Early Music -- Table of Contents ( 1994, XXII [3])

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Contents: Volume XXII, Number 3, 1994 [Index by Author]
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Articles

TESS KNIGHTON: Editorial
Early Music 1994 XXII: 372; doi:10.1093/earlyj/XXII.3.372 [PDF] [Request Permissions]

Margaret Bent: Editing early music: the dilemma of translation
Early Music 1994 XXII: 373-392; doi:10.1093/earlyj/XXII.3.373 [PDF] [Request Permissions]

David Skinner: ‘At the mynde of Nycholas Ludford’: New light on Ludford from the churchwardens' accounts of St Margaret's, Westminster
Early Music 1994 XXII: 393-415; doi:10.1093/earlyj/XXII.3.393 [PDF] [Request Permissions]

Robert Mullally: More about the measures
Early Music 1994 XXII: 417-440; doi:10.1093/earlyj/XXII.3.417 [PDF] [Request Permissions]

Keith McGowan: The World of the early sackbut player: flat or round?
Early Music 1994 XXII: 441-468; doi:10.1093/earlyj/XXII.3.441 [PDF] [Request Permissions]

Andrew R. Walkling: ‘The dating of Purcell's Dido and Aenas’?: A reply to Bruce Wood and Andrew Pinnock
Early Music 1994 XXII: 469-481; doi:10.1093/earlyj/XXII.3.469 [PDF] [Request Permissions]

Willem Kroesbergen and Jed Wentz: Sonority in the 18th century, un poco più forte?
Early Music 1994 XXII: 483-496; doi:10.1093/earlyj/XXII.3.483 [PDF] [Request Permissions]

Barra Boydell: Langwill redivivus
Early Music 1994 XXII: 497-499; doi:10.1093/earlyj/XXII.3.497 [PDF] [Request Permissions]

Keith Elcombe: A Baroque primer
Early Music 1994 XXII: 499-502; doi:10.1093/earlyj/XXII.3.499 [PDF] [Request Permissions]

David Fallows: Notre-Dame repertory
Early Music 1994 XXII: 503-505; doi:10.1093/earlyj/XXII.3.503 [PDF] [Request Permissions]

Gareth Curtis: Renaissance vocal music
Early Music 1994 XXII: 505-508; doi:10.1093/earlyj/XXII.3.505 [PDF] [Request Permissions]

Julie Anne Sadie: Hardel and Duphly
Early Music 1994 XXII: 509-512; doi:10.1093/earlyj/XXII.3.509 [PDF] [Request Permissions]

: Correction
Early Music 1994 XXII: 510; doi:10.1093/earlyj/XXII.3.510-s [PDF] [Request Permissions]

Tim Carter: Monteverdi circles
Early Music 1994 XXII: 513-514; doi:10.1093/earlyj/XXII.3.513 [PDF] [Request Permissions]

Ian Woodfield: 17th-century English consorts
Early Music 1994 XXII: 514-520; doi:10.1093/earlyj/XXII.3.514 [PDF] [Request Permissions]

Clifford Bartlett: Pandolfi Mealli and others
Early Music 1994 XXII: 521-522; doi:10.1093/earlyj/XXII.3.521 [PDF] [Request Permissions]

Paul Everett: Releasing the energy in Italian instrumental music: Corelli, Locatelli and Sammartini
Early Music 1994 XXII: 523-525; doi:10.1093/earlyj/XXII.3.523 [PDF] [Request Permissions]

Malcolm Boyd: J. S. Bach: two choral masterpieces
Early Music 1994 XXII: 525-526; doi:10.1093/earlyj/XXII.3.525 [PDF] [Request Permissions]

Tim Crawford: 18th-century lutes
Early Music 1994 XXII: 527-529; doi:10.1093/earlyj/XXII.3.527 [PDF] [Request Permissions]

Bernard Harrison: On the periphery of Classical musical canons
Early Music 1994 XXII: 530-532; doi:10.1093/earlyj/XXII.3.530 [PDF] [Request Permissions]

Derek Adlam: Magnano clavichord symposium
Early Music 1994 XXII: 533; doi:10.1093/earlyj/XXII.3.533-a [PDF] [Request Permissions]

Emma Dillon: Purcell conference
Early Music 1994 XXII: 533-536; doi:10.1093/earlyj/XXII.3.533-b [PDF] [Request Permissions]

J. M. Thomson, John Sothcott, David Fallows, and Christopher Page: Michael Morrow, 1929–94
Early Music 1994 XXII: 537-540; doi:10.1093/earlyj/XXII.3.537 [PDF] [Request Permissions]

DANIEL LEECH-WILKINSON: Preserving historical instruments
Early Music 1994 XXII: 541; doi:10.1093/earlyj/XXII.3.541-a [PDF] [Request Permissions]

R. L. BARCLAY: Preserving historical instruments
Early Music 1994 XXII: 541-542; doi:10.1093/earlyj/XXII.3.541-b [PDF] [Request Permissions]

DALE C. CARR: Correspondence
Early Music 1994 XXII: 542; doi:10.1093/earlyj/XXII.3.542-a [PDF] [Request Permissions]

Jeremy Montagu: Correspondence
Early Music 1994 XXII: 542-543; doi:10.1093/earlyj/XXII.3.542-b [PDF] [Request Permissions]