Early Music -- Table of Contents ( 1978, 6 [4])

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Contents: Volume 6, Number 4, 1978 [Index by Author]
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Articles

ANDREW ASHBEE: John Jenkins 1592–1678 The viol consort music in four, five and six parts
Early Music 1978 6: 492-500; doi:10.1093/earlyj/6.4.492 [PDF] [Request Permissions]

JOHN PRINGLE: The Founder of English viol-making
Early Music 1978 6: 501-511; doi:10.1093/earlyj/6.4.501 [PDF] [Request Permissions]

CELIA POND: Ornamental style and the virtuoso: Solo bass viol music in France c 1680–1740
Early Music 1978 6: 512-518; doi:10.1093/earlyj/6.4.512 [PDF] [Request Permissions]

IAN HARWOOD and MARTIN EDMUNDS: Reconstructing 16th-century Venetian viols
Early Music 1978 6: 519-525; doi:10.1093/earlyj/6.4.519 [PDF] [Request Permissions]

JOHN HSU: The use of the bow in French solo viol playing of the 17th and 18th centuries
Early Music 1978 6: 526-529; doi:10.1093/earlyj/6.4.526 [PDF] [Request Permissions]

ROBERT HADAWAY: Another look at the viol
Early Music 1978 6: 530-539; doi:10.1093/earlyj/6.4.530 [PDF] [Request Permissions]

FRANCIS BAINES: The Consort music of Orlando Gibbons
Early Music 1978 6: 540-543; doi:10.1093/earlyj/6.4.540 [PDF] [Request Permissions]

IAN WOODFIELD: Viol playing techniques in the mid-16th century: a survey of Ganassi's fingering instructions
Early Music 1978 6: 544-550; doi:10.1093/earlyj/6.4.544 [PDF] [Request Permissions]

FRANCIS BAINES: Francis Baines talks to Dietrich Kessler
Early Music 1978 6: 551-555; doi:10.1093/earlyj/6.4.551 [PDF] [Request Permissions]

DAVID LASOCKI: Quantz and the passions: Theory and practice
Early Music 1978 6: 556-561; doi:10.1093/earlyj/6.4.556 [PDF] [Request Permissions]

FRANK HUBBARD: INCORPORATED: Custom Built Harpischords & Instruments in Kit Form
Early Music 1978 6: 562-568; doi:10.1093/earlyj/6.4.562 [PDF] [Request Permissions]

ELIZABETH WELLS: The London clavicytherium
Early Music 1978 6: 569-571; doi:10.1093/earlyj/6.4.569 [PDF] [Request Permissions]

ERIC VAN TASSEL: English Church Music c 1660–1700: PART 1
Early Music 1978 6: 572-578; doi:10.1093/earlyj/6.4.572 [PDF] [Request Permissions]

ROGER BRAY: Performers' Guide
Early Music 1978 6: 579-581; doi:10.1093/earlyj/6.4.579 [PDF] [Request Permissions]

GRAHAM WELLS: London Salesrooms
Early Music 1978 6: 582-586; doi:10.1093/earlyj/6.4.582 [PDF] [Request Permissions]

JOHN STEVENS: Books
Early Music 1978 6: 587-589; doi:10.1093/earlyj/6.4.587 [PDF] [Request Permissions]

CHRISTOPHER PAGE: Books
Early Music 1978 6: 589-591; doi:10.1093/earlyj/6.4.589 [PDF] [Request Permissions]

IAN FENLON: Books
Early Music 1978 6: 591-593; doi:10.1093/earlyj/6.4.591 [PDF] [Request Permissions]

HOWARD MAYER BROWN: Books
Early Music 1978 6: 593-595; doi:10.1093/earlyj/6.4.593 [PDF] [Request Permissions]

GEOFFREY CHEW: Books
Early Music 1978 6: 595-597; doi:10.1093/earlyj/6.4.595 [PDF] [Request Permissions]

JOEL SACHS: Books
Early Music 1978 6: 597; doi:10.1093/earlyj/6.4.597 [PDF] [Request Permissions]

LAURENCE WRIGHT: Books
Early Music 1978 6: 599; doi:10.1093/earlyj/6.4.599-a [PDF] [Request Permissions]

KEITH ELCOMBE: Books
Early Music 1978 6: 599-601; doi:10.1093/earlyj/6.4.599-b [PDF] [Request Permissions]

COLIN TIMMS: Books
Early Music 1978 6: 601-603; doi:10.1093/earlyj/6.4.601 [PDF] [Request Permissions]

STANLEY SAIDE: Books
Early Music 1978 6: 603-606; doi:10.1093/earlyj/6.4.603 [PDF] [Request Permissions]

WARWICK EDWARDS: Music
Early Music 1978 6: 607-609; doi:10.1093/earlyj/6.4.607 [PDF] [Request Permissions]

IAN HARWOOD: Music
Early Music 1978 6: 609-613; doi:10.1093/earlyj/6.4.609 [PDF] [Request Permissions]

LUCY ROBINSON: Music
Early Music 1978 6: 615-619; doi:10.1093/earlyj/6.4.615 [PDF] [Request Permissions]

IAIN FENLON: Music
Early Music 1978 6: 619-621; doi:10.1093/earlyj/6.4.619 [PDF] [Request Permissions]

DIANA POULTON: Music
Early Music 1978 6: 623-627; doi:10.1093/earlyj/6.4.623 [PDF] [Request Permissions]

DAVID FALLOWS: Music
Early Music 1978 6: 627; doi:10.1093/earlyj/6.4.627 [PDF] [Request Permissions]

JOHN STEELE: The First complete edition of Marenzio
Early Music 1978 6: 629; doi:10.1093/earlyj/6.4.629-a [PDF] [Request Permissions]

PETER HOLMAN: Two Jacobean songs
Early Music 1978 6: 629-631; doi:10.1093/earlyj/6.4.629-b [PDF] [Request Permissions]

: Two Jacobean songs: John Harley replies
Early Music 1978 6: 631; doi:10.1093/earlyj/6.4.631-a [PDF] [Request Permissions]

MONICA HALL: A postscript to Amat
Early Music 1978 6: 631; doi:10.1093/earlyj/6.4.631-b [PDF] [Request Permissions]

MICHAEL TWEEDIE: The size of church choirs
Early Music 1978 6: 631-633; doi:10.1093/earlyj/6.4.631-c [PDF] [Request Permissions]

ALICE ROBBINS: Viol studies
Early Music 1978 6: 633; doi:10.1093/earlyj/6.4.633-a [PDF] [Request Permissions]

ROGER HARMON: Lute tablatures
Early Music 1978 6: 633; doi:10.1093/earlyj/6.4.633-b [PDF] [Request Permissions]

W. L. BROWN: Lute tablatures
Early Music 1978 6: 633-636; doi:10.1093/earlyj/6.4.633-c [PDF] [Request Permissions]

PETER WILLSHER: Recordings: Quarterly checklist–26
Early Music 1978 6: 637-639; doi:10.1093/earlyj/6.4.637 [PDF] [Request Permissions]

Nicholas Kenyon: The Early Music Gazette
Early Music 1978 6: 641; doi:10.1093/earlyj/6.4.641-s [PDF] [Request Permissions]