Early Music

Articles

Tess Knighton

Editorial
Early Music 1994 XXII: 197-198; doi:10.1093/earlyj/XXII.2.197 [PDF] [Request Permissions]  

Luis Robledo

Questions of performance practice in Philip III's chapel
Early Music 1994 XXII: 198-220; doi:10.1093/earlyj/XXII.2.198 [PDF] [Request Permissions]  

Michael Noone

A census of monk musicians at El Escorial during the reigns of Philip II and Philip III
Early Music 1994 XXII: 221-238; doi:10.1093/earlyj/XXII.2.221 [PDF] [Request Permissions]  

Bernadette Nelson

Alternatim practice in 17th-century Spain:the integration of organ versets and plainchant in psalms and canticles
Early Music 1994 XXII: 239-260; doi:10.1093/earlyj/XXII.2.239 [PDF] [Request Permissions]  

Owen Ress

Newly identified holograph manuscripts from late-Renaissance Portugal
Early Music 1994 XXII: 261-278; doi:10.1093/earlyj/XXII.2.261 [PDF] [Request Permissions]  

Noel O'Regan

Victoria, Soto and the Spanish Archconfraternity of the Resurrection in Rome
Early Music 1994 XXII: 279-295; doi:10.1093/earlyj/XXII.2.279 [PDF] [Request Permissions]  

Timothy Day

Sir Richard Terry and 16th-Century polyphony
Early Music 1994 XXII: 296-308; doi:10.1093/earlyj/XXII.2.296 [PDF] [Request Permissions]  

Kenneth Kreitner

Peñalosa on record
Early Music 1994 XXII: 309-320; doi:10.1093/earlyj/XXII.2.309 [PDF] [Request Permissions]  

David Fallows

Analysing early music
Early Music 1994 XXII: 321-322; doi:10.1093/earlyj/XXII.2.321 [PDF] [Request Permissions]  

James Harr

Aspects of early opera
Early Music 1994 XXII: 322-324; doi:10.1093/earlyj/XXII.2.322 [PDF] [Request Permissions]  

Barbara Haggh

Liturgical music in medieval England
Early Music 1994 XXII: 325-328; doi:10.1093/earlyj/XXII.2.325 [PDF] [Request Permissions]  

John Morehen

Byrd Edition Gradualia
Early Music 1994 XXII: 329-330; doi:10.1093/earlyj/XXII.2.329 [PDF] [Request Permissions]  

Deiniol Morgan

Blow anthems
Early Music 1994 XXII: 330-331; doi:10.1093/earlyj/XXII.2.330 [PDF] [Request Permissions]  

TK

Spanish church music: an exhibition and a new edition
Early Music 1994 XXII: 332; doi:10.1093/earlyj/XXII.2.332 [PDF] [Request Permissions]  

Richard Langham Smith

French Baroque
Early Music 1994 XXII: 333-334; doi:10.1093/earlyj/XXII.2.333 [PDF] [Request Permissions]  

Robert Spencer

Lute facsimiles
Early Music 1994 XXII: 335-336; doi:10.1093/earlyj/XXII.2.335 [PDF] [Request Permissions]  

Daniel Leech-Wilkinson

Ensemble Project Ars Nova
Early Music 1994 XXII: 337-340; doi:10.1093/earlyj/XXII.2.337 [PDF] [Request Permissions]  

John Caldwell

Historic organs in Italy, Denmark and Switzerland
Early Music 1994 XXII: 341-344; doi:10.1093/earlyj/XXII.2.341 [PDF] [Request Permissions]  

Michael Burden

‘A very good designe’: music from 17th-century England
Early Music 1994 XXII: 345-348; doi:10.1093/earlyj/XXII.2.345 [PDF] [Request Permissions]  

Lucy Robinson

A French Baroque miscellany
Early Music 1994 XXII: 349-352; doi:10.1093/earlyj/XXII.2.349 [PDF] [Request Permissions]  

Graham Sadler

Rameau, rare to well-done
Early Music 1994 XXII: 353-356; doi:10.1093/earlyj/XXII.2.353 [PDF] [Request Permissions]  

Eric Cross

The eclectic Telemann
Early Music 1994 XXII: 357-360; doi:10.1093/earlyj/XXII.2.357 [PDF] [Request Permissions]  

Álvaro Torrente

Conference: Music in Spain during the 18th century
Early Music 1994 XXII: 361-362; doi:10.1093/earlyj/XXII.2.361 [PDF] [Request Permissions]  

Scott-Martin Kosofsky

David Jacques Way, harpsichord maker, 1918–94
Early Music 1994 XXII: 363-364; doi:10.1093/earlyj/XXII.2.363 [PDF] [Request Permissions]  

Nicholas Martin

Peter Whale, harpsichord maker
Early Music 1994 XXII: 364; doi:10.1093/earlyj/XXII.2.364 [PDF] [Request Permissions]  

BRUCE WOOD and ANDREW PINNOCK

‘Singin’ in the rain': yet more on dating Dido
Early Music 1994 XXII: 365-367; doi:10.1093/earlyj/XXII.2.365 [PDF] [Request Permissions]  

M. JENNIFER BLOXAM

Obrecht and chant traditions
Early Music 1994 XXII: 367; doi:10.1093/earlyj/XXII.2.367 [PDF] [Request Permissions]  

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