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Contents: Volume XX, Number 3, 1992   [Index by Author] 
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To see an article, click its [Full Text] or [PDF] link. To review many abstracts, check the boxes to the left of the titles you want, and click the 'Get All Checked Abstract(s)' button. To see one abstract at a time, click its [Abstract] link.

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Bruce Wood and Andrew Pinnock
‘Unscarr’d by turning times'?: The dating of Purcell's Dido and Aeneas
Early Music 1992 XX: 373-392; doi:10.1093/earlyj/XX.3.373 [PDF] [Request Permissions]  

Mark Goldie
The earliest notice of Purcell's Dido and Aeneas
Early Music 1992 XX: 393-402; doi:10.1093/earlyj/XX.3.393 [PDF] [Request Permissions]  

Denis Stevens
ICONOGRAPHY: Musicians in 18th-century Venice
Early Music 1992 XX: 403-408; doi:10.1093/earlyj/XX.3.403 [PDF] [Request Permissions]  

Giulio M. Ongaro
New documents on the Bassano family
Early Music 1992 XX: 409-416; doi:10.1093/earlyj/XX.3.409 [PDF] [Request Permissions]  

Charles Foster
The bassanelli reconstructed: A radical solution to an enigma
Early Music 1992 XX: 417-426; doi:10.1093/earlyj/XX.3.417 [PDF] [Request Permissions]  

Daniel E. Freeman
An 18th-century singer's commission of ‘baggage’ arias
Early Music 1992 XX: 427-433; doi:10.1093/earlyj/XX.3.427 [PDF] [Request Permissions]  

Stephen Keyl
Tenorlied, Discantlied, Polyphonic lied: Voices and instruments in German secular polyphony of the Renaissance
Early Music 1992 XX: 434-446; doi:10.1093/earlyj/XX.3.434 [PDF] [Request Permissions]  

Christopher Page
PERFORMING MATTERS: Going beyond the limits: experiments with vocalization in the French chanson, 1340–1440
Early Music 1992 XX: 447-460; doi:10.1093/earlyj/XX.3.447 [PDF] [Request Permissions]  

Roland Eberlein
OBSERVATIONS: The Faenza Codex: music for organ or for lute duet?
Early Music 1992 XX: 461-466; doi:10.1093/earlyj/XX.3.461 [PDF] [Request Permissions]  

Timothy J. McGee
Once again, the Faenza Codex: A reply to Roland Eberlein
Early Music 1992 XX: 466-470; doi:10.1093/earlyj/XX.3.466 [PDF] [Request Permissions]  

JEREMY MONTAGU
Instruments
Early Music 1992 XX: 471-474; doi:10.1093/earlyj/XX.3.471 [PDF] [Request Permissions]  

Peter Holman
BOOKS
Early Music 1992 XX: 475-477; doi:10.1093/earlyj/XX.3.475 [PDF] [Request Permissions]  

Graham Dixon
BOOKS
Early Music 1992 XX: 477-480; doi:10.1093/earlyj/XX.3.477 [PDF] [Request Permissions]  

David Chadd
BOOKS
Early Music 1992 XX: 480-481; doi:10.1093/earlyj/XX.3.480 [PDF] [Request Permissions]  

Rob C. Wegman
BOOKS
Early Music 1992 XX: 481-483; doi:10.1093/earlyj/XX.3.481 [PDF] [Request Permissions]  

Kristine K. Forney
BOOKS
Early Music 1992 XX: 483-485; doi:10.1093/earlyj/XX.3.483 [PDF] [Request Permissions]  

Jeremy Barlow
BOOKS
Early Music 1992 XX: 485-488; doi:10.1093/earlyj/XX.3.485 [PDF] [Request Permissions]  

Daniel Leech-Wilkinson
MUSIC
Early Music 1992 XX: 489-491; doi:10.1093/earlyj/XX.3.489 [PDF] [Request Permissions]  

David Fallows
MUSIC
Early Music 1992 XX: 491-492; doi:10.1093/earlyj/XX.3.491 [PDF] [Request Permissions]  

Judith Blezzard
MUSIC
Early Music 1992 XX: 492-493; doi:10.1093/earlyj/XX.3.492 [PDF] [Request Permissions]  

Andrew Kirkman
MUSIC
Early Music 1992 XX: 493-496; doi:10.1093/earlyj/XX.3.493 [PDF] [Request Permissions]  

Bernadette Nelson
RECORDINGS
Early Music 1992 XX: 497-499; doi:10.1093/earlyj/XX.3.497 [PDF] [Request Permissions]  

Owen Rees
RECORDINGS
Early Music 1992 XX: 499-501; doi:10.1093/earlyj/XX.3.499 [PDF] [Request Permissions]  

David Mateer
RECORDINGS
Early Music 1992 XX: 501-502; doi:10.1093/earlyj/XX.3.501 [PDF] [Request Permissions]  

Anthony F. Carver
RECORDINGS
Early Music 1992 XX: 503-505; doi:10.1093/earlyj/XX.3.503 [PDF] [Request Permissions]  

Tim Carter
RECORDINGS
Early Music 1992 XX: 505-507; doi:10.1093/earlyj/XX.3.505 [PDF] [Request Permissions]  

Ian Woodfield
RECORDINGS
Early Music 1992 XX: 507-509; doi:10.1093/earlyj/XX.3.507 [PDF] [Request Permissions]  

John Caldwell
RECORDINGS
Early Music 1992 XX: 509-511; doi:10.1093/earlyj/XX.3.509 [PDF] [Request Permissions]  

Philippe Oboussier
RECORDINGS
Early Music 1992 XX: 511-512; doi:10.1093/earlyj/XX.3.511 [PDF] [Request Permissions]  

Lucy Robinson
RECORDINGS
Early Music 1992 XX: 512-513; doi:10.1093/earlyj/XX.3.512 [PDF] [Request Permissions]  

John Kitchen
RECORDINGS
Early Music 1992 XX: 513-515; doi:10.1093/earlyj/XX.3.513 [PDF] [Request Permissions]  

Tim Crawford
RECORDINGS
Early Music 1992 XX: 515-518; doi:10.1093/earlyj/XX.3.515 [PDF] [Request Permissions]  

Donald Burrows
RECORDINGS
Early Music 1992 XX: 518-520; doi:10.1093/earlyj/XX.3.518 [PDF] [Request Permissions]  

Caroline Wood
RECORDINGS
Early Music 1992 XX: 521; doi:10.1093/earlyj/XX.3.521 [PDF] [Request Permissions]  

MICHAEL NOONE
EVENTS
Early Music 1992 XX: 522; doi:10.1093/earlyj/XX.3.522 [PDF] [Request Permissions]  

ANDREW PINNOCK
EVENTS
Early Music 1992 XX: 523; doi:10.1093/earlyj/XX.3.523 [PDF] [Request Permissions]  

VIRGINIA PLEASEANTS
Early keyboards
Early Music 1992 XX: 524; doi:10.1093/earlyj/XX.3.524 [PDF] [Request Permissions]  

DAVID PINTO
Download's lachrymal airs
Early Music 1992 XX: 525; doi:10.1093/earlyj/XX.3.525-a [PDF] [Request Permissions]  

JOHN R CATCH
The viol in the 19th century
Early Music 1992 XX: 525; doi:10.1093/earlyj/XX.3.525-b [PDF] [Request Permissions]  

BATHIA CHURGIN
Sammartini Cantatas
Early Music 1992 XX: 525-526; doi:10.1093/earlyj/XX.3.525-c [PDF] [Request Permissions]  

KENNETH MOBBS
Sammartini Cantatas
Early Music 1992 XX: 527; doi:10.1093/earlyj/XX.3.527-a [PDF] [Request Permissions]  

MICHAEL LATCHAM
CORRESPONDENCE
Early Music 1992 XX: 527; doi:10.1093/earlyj/XX.3.527-b [PDF] [Request Permissions]  

To see an article, click its [Full Text] or [PDF] link. To review many abstracts, check the boxes to the left of the titles you want, and click the 'Get All Checked Abstract(s)' button. To see one abstract at a time, click its [Abstract] link.