vihuela, guitar and lute
Early Music 1995 XXIII: 330-331; doi:10.1093/earlyj/XXIII.2.330 [PDF] [Request Permissions]

Marie Ritter: In pursuit of new music: augmenting the recorder repertory
Early Music 1995 XXIII: 331-334; doi:10.1093/earlyj/XXIII.2.331 [PDF] [Request Permissions]

John Kitchen: Divers styles dans I'Eloquence
Early Music 1995 XXIII: 334-335; doi:10.1093/earlyj/XXIII.2.334 [PDF] [Request Permissions]

Richard D. P. Jones: German Baroque instrumental music
Early Music 1995 XXIII: 335-337; doi:10.1093/earlyj/XXIII.2.335 [PDF] [Request Permissions]

Malcolm Boyd: Sacred Bach, echt and unecht
Early Music 1995 XXIII: 338-340; doi:10.1093/earlyj/XXIII.2.338 [PDF] [Request Permissions]

Alan George: Classical and Romantic chamber music for strings
Early Music 1995 XXIII: 341-348; doi:10.1093/earlyj/XXIII.2.341 [PDF] [Request Permissions]

John Bettley: San Marco conference
Early Music 1995 XXIII: 349; doi:10.1093/earlyj/XXIII.2.349-a [PDF] [Request Permissions]

Howard Schott: A memorable Mozart weekend
Early Music 1995 XXIII: 349-351; doi:10.1093/earlyj/XXIII.2.349-b [PDF] [Request Permissions]

Noel O'Regan: Quatercentenary conferences in Palestrina and Duisburg
Early Music 1995 XXIII: 351-354; doi:10.1093/earlyj/XXIII.2.351 [PDF] [Request Permissions]

Arthur Searle: Manuscript and printed music
Early Music 1995 XXIII: 355-360; doi:10.1093/earlyj/XXIII.2.355 [PDF] [Request Permissions]

FREDERICK NEUMANN: Dots and strokes—a controversy
Early Music 1995 XXIII: 361-362; doi:10.1093/earlyj/XXIII.2.361 [PDF] [Request Permissions]

RICHARD MAUNDER: Dots and strokes—a controversy
Early Music 1995 XXIII: 362-363; doi:10.1093/earlyj/XXIII.2.362 [PDF] [Request Permissions]

DAVID MONTGOMERY: Dots and strokes—a controversy
Early Music 1995 XXIII: 363-364; doi:10.1093/earlyj/XXIII.2.363 [PDF] [Request Permissions]

ROGER BOWERS: Proportion in Monteverdi
Early Music 1995 XXIII: 364; doi:10.1093/earlyj/XXIII.2.364-a [PDF] [Request Permissions]

JEFFREY KURTZMAN: Proportion in Monteverdi
Early Music 1995 XXIII: 364-365; doi:10.1093/earlyj/XXIII.2.364-b [PDF] [Request Permissions]

DOUGLAS HOLLICK: J. S. Bach and left-hand-right-hand distribution
Early Music 1995 XXIII: 365-366; doi:10.1093/earlyj/XXIII.2.365 [PDF] [Request Permissions]

PETER WILLIAMS: J. S. Bach and left-hand-right-hand distribution
Early Music 1995 XXIII: 366; doi:10.1093/earlyj/XXIII.2.366-a [PDF] [Request Permissions]

RICHARD TURBET: Ludford, Sheppard, Fayxfax
Early Music 1995 XXIII: 366; doi:10.1093/earlyj/XXIII.2.366-b [PDF] [Request Permissions]

DAVID SKINNER: Ludford, Sheppard, Fayxfax
Early Music 1995 XXIII: 366-368; doi:10.1093/earlyj/XXIII.2.366-c [PDF] [Request Permissions]