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Previous Next 		Contents: Volume 36, Number 3, August 2008   [Index by Author] 

Down EDITORIAL
Down ARTICLES
Down OBSERVATION
Down PERFORMING MATTERS
Down BOOK REVIEWS
Down MUSIC REVIEWS
Down RECORDING REVIEWS
Down OBITUARIES
Down REPORTS
Down CORRESPONDENCE
Down ABSTRACTS
Down ADVERTISERS' INDEX


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To see an article, click its [Full Text] or [PDF] link. To review many abstracts, check the boxes to the left of the titles you want, and click the 'Get All Checked Abstract(s)' button. To see one abstract at a time, click its [Abstract] link.

EDITORIAL Back

Tess Knighton
Editorial
Early Music 2008 36: 357-358; doi:10.1093/em/can058 [Full Text] [PDF] [Request Permissions]  

ARTICLES Back

Michael Latcham
Pianos and harpsichords for Their Majesties
Early Music Advance Access published on June 6, 2008
Early Music 2008 36: 359-396; doi:10.1093/em/can047 [Full Text] [PDF] [Request Permissions]  

Matthias Range
The 1685 coronation anthem I was glad
Early Music 2008 36: 397-408; doi:10.1093/em/can075 [Full Text] [PDF] [Request Permissions]  

Peter Mole
On the trail of Purcell’s spinet
Early Music 2008 36: 409-414; doi:10.1093/em/can077 [Full Text] [PDF] [Request Permissions]  

Florian Bassani Grampp
On a Roman polychoral performance in August 1665
Early Music 2008 36: 415-434; doi:10.1093/em/can095 [Full Text] [PDF] [Request Permissions]  

OBSERVATION Back

Nigel Davison
Marbriano de Orto (c.1455–1529): personal thoughts and some surprises
Early Music 2008 36: 435-440; doi:10.1093/em/can078 [Full Text] [PDF] [Request Permissions]  

PERFORMING MATTERS Back

Geoff Baker
Latin American Baroque: performance as a post-colonial act?
Early Music 2008 36: 441-448; doi:10.1093/em/can082 [Full Text] [PDF] [Request Permissions]  

BOOK REVIEWS Back

Elizabeth Eva Leach
‘All the world's a stage’
Early Music 2008 36: 449-451; doi:10.1093/em/can065 [Full Text] [PDF] [Request Permissions]  

John Milsom
Worshipping with William Byrd
Early Music 2008 36: 451-452; doi:10.1093/em/can067 [Full Text] [PDF] [Request Permissions]  

Pablo L. Rodríguez
Courts and ceremony
Early Music 2008 36: 453-455; doi:10.1093/em/can069 [Full Text] [PDF] [Request Permissions]  

David R. M. Irving
The Baroque world through rose-tinted glasses
Early Music 2008 36: 455-457; doi:10.1093/em/can061 [Full Text] [PDF] [Request Permissions]  

Peter Wollny
Italians at Dresden
Early Music 2008 36: 457-458; doi:10.1093/em/can074 [Full Text] [PDF] [Request Permissions]  

Colin Timms
A calendar of Venetian opera
Early Music 2008 36: 458-460; doi:10.1093/em/can073 [Full Text] [PDF] [Request Permissions]  

John Koster
Five centuries of Spanish keyboard music
Early Music 2008 36: 460-463; doi:10.1093/em/can063 [Full Text] [PDF] [Request Permissions]  

Francis Knights
Clavichordium floreat
Early Music 2008 36: 463-465; doi:10.1093/em/can062 [Full Text] [PDF] [Request Permissions]  

Manuel Del Sol
Musical riches of Valladolid Cathedral
Early Music 2008 36: 465-468; doi:10.1093/em/can066 [Full Text] [PDF] [Request Permissions]  

MUSIC REVIEWS Back

David J. Burn
Treasures from Trent
Early Music 2008 36: 469-470; doi:10.1093/em/can053 [Full Text] [PDF] [Request Permissions]  

Tim Crawford
Lute music for a princess
Early Music 2008 36: 471-472; doi:10.1093/em/can056 [Full Text] [PDF] [Request Permissions]  

Hendrik Schulze
Cavalli the performer
Early Music 2008 36: 472-474; doi:10.1093/em/can071 [Full Text] [PDF] [Request Permissions]  

Julian Rushton
Theatre music from Mozart's Vienna
Early Music 2008 36: 474-476; doi:10.1093/em/can070 [Full Text] [PDF] [Request Permissions]  

RECORDING REVIEWS Back

Ivan Moody
Medieval music, early and late, from France and Spain
Early Music 2008 36: 477-478; doi:10.1093/em/can088 [Full Text] [PDF] [Request Permissions]  

David Allinson
Illuminating Renaissance obscurities
Early Music 2008 36: 478-482; doi:10.1093/em/can085 [Full Text] [PDF] [Request Permissions]  

Lucy Robinson
The spice of life
Early Music 2008 36: 482-485; doi:10.1093/em/can089 [Full Text] [PDF] [Request Permissions]  

Elizabeth Roche
Intermedii, cantata and oratorio
Early Music 2008 36: 485-487; doi:10.1093/em/can086 [Full Text] [PDF] [Request Permissions]  

Stephen Rose
The versatility of German church music
Early Music 2008 36: 487-490; doi:10.1093/em/can092 [Full Text] [PDF] [Request Permissions]  

Michael Talbot
The challenge of Vivaldi
Early Music 2008 36: 490-493; doi:10.1093/em/can090 [Full Text] [PDF] [Request Permissions]  

Graham Sadler
French tragédie: Thésée and Zoroastre
Early Music 2008 36: 493-494; doi:10.1093/em/can087 [Full Text] [PDF] [Request Permissions]  

Peter Branscombe
Operas familiar and unfamiliar
Early Music 2008 36: 494-498; doi:10.1093/em/can091 [Full Text] [PDF] [Request Permissions]  

Tess Knighton
Pick ’n’ mix: recent early music (ad)ventures
Early Music 2008 36: 498-500; doi:10.1093/em/can093 [Full Text] [PDF] [Request Permissions]  

OBITUARIES Back

Ian Harwood
Francesca McManus (1937–2007)
Early Music 2008 36: 501-503; doi:10.1093/em/can080 [Full Text] [PDF] [Request Permissions]  

Tess Knighton
Gilbert Reaney (1924–2008)
Early Music 2008 36: 503-504; doi:10.1093/em/can079 [Full Text] [PDF] [Request Permissions]  

REPORTS Back

Miguel Ángel Marín
Holy Week in Cuenca and the limits of ‘religious’ music
Early Music 2008 36: 505-506; doi:10.1093/em/can057 [Full Text] [PDF] [Request Permissions]  

Mary Paquette-Abt and Kathryn Lowerre
Harmony of two worlds
Early Music 2008 36: 506-507; doi:10.1093/em/can060 [Full Text] [PDF] [Request Permissions]  

Lisa Colton
Breaking into song
Early Music 2008 36: 507-508; doi:10.1093/em/can052 [Full Text] [PDF] [Request Permissions]  

Helen Deeming
Text, music and gender in the Middle Ages
Early Music 2008 36: 509-510; doi:10.1093/em/can051 [Full Text] [PDF] [Request Permissions]  

CORRESPONDENCE Back

Klaus Miehling
Forqueray father or son?
Early Music 2008 36: 511; doi:10.1093/em/can059 [Full Text] [PDF] [Request Permissions]  

Roberto Pagano
The two Scarlattis
Early Music 2008 36: 511-512; doi:10.1093/em/can068 [Full Text] [PDF] [Request Permissions]  

Carl Sloane
Scarlatti and Iberian harpsichord making
Early Music 2008 36: 512; doi:10.1093/em/can072 [Full Text] [PDF] [Request Permissions]  

Richard Maunder
Mozart's ‘Jenamy Concerto’
Early Music 2008 36: 513-514; doi:10.1093/em/can081 [Full Text] [PDF] [Request Permissions]  

ABSTRACTS Back

Abstracts
Early Music 2008 36: 515-516; doi:10.1093/em/can084 [PDF] [Request Permissions]  

ADVERTISERS' INDEX Back

Advertisers' Index
Early Music 2008 36: 517-518; doi:10.1093/em/can083 [PDF] [Request Permissions]  

To see an article, click its [Full Text] or [PDF] link. To review many abstracts, check the boxes to the left of the titles you want, and click the 'Get All Checked Abstract(s)' button. To see one abstract at a time, click its [Abstract] link.