Early Music -- Table of Contents ( 1976, 4 [1])

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Contents: Volume 4, Number 1, 1976 [Index by Author]
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Articles

RALPH KIRKPATRICK: On re-reading Couperin's L'Art de Toucher le Clavecin
Early Music 1976 4: 3-11; doi:10.1093/earlyj/4.1.3 [PDF] [Request Permissions]

ANDREA VON RAMM: SINGING EARLY MUSIC
Early Music 1976 4: 12-15; doi:10.1093/earlyj/4.1.12 [PDF] [Request Permissions]

LAURENCE LIBIN: AN 18th-century view of the harpsichord
Early Music 1976 4: 16-18; doi:10.1093/earlyj/4.1.16 [PDF] [Request Permissions]

JANE CLARK: Domenico Scarlatti and Spanish folk music
Early Music 1976 4: 19-21; doi:10.1093/earlyj/4.1.19 [PDF] [Request Permissions]

DAVID FULLER: French harpsichord playing in the 17th century: after Le Gallois
Early Music 1976 4: 22-26; doi:10.1093/earlyj/4.1.22 [PDF] [Request Permissions]

HOWARD SCHOTT: Early music for harpsichord—1
Early Music 1976 4: 27-30; doi:10.1093/earlyj/4.1.27 [PDF] [Request Permissions]

BRUCE HAYNES: Making reeds for the baroque oboe—1
Early Music 1976 4: 31-34; doi:10.1093/earlyj/4.1.31 [PDF] [Request Permissions]

JEREMY MONTAGU: Choosing brass instruments
Early Music 1976 4: 35-38; doi:10.1093/earlyj/4.1.35 [PDF] [Request Permissions]

JEAN JENKINS: Geneviève Thibault, Madame H. de Chambure an appreciation
Early Music 1976 4: 39-40; doi:10.1093/earlyj/4.1.39 [PDF] [Request Permissions]

Howard Mayer Brown and Anthony Rooley: Musick of Sundrie Kindes
Early Music 1976 4: 41-43; doi:10.1093/earlyj/4.1.41 [PDF] [Request Permissions]

IRVING GODT: Reading Ligatures from their ground state
Early Music 1976 4: 44-46; doi:10.1093/earlyj/4.1.44 [PDF] [Request Permissions]

CHRISTOPHER MONK: Where the wind blows
Early Music 1976 4: 47-49; doi:10.1093/earlyj/4.1.47 [PDF] [Request Permissions]

MARIE LEONHARDT: EARLY MUSIC THROUGHOUT EUROPE ‘The present state of music in Northern Europe, in particular the Netherlands’
Early Music 1976 4: 50-52; doi:10.1093/earlyj/4.1.50 [PDF] [Request Permissions]

GRAHAM WELLS: London salerooms
Early Music 1976 4: 53-54; doi:10.1093/earlyj/4.1.53 [PDF] [Request Permissions]

HOWARD SCHOTT: Book reviews
Early Music 1976 4: 55-59; doi:10.1093/earlyj/4.1.55 [PDF] [Request Permissions]

BERNARD THOMAS: Book reviews
Early Music 1976 4: 59-61; doi:10.1093/earlyj/4.1.59 [PDF] [Request Permissions]

PHILIP BATE: Book reviews
Early Music 1976 4: 61-63; doi:10.1093/earlyj/4.1.61 [PDF] [Request Permissions]

HOWARD SCHOTT: Book reviews
Early Music 1976 4: 63-67; doi:10.1093/earlyj/4.1.63 [PDF] [Request Permissions]

HOWARD MAYER BROWN: Book reviews
Early Music 1976 4: 67; doi:10.1093/earlyj/4.1.67 [PDF] [Request Permissions]

FRANK DOBBINS: Music reviews
Early Music 1976 4: 69-71; doi:10.1093/earlyj/4.1.69 [PDF] [Request Permissions]

COLIN TIMMS: Music reviews
Early Music 1976 4: 71-73; doi:10.1093/earlyj/4.1.71 [PDF] [Request Permissions]

TREVOR PINNOCK: Music reviews
Early Music 1976 4: 73; doi:10.1093/earlyj/4.1.73-a [PDF] [Request Permissions]

ROBERT DONINGTON: Music reviews
Early Music 1976 4: 73; doi:10.1093/earlyj/4.1.73-b [PDF] [Request Permissions]

RODNEY EASTWOOD, DR: Authenticity
Early Music 1976 4: 75; doi:10.1093/earlyj/4.1.75-a [PDF] [Request Permissions]

ANDREW PARKINSON: Authenticity
Early Music 1976 4: 75-77; doi:10.1093/earlyj/4.1.75-b [PDF] [Request Permissions]

EPH SEGERMAN and DJILDA ABBOTT: Authenticity
Early Music 1976 4: 77-79; doi:10.1093/earlyj/4.1.77 [PDF] [Request Permissions]

HOWARD MAYER BROWN: Authenticity
Early Music 1976 4: 79; doi:10.1093/earlyj/4.1.79-a [PDF] [Request Permissions]

NORM SOHL: Authenticity
Early Music 1976 4: 79-81; doi:10.1093/earlyj/4.1.79-b [PDF] [Request Permissions]

J. D. BEASLEY: Authenticity
Early Music 1976 4: 81; doi:10.1093/earlyj/4.1.81 [PDF] [Request Permissions]

MICHAEL ZADRO: Instrument restoration
Early Music 1976 4: 83-85; doi:10.1093/earlyj/4.1.83 [PDF] [Request Permissions]

JEREMY MONTAGU: Buzzers on lutes and fiddles
Early Music 1976 4: 85; doi:10.1093/earlyj/4.1.85-a [PDF] [Request Permissions]

SHELAGH GODWIN: Renaissance and baroque guitar
Early Music 1976 4: 85; doi:10.1093/earlyj/4.1.85-b [PDF] [Request Permissions]

Ph. de WAAL: When is a cornett not a cornett?
Early Music 1976 4: 85-87; doi:10.1093/earlyj/4.1.85-c [PDF] [Request Permissions]

DAVID H. STROTHER: Crumhorns
Early Music 1976 4: 87; doi:10.1093/earlyj/4.1.87-a [PDF] [Request Permissions]

G. C. WARREN: Belgian folk instruments
Early Music 1976 4: 87; doi:10.1093/earlyj/4.1.87-b [PDF] [Request Permissions]

HOWARD SCHOTT: Russian proverbs
Early Music 1976 4: 87; doi:10.1093/earlyj/4.1.87-c [PDF] [Request Permissions]

HOWARD SCHOTT: Lute dehydration
Early Music 1976 4: 87; doi:10.1093/earlyj/4.1.87-d [PDF] [Request Permissions]

: Architecture and music in Zadar, Yugoslavia
Early Music 1976 4: 89-90; doi:10.1093/earlyj/4.1.89 [PDF] [Request Permissions]

FIONA McALPINE: Paris: a survey
Early Music 1976 4: 91-94; doi:10.1093/earlyj/4.1.91 [PDF] [Request Permissions]

JOHN RAWSON: Exhibition at Bruges and RCM—summer 1975
Early Music 1976 4: 95-97; doi:10.1093/earlyj/4.1.95 [PDF] [Request Permissions]

: Nuremberg training course for musical instrument restorers
Early Music 1976 4: 97-99; doi:10.1093/earlyj/4.1.97 [PDF] [Request Permissions]

DAVID FALLOWS: A Postscript to ‘Two More Dufay Songs Reconstructed’
Early Music 1976 4: 99-100; doi:10.1093/earlyj/4.1.99 [PDF] [Request Permissions]

: Activities
Early Music 1976 4: 101-113; doi:10.1093/earlyj/4.1.101 [PDF] [Request Permissions]

JUDY SMITH: Recordings–quarterly check list 15
Early Music 1976 4: 113-119; doi:10.1093/earlyj/4.1.113 [PDF] [Request Permissions]

HENRY PLEASANTS: Cavalli's Eritrea at Wexford
Early Music 1976 4: 120-122; doi:10.1093/earlyj/4.1.120 [PDF] [Request Permissions]

GORDON DOOD: Early music on new instruments
Early Music 1976 4: 123-124; doi:10.1093/earlyj/4.1.123 [PDF] [Request Permissions]