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Contents: Volume XXII, Number 1, 1994   [Index by Author] 
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To see an article, click its [Full Text] or [PDF] link. To review many abstracts, check the boxes to the left of the titles you want, and click the 'Get All Checked Abstract(s)' button. To see one abstract at a time, click its [Abstract] link.

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ANTHONY ROOLEY
Editorial
Early Music 1994 XXII: 5; doi:10.1093/earlyj/XXII.1.5-a [PDF] [Request Permissions]  

TESS KNIGHTON
Editorial
Early Music 1994 XXII: 5; doi:10.1093/earlyj/XXII.1.5-b [PDF] [Request Permissions]  

Richard Wistreich
‘La voce è grata assai, ma...’: Monteverdi on singing
Early Music 1994 XXII: 7-20; doi:10.1093/earlyj/XXII.1.7 [PDF] [Request Permissions]  

Suzanne G. Cusick
‘There was not one lady who failed to shed a tear’: Arianna's lament and the construction of modern womanhood
Early Music 1994 XXII: 21-44; doi:10.1093/earlyj/XXII.1.21 [PDF] [Request Permissions]  

John Bettley
The Office of Holy Week at St Mark's, Venice, in the late 16th century, and the musical contributions of Giovanni Croce
Early Music 1994 XXII: 45-62; doi:10.1093/earlyj/XXII.1.45 [PDF] [Request Permissions]  

Jeffrey G. Kurtzman
Monteverdi's ‘Mass of Thanksgiving’ revisited
Early Music 1994 XXII: 63-86; doi:10.1093/earlyj/XXII.1.63 [PDF] [Request Permissions]  

Stephen Stubbs
L'armonia sonora: continuo orchestration in Monteverdi's Orfeo
Early Music 1994 XXII: 86-100; doi:10.1093/earlyj/XXII.1.86 [PDF] [Request Permissions]  

Peter Williams
Two case studies in performance practice and the details of notation: 2: J. S. Bach and left-hand-right-hand distribution
Early Music 1994 XXII: 101-114; doi:10.1093/earlyj/XXII.1.101 [PDF] [Request Permissions]  

Curtis Price
Dido and Aeneas: questions of style and evidence
Early Music 1994 XXII: 115-126; doi:10.1093/earlyj/XXII.1.115 [PDF] [Request Permissions]  

Christopher Page
A reply to Margaret Bent
Early Music 1994 XXII: 127-134; doi:10.1093/earlyj/XXII.1.127 [PDF] [Request Permissions]  

Paul Doe
New light on music at the Tudor and Stuart courts
Early Music 1994 XXII: 135-137; doi:10.1093/earlyj/XXII.1.135 [PDF] [Request Permissions]  

David Ledbetter
A guide to Bach's clavier music
Early Music 1994 XXII: 137-139; doi:10.1093/earlyj/XXII.1.137 [PDF] [Request Permissions]  

Ronald Woodley
Historical excavation versus personal imagination
Early Music 1994 XXII: 139-142; doi:10.1093/earlyj/XXII.1.139 [PDF] [Request Permissions]  

Fabrice Fitch
Ockeghem edition completed
Early Music 1994 XXII: 143-145; doi:10.1093/earlyj/XXII.1.143 [PDF] [Request Permissions]  

Emma Wakelin
Canzonettas
Early Music 1994 XXII: 145-148; doi:10.1093/earlyj/XXII.1.145 [PDF] [Request Permissions]  

Jeffrey G. Kurtzman
Monteverdi and his contemporaries
Early Music 1994 XXII: 149-153; doi:10.1093/earlyj/XXII.1.149 [PDF] [Request Permissions]  

Nicky Losseff
Worcester Fragments
Early Music 1994 XXII: 154-155; doi:10.1093/earlyj/XXII.1.154 [PDF] [Request Permissions]  

Fabrice Fitch
Ockeghem's Requiem
Early Music 1994 XXII: 155-156; doi:10.1093/earlyj/XXII.1.155 [PDF] [Request Permissions]  

Kenneth Kreitner
Iberian Renaissance
Early Music 1994 XXII: 157-158; doi:10.1093/earlyj/XXII.1.157 [PDF] [Request Permissions]  

Keith Elcombe
Sacred Baroque
Early Music 1994 XXII: 159-160; doi:10.1093/earlyj/XXII.1.159 [PDF] [Request Permissions]  

David Humphreys
Two Bach Passions
Early Music 1994 XXII: 160-161; doi:10.1093/earlyj/XXII.1.160 [PDF] [Request Permissions]  

Malcolm Boyd
Soler's complete harpsichord works
Early Music 1994 XXII: 161-162; doi:10.1093/earlyj/XXII.1.161 [PDF] [Request Permissions]  

Caroline Wood
Chamber music by Haydn, Mozart and Reicha
Early Music 1994 XXII: 162-164; doi:10.1093/earlyj/XXII.1.162 [PDF] [Request Permissions]  

Brian Newbould
Beethoven's Violin Concerto: the first period-instrument recording
Early Music 1994 XXII: 164-166; doi:10.1093/earlyj/XXII.1.164 [PDF] [Request Permissions]  

Arthur Searle
Manuscript and printed music at auction in London, 1991–3
Early Music 1994 XXII: 167-174; doi:10.1093/earlyj/XXII.1.167 [PDF] [Request Permissions]  

Tricia Holman
Early music in St Petersburg
Early Music 1994 XXII: 175-179; doi:10.1093/earlyj/XXII.1.175 [PDF] [Request Permissions]  

Kenneth Kreitner
21st Annual Conference on Medieval and Renaissance Music
Early Music 1994 XXII: 179-180; doi:10.1093/earlyj/XXII.1.179 [PDF] [Request Permissions]  

Michael Noone
Victoria conference at Avila
Early Music 1994 XXII: 180-181; doi:10.1093/earlyj/XXII.1.180 [PDF] [Request Permissions]  

Tim Carter
Monteverdian encounters
Early Music 1994 XXII: 181-184; doi:10.1093/earlyj/XXII.1.181 [PDF] [Request Permissions]  

DENIS STEVENS
Correspondence
Early Music 1994 XXII: 185-186; doi:10.1093/earlyj/XXII.1.185 [PDF] [Request Permissions]  

LIONEL SAWKINS
Correspondence
Early Music 1994 XXII: 186; doi:10.1093/earlyj/XXII.1.186-a [PDF] [Request Permissions]  

DAVID LASOCKI
Correspondence
Early Music 1994 XXII: 186-187; doi:10.1093/earlyj/XXII.1.186-b [PDF] [Request Permissions]  

JEREMY MONTAGU
Correspondence
Early Music 1994 XXII: 187-189; doi:10.1093/earlyj/XXII.1.187 [PDF] [Request Permissions]  

JEREMY MONTAGU
Correspondence
Early Music 1994 XXII: 189; doi:10.1093/earlyj/XXII.1.189 [PDF] [Request Permissions]  

DAVID HUMPHREYS
Correspondence
Early Music 1994 XXII: 191; doi:10.1093/earlyj/XXII.1.191 [PDF] [Request Permissions]  

To see an article, click its [Full Text] or [PDF] link. To review many abstracts, check the boxes to the left of the titles you want, and click the 'Get All Checked Abstract(s)' button. To see one abstract at a time, click its [Abstract] link.