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Previous Next 		Contents: Volume 36, Number 1, February 2008   [Index by Author] 

Down EDITORIAL
Down ARTICLES
Down PERFORMING MATTERS
Down BOOK REVIEWS
Down MUSIC REVIEWS
Down RECORDING REVIEWS
Down REPORTS
Down CORRESPONDENCE
Down ABSTRACTS
Down ADVERTISERS' INDEX


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To see an article, click its [Full Text] or [PDF] link. To review many abstracts, check the boxes to the left of the titles you want, and click the 'Get All Checked Abstract(s)' button. To see one abstract at a time, click its [Abstract] link.

EDITORIAL Back

Editorial
Early Music 2008 36: 1; doi:10.1093/em/can002 [Full Text] [PDF] [Request Permissions]  

ARTICLES Back

John Bryan
‘Verie sweete and artificiall’: Lorenzo Costa and the earliest viols
Early Music 2008 36: 3-18; doi:10.1093/em/cam147 [Abstract] [Full Text] [PDF] [Request Permissions]  

Fabrice Fitch
Hearing John Browne’s motets: registral space in the music of the Eton Choirbook
Early Music 2008 36: 19-40; doi:10.1093/em/cam138 [Abstract] [Full Text] [PDF] [Request Permissions]  

David Humphreys
George Kirbye's Clemens parody
Early Music 2008 36: 41-50; doi:10.1093/em/cam128 [Abstract] [Full Text] [PDF] [Request Permissions]  

Stefano Mengozzi
‘Clefless’ notation, counterpoint and the fa-degree
Early Music 2008 36: 51-66; doi:10.1093/em/cam137 [Abstract] [Full Text] [PDF] [Request Permissions]  

Vassiliki Koutsobina
Readings of poetry—readings of music: intertextuality in Josquin’s Je me complains de mon amy
Early Music 2008 36: 67-80; doi:10.1093/em/cam148 [Abstract] [Full Text] [PDF] [Request Permissions]  

John Bass
Would Caccini approve?
Early Music 2008 36: 81-94; doi:10.1093/em/cam120 [Abstract] [Full Text] [PDF] [Supplementary Data] [Request Permissions]  

PERFORMING MATTERS Back

Beverly Jerold
How composers viewed performers’ additions
Early Music Advance Access published on December 13, 2007
Early Music 2008 36: 95-110; doi:10.1093/em/cam100 [Abstract] [Full Text] [PDF] [Request Permissions]  

BOOK REVIEWS Back

Sam Barrett
A musical monk of the 11th century
Early Music 2008 36: 111-112; doi:10.1093/em/cam121 [Full Text] [PDF] [Request Permissions]  

Emma Hornby
Codices catalogued
Early Music 2008 36: 112-114; doi:10.1093/em/cam127 [Full Text] [PDF] [Request Permissions]  

Michael Noone
The grandeur of Seville
Early Music 2008 36: 114-116; doi:10.1093/em/cam130 [Full Text] [PDF] [Request Permissions]  

Frederick Hammond
Popes, patrons and publishers
Early Music 2008 36: 116-117; doi:10.1093/em/cam126 [Full Text] [PDF] [Request Permissions]  

Tim Carter
Musical regents
Early Music 2008 36: 117-119; doi:10.1093/em/cam123 [Full Text] [PDF] [Request Permissions]  

Anthony Rooley
An English singing tutor
Early Music 2008 36: 119-120; doi:10.1093/em/cam135 [Full Text] [PDF] [Request Permissions]  

Ardal Powell
Vivaldi's flutes
Early Music 2008 36: 120-122; doi:10.1093/em/cam131 [Full Text] [PDF] [Request Permissions]  

Chris Willis
Scarlatti, father and son
Early Music 2008 36: 123-125; doi:10.1093/em/cam134 [Full Text] [PDF] [Request Permissions]  

David R. M. Irving
The Chevalier de Saint-Georges
Early Music 2008 36: 125-128; doi:10.1093/em/cam129 [Full Text] [PDF] [Request Permissions]  

MUSIC REVIEWS Back

Graham Sadler
Campra and Lully: tragédie and comédie-ballet
Early Music 2008 36: 129-131; doi:10.1093/em/cam132 [Full Text] [PDF] [Request Permissions]  

Nancy Hadden
Flute music familiar and unfamiliar
Early Music 2008 36: 131-133; doi:10.1093/em/cam125 [Full Text] [PDF] [Request Permissions]  

Brian Clark
Sonatas from Dresden and Denmark
Early Music 2008 36: 133-135; doi:10.1093/em/cam124 [Full Text] [PDF] [Request Permissions]  

John Butt
The dilemmas of editing Bach
Early Music 2008 36: 135-137; doi:10.1093/em/cam122 [Full Text] [PDF] [Request Permissions]  

RECORDING REVIEWS Back

Ivan Moody
Polyphony from Castile and Catalonia
Early Music 2008 36: 139-140; doi:10.1093/em/cam143 [Full Text] [PDF] [Request Permissions]  

Christopher Goodwin
Lutes and voices
Early Music 2008 36: 140-142; doi:10.1093/em/cam139 [Full Text] [PDF] [Request Permissions]  

Shirley Thompson
French Baroque chamber music
Early Music 2008 36: 142-144; doi:10.1093/em/cam146 [Full Text] [PDF] [Request Permissions]  

Michael Talbot
Varied Vivaldi
Early Music 2008 36: 144-146; doi:10.1093/em/cam144 [Full Text] [PDF] [Request Permissions]  

Eric Cross
Telemann revived
Early Music 2008 36: 146-150; doi:10.1093/em/cam141 [Full Text] [PDF] [Request Permissions]  

David R. M. Irving
Bach cantata cycles
Early Music 2008 36: 150-152; doi:10.1093/em/cam140 [Full Text] [PDF] [Request Permissions]  

Elizabeth Roche
Handel: three operas and an oratorio
Early Music 2008 36: 152-155; doi:10.1093/em/cam142 [Full Text] [PDF] [Request Permissions]  

Peter Branscombe
Music for church, stage and salon
Early Music 2008 36: 155-158; doi:10.1093/em/cam145 [Full Text] [PDF] [Request Permissions]  

REPORTS Back

Gerhard Doderer
Scarlatti and the Portuguese connection
Early Music 2008 36: 159-160; doi:10.1093/em/cam156 [Full Text] [PDF] [Request Permissions]  

Eric Hoeprich
The Shackleton collection
Early Music 2008 36: 160-161; doi:10.1093/em/cam153 [Full Text] [PDF] [Request Permissions]  

Katelijne Schiltz
The Med and Ren abroad
Early Music 2008 36: 161-162; doi:10.1093/em/cam151 [Full Text] [PDF] [Request Permissions]  

Jeremy Montagu
Beating the drum: the early timpani
Early Music 2008 36: 163-165; doi:10.1093/em/cam150 [Full Text] [PDF] [Request Permissions]  

Jeremy Montagu
Celebrating the raising of the Mary Rose
Early Music 2008 36: 165; doi:10.1093/em/cam149 [Full Text] [PDF] [Request Permissions]  

Thomas Schmidt-Beste
The challenge of Johannes Regis
Early Music 2008 36: 165-166; doi:10.1093/em/cam152 [Full Text] [PDF] [Request Permissions]  

Beatriz Montes
Francisco J. García Fajer, lo Spagnoletto
Early Music 2008 36: 166-167; doi:10.1093/em/cam157 [Full Text] [PDF] [Request Permissions]  

CORRESPONDENCE Back

Thérèse de Goede and Lucy Robinson
Figured bass in Forqueray
Early Music 2008 36: 168-172; doi:10.1093/em/cam154 [Full Text] [PDF] [Request Permissions]  

Ross W. Duffin
Quite un-just—a response
Early Music 2008 36: 172-174; doi:10.1093/em/cam116 [Full Text] [PDF] [Request Permissions]  

David Black
Pasterwitz and Michael Haydn
Early Music 2008 36: 174; doi:10.1093/em/cam155 [Full Text] [PDF] [Request Permissions]  

ABSTRACTS Back

Abstracts
Early Music 2008 36: 175-176; doi:10.1093/em/can003 [PDF] [Request Permissions]  

ADVERTISERS' INDEX Back

Advertisers' Index
Early Music 2008 36: 177-178; doi:10.1093/em/can001 [PDF] [Request Permissions]  

To see an article, click its [Full Text] or [PDF] link. To review many abstracts, check the boxes to the left of the titles you want, and click the 'Get All Checked Abstract(s)' button. To see one abstract at a time, click its [Abstract] link.