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Contents: Volume XX, Number 4, November 1992   [Index by Author] 
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Front Matter (PDF) | Back Matter (PDF)

To see an article, click its [Full Text] or [PDF] link. To review many abstracts, check the boxes to the left of the titles you want, and click the 'Get All Checked Abstract(s)' button. To see one abstract at a time, click its [Abstract] link.

Articles Back

Kenneth Kreitner
Minstrels in Spanish churches, 1400-1600
Early Music 1992 XX: 532-548; doi:10.1093/em/XX.4.532 [PDF] [Request Permissions]  

Kimberly Marshall
The organ in 14th-century Spain
Early Music 1992 XX: 549-559; doi:10.1093/em/XX.4.549 [PDF] [Request Permissions]  

Tess Knighton
The a cappella heresy in Spain: an inquisition into the performance of the cancionero repertory
Early Music 1992 XX: 560-582; doi:10.1093/em/XX.4.560 [PDF] [Request Permissions]  

Maricarmen Gómez
Some precursors of the Spanish lute school
Early Music 1992 XX: 583-593; doi:10.1093/em/XX.4.583 [PDF] [Request Permissions]  

Antonio Corona-Alcalde
The earliest vihuela tablature: a recent discovery
Early Music 1992 XX: 594-600; doi:10.1093/em/XX.4.594 [PDF] [Request Permissions]  

Richard Sherr
The ‘Spanish nation’ in the papal chapel, 1492–1521
Early Music 1992 XX: 601-610; doi:10.1093/em/XX.4.601 [PDF] [Request Permissions]  

Beryl Kenyon de Pascual
Clavicordios and clavichords in 16th-century Spain
Early Music 1992 XX: 611-632; doi:10.1093/em/XX.4.611 [PDF] [Request Permissions]  

Jack Sage
A new look at humanism in 16th-century lute and vihuela books
Early Music 1992 XX: 633-641; doi:10.1093/em/XX.4.633 [PDF] [Request Permissions]  

Instruments Back

Laurence Libin
A remarkable guitar by Lorenzo Alonso
Early Music 1992 XX: 642-648; doi:10.1093/em/XX.4.642 [PDF] [Request Permissions]  

Performing Matters Back

Jordi Savall
Performing early Spanish music
Early Music 1992 XX: 649-654; doi:10.1093/em/XX.4.649 [PDF] [Request Permissions]  

Owen Rees
Recordings of Iberian music — a survey
Early Music 1992 XX: 655-658; doi:10.1093/em/XX.4.655 [PDF] [Request Permissions]  

Salerooms Back

Jeremy Montagu
Salerooms
Early Music 1992 XX: 659-662; doi:10.1093/em/XX.4.659 [PDF] [Request Permissions]  

Book Reviews Back

Christopher Page
Peter M. Lefferts, Robertus de Handlo ‘Regule’ and Johannes Hanboys ‘Summa’
Early Music 1992 XX: 663-666; doi:10.1093/em/XX.4.663 [PDF] [Request Permissions]  

Stephen Farmer
Anne Walters Robertson, The Service–Books of the Royal Abbey of Saint–Denis: Images of Ritual and Music in the Middle Ages
Early Music 1992 XX: 666-669; doi:10.1093/em/XX.4.666 [PDF] [Request Permissions]  

Tim Crawford
Ekkehard Schulze-Kurz, Die Laute und ihre Stimmungen in der ersten Halfte des 17. Jahrhunderts
Early Music 1992 XX: 669-670; doi:10.1093/em/XX.4.669 [PDF] [Request Permissions]  

David Fallows
Some essay volumes
Early Music 1992 XX: 670-674; doi:10.1093/em/XX.4.670 [PDF] [Request Permissions]  

Music Reviews Back

Warwick Edwards
Thomas Tomkins, John Irving ed., Consort Music
Early Music 1992 XX: 675-676; doi:10.1093/em/XX.4.675 [PDF] [Request Permissions]  

Michael Talbot
Antonio Sartorio, Craig Monson ed., Giulio Cesare in Egitto
Early Music 1992 XX: 676-680; doi:10.1093/em/XX.4.676 [PDF] [Request Permissions]  

Tess Knighton
La Púrpura de la rosa: Pedro Calderón De La Barca and Tomás De Torrejón Y Velasco, Edited by Angeles Cardona, Don Cruickshank and Martin Cunningham, Edition Reichenberger,Kassel, 1990 (Teatro del Siglo de Oro Ediciones Critícas, IX)
Early Music 1992 XX: 680-682; doi:10.1093/em/XX.4.680 [PDF] [Request Permissions]  

Recordings Back

Richard Rastall
Philip Pickett, The Pilgrimage to Santiago; Konrad Ruhland, In natali Domini; Gerard ZuchettoTrobar e cantar
Early Music 1992 XX: 683-685; doi:10.1093/em/XX.4.683 [PDF] [Request Permissions]  

Ivan Moody
Short Reviews
Early Music 1992 XX: 685-688; doi:10.1093/em/XX.4.685 [PDF] [Request Permissions]  

Bernadette Nelson
Odile Bailleux, Francisco Correa de Arauxo
Early Music 1992 XX: 689; doi:10.1093/em/XX.4.689 [PDF] [Request Permissions]  

Frank Dobbins
Michel Laplénie, Etienne Moulinié
Early Music 1992 XX: 690-693; doi:10.1093/em/XX.4.690 [PDF] [Request Permissions]  

Bruce Wood
Henry Purcell, The Complete Anthems and Services—1, The Complete Anthems and Services—2
Early Music 1992 XX: 693-694; doi:10.1093/em/XX.4.693 [PDF] [Request Permissions]  

Caroline Wood
Giuseppe Gazzaniga, Don Giovanni, O Sia il Vonvitato di Pietra, Members of the Kammerchor Stuttgart, Tafelmusik Baroque Orchestra, conducted by Bruno Weil, Sony Classical, SK 46 693
Early Music 1992 XX: 695-696; doi:10.1093/em/XX.4.695 [PDF] [Request Permissions]  

Events Back

Tim Carter
Fifth Biennial Conference on Baroque Music
Early Music 1992 XX: 697-698; doi:10.1093/em/XX.4.697 [PDF] [Request Permissions]  

Obituary Back

Ivan Moody
Macario Santiago Kastner (1908-92)
Early Music 1992 XX: 698-700; doi:10.1093/em/XX.4.698 [PDF] [Request Permissions]  

Correspondence Back

Denzil Wraight
Cristofori's instruments
Early Music 1992 XX: 701; doi:10.1093/em/XX.4.701 [PDF] [Request Permissions]  

Ardal Powell
18th-century woodwind intonation
Early Music 1992 XX: 701-703; doi:10.1093/em/XX.4.701-a [PDF] [Request Permissions]  

John Buttrey
The dating of Dido
Early Music 1992 XX: 703; doi:10.1093/em/XX.4.703 [PDF] [Request Permissions]  

Denis Stevens
Musicians in 18th-century Venice
Early Music 1992 XX: 703; doi:10.1093/em/XX.4.703-a [PDF] [Request Permissions]  

To see an article, click its [Full Text] or [PDF] link. To review many abstracts, check the boxes to the left of the titles you want, and click the 'Get All Checked Abstract(s)' button. To see one abstract at a time, click its [Abstract] link.