Early Music

Articles

TESS KNIGHTON

Editorial
Early Music 1995 XXIII: 5; doi:10.1093/earlyj/XXIII.1.5 [PDF] [Request Permissions]  

Ardal Powell and David Lasocki

Bach and the flute: the players, the instruments, the music
Early Music 1995 XXIII: 9-30; doi:10.1093/earlyj/XXIII.1.9 [PDF] [Request Permissions]  

Jeanne Swack

Quantz and the Sonata in E, major for flute and cembalo, BWV1031
Early Music 1995 XXIII: 31-53; doi:10.1093/earlyj/XXIII.1.31 [PDF] [Request Permissions]  

Claire A. Fontijn

Quantz's unegal: implications for the performance of 18th-century music
Early Music 1995 XXIII: 54-64; doi:10.1093/earlyj/XXIII.1.54 [PDF] [Request Permissions]  

Leta E. Miller

C. P. E. Bach and Friedrich Ludwig DÜlon: Composition and improvisation in late 18th-century Germany
Early Music 1995 XXIII: 65-81; doi:10.1093/earlyj/XXIII.1.65 [PDF] [Request Permissions]  

Martin Kirnbauer and Peter Thalheimer

Jacob Denner and the development of the flute in Germany
Early Music 1995 XXIII: 82-101; doi:10.1093/earlyj/XXIII.1.82 [PDF] [Request Permissions]  

Friedrich von Huene

A flÙte allemande in C and D by Jacob Denner of Nuremberg
Early Music 1995 XXIII: 102-113; doi:10.1093/earlyj/XXIII.1.102 [PDF] [Request Permissions]  

Mary Rasmussen

The case of the flutes in Holbein's The ambassadors
Early Music 1995 XXIII: 114-123; doi:10.1093/earlyj/XXIII.1.114 [PDF] [Request Permissions]  

Donald Greig

Sight-reading: notes on a cappella performace practice
Early Music 1995 XXIII: 124-150; doi:10.1093/earlyj/XXIII.1.124 [PDF] [Request Permissions]  

David Fallows

A new edition of MGG
Early Music 1995 XXIII: 151-152; doi:10.1093/earlyj/XXIII.1.151 [PDF] [Request Permissions]  

Barra Boydell

A woodwind compendium
Early Music 1995 XXIII: 152-154; doi:10.1093/earlyj/XXIII.1.152 [PDF] [Request Permissions]  

Christopher Morrongiello

Elizabethan lute music
Early Music 1995 XXIII: 155-157; doi:10.1093/earlyj/XXIII.1.155 [PDF] [Request Permissions]  

Barry Cooper

A 17th-century English Keyboard
Early Music 1995 XXIII: 158-160; doi:10.1093/earlyj/XXIII.1.158 [PDF] [Request Permissions]  

Bennett Zon

Approaches to plainchant
Early Music 1995 XXIII: 161-165; doi:10.1093/earlyj/XXIII.1.161 [PDF] [Request Permissions]  

Fabrice Fitch

Sacred Renaissance polyphony
Early Music 1995 XXIII: 165-166; doi:10.1093/earlyj/XXIII.1.165 [PDF] [Request Permissions]  

Ian Woodfield

Fantasias, suites and songs
Early Music 1995 XXIII: 166-170; doi:10.1093/earlyj/XXIII.1.166 [PDF] [Request Permissions]  

David Humphreys

Bach concertos
Early Music 1995 XXIII: 171-172; doi:10.1093/earlyj/XXIII.1.171 [PDF] [Request Permissions]  

Lucy Robinson

Leclair—‘an excess of good taste’
Early Music 1995 XXIII: 172-174; doi:10.1093/earlyj/XXIII.1.172 [PDF] [Request Permissions]  

Jeremy Montagu

Instruments at auction
Early Music 1995 XXIII: 175-182; doi:10.1093/earlyj/XXIII.1.175 [PDF] [Request Permissions]  

Irene Alm

Baroque Investigations
Early Music 1995 XXIII: 183-184; doi:10.1093/earlyj/XXIII.1.183 [PDF] [Request Permissions]  

Bonnie J. Blackburn

In pursuit of a dun-coloured horse
Early Music 1995 XXIII: 184-187; doi:10.1093/earlyj/XXIII.1.184 [PDF] [Request Permissions]  

BRUCE WOOD and ANDREW PINNOCK

Not known at this address: more on the dating of Dido
Early Music 1995 XXIII: 188-190; doi:10.1093/earlyj/XXIII.1.188 [PDF] [Request Permissions]  

Corrigenda
Early Music 1995 XXIII: 191-196; doi:10.1093/earlyj/XXIII.1.191-s [Abstract] [PDF] [Request Permissions]  

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