Early Music

IFC

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Early Music 2005 33: 1; doi:10.1093/em/cah170 [Full Text] [PDF] [Request Permissions]  

IBC

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Early Music 2005 33: 1; doi:10.1093/em/cah171 [Full Text] [PDF] [Request Permissions]  

OBC

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Early Music 2005 33: 1; doi:10.1093/em/cah172 [Full Text] [PDF] [Request Permissions]  

EDITORIAL

Tess Knighton

Editorial
Early Music 2005 33: 555-556; doi:10.1093/em/cah148 [Full Text] [PDF] [Request Permissions]  

ARTICLES

Anthony Rowland-Jones

Iconography in the history of the recorder up to c.1430—Part 1
Early Music 2005 33: 557-574; doi:10.1093/em/cah149 [Abstract] [Full Text] [PDF] [Request Permissions]  

Graham Cummings

Handel and the confus'd shepherdess: a case study of stylistic eclecticism
Early Music 2005 33: 575-590; doi:10.1093/em/cah150 [Abstract] [Full Text] [PDF] [Request Permissions]  

Robert Rawson

Gottfried Finger's Christmas pastorellas
Early Music Advance Access published on October 13, 2005
Early Music 2005 33: 591-608; doi:10.1093/em/cah151 [Abstract] [Full Text] [PDF] [Request Permissions]  

Allan W. Atlas

A 41-cent emendation: a textual problem in Wheatstone's publication of Giulio Regondi's Serenade for English concertina and piano
Early Music 2005 33: 609-618; doi:10.1093/em/cah152 [Abstract] [Full Text] [PDF] [Request Permissions]  

Juan Ruiz Jiménez

Infunde amorem cordibus: an early 16th-century polyphonic hymn cycle from Seville
Early Music 2005 33: 619-638; doi:10.1093/em/cah153 [Abstract] [Full Text] [PDF] [Request Permissions]  

Joshua F. Drake

The partbooks of a Florentine ex-patriate: new light on Florence, Biblioteca Nazionale Centrale Ms. Magl. XIX 164–7
Early Music Advance Access published on October 5, 2005
Early Music 2005 33: 639-646; doi:10.1093/em/cah154 [Abstract] [Full Text] [PDF] [Request Permissions]  

Stephen Rice

Reconstructing Tallis's Latin Magnificat and Nunc dimittis
Early Music Advance Access published on October 5, 2005
Early Music 2005 33: 647-658; doi:10.1093/em/cah155 [Abstract] [Full Text] [PDF] [Request Permissions]  

OBSERVATION

Roger Bowers

More on the Lambeth Choirbook
Early Music Advance Access published on August 25, 2005
Early Music 2005 33: 659-666; doi:10.1093/em/cah142 [Full Text] [PDF] [Request Permissions]  

PERFORMING MATTERS

Frans Muller and Julie Muller

Completing the picture: the importance of reconstructing early opera
Early Music 2005 33: 667-682; doi:10.1093/em/cah157 [Abstract] [Full Text] [PDF] [Fairy Queen animation] [Erratum] [Request Permissions]  

REVIEW ARTICLE

Timothy Day

Tallis in performance
Early Music Advance Access published on October 13, 2005
Early Music 2005 33: 683-692; doi:10.1093/em/cah107 [Full Text] [PDF] [Request Permissions]  

BOOK REVIEWS

Honey Meconi

After the party: Hildegard since 1998: Barbara Stühlmeyer, Die Gesänge der Hildegard von Bingen: eine musikologische, theologische und kulturhistorische Untersuchung (Hildesheim: Georg Olms, 2003), 49.80
Early Music Advance Access published on October 5, 2005
Early Music 2005 33: 693-695; doi:10.1093/em/cah158 [Full Text] [PDF] [Request Permissions]  

Noel O'Regan

A guide to Willaert: David Kidger, Adrian Willaert: a guide to research (New York: Routledge, 2005), $100
Early Music Advance Access published on October 5, 2005
Early Music 2005 33: 695-696; doi:10.1093/em/cah159 [Full Text] [PDF] [Request Permissions]  

Tim Carter

The power of song?: Bonnie Gordon, Monteverdi's unruly women: the power of song in early modern Italy (Cambridge: Cambridge University Press, 2004), £45/$80
Early Music Advance Access published on October 5, 2005
Early Music 2005 33: 696-700; doi:10.1093/em/cah160 [Full Text] [PDF] [Request Permissions]  

Stephen Rose

The bear growls: Johann Beer, Sämtliche Werke, xii/1: Musikalische Schriften: Ursus murmurat, Ursus vulpinatur, Bellum musicum, Musicalische Discurse, ed. Ferdinand van Ingen and Hans-Gert Roloff (Berne: Peter Lang, 2005), 49.70 • Johann Beer, Sämtliche Werke, xii/2: Musikalische Schriften: Schola phonologica, ed. Michael Heinemann (Berne: Peter Lang, 2005), 27.10 • Johann Beer: Schriftsteller, Komponist und Hofbeamter, 1655–1700, ed. Ferdinand van Ingen and Hans-Gert Roloff (Berne: Peter Lang, 2003), 66
Early Music 2005 33: 700-702; doi:10.1093/em/cah161 [Full Text] [PDF] [Request Permissions]  

Jennifer Thorp

Eloquent bodies: humanist and grotesque dance: Jennifer Nevile, The eloquent body: dance and humanist culture in 15th-century Italy (Bloomington, IN: Indiana University Press, 2005), $39.95
Early Music Advance Access published on October 5, 2005
Early Music 2005 33: 702-704; doi:10.1093/em/cah162 [Full Text] [PDF] [Request Permissions]  

Margaret Yelloly

Disclosing women's voices: Musical voices of early modern women: many-headed melodies, ed. Thomasin LaMay (Aldershot: Ashgate, 2005), £50
Early Music 2005 33: 704-706; doi:10.1093/em/cah163 [Full Text] [PDF] [Request Permissions]  

MUSIC REVIEWS

Lisa Colton

The earliest songbook in England: The later Cambridge songs, ed. John Stevens (Oxford: Oxford University Press, 2005), £60/$110
Early Music 2005 33: 707-708; doi:10.1093/em/cah164 [Full Text] [PDF] [Request Permissions]  

Jeremy Yudkin

Riches of organum: Le magnus liber organi de Notre-Dame de Paris, general editor Edward H. Roesner (Monaco: Éditions de L'Oiseau-Lyre) • vol.2: Les organa à deux voix pour l'office du manuscrit de Florence, Biblioteca Medicea-Laurenziana, Plut. 29.1, ed. Mark Everist (2003), 390 • vol.3: Les organa à deux voix pour la messe (De Noël à la fête des Saints Pierre et Paul) du manuscrit de Florence, Biblioteca Medicea-Laurenziana, Plut. 29.1, ed. Mark Everist (2002), 390 • vol.4: Les organa à deux voix pour la messe (De l'Assumption au commun des saints) du manuscrit de Florence, Biblioteca Medicea-Laurenziana, Plut. 29.1, ed. Mark Everist (2001), 390
Early Music Advance Access published on October 5, 2005
Early Music 2005 33: 708-710; doi:10.1093/em/cah165 [Full Text] [PDF] [Request Permissions]  

Richard Rastall

On editing Byrd: William Byrd, Songs of Sundrie Natures (1589), The Byrd Edition, xiii, ed. David Mateer (London, Stainer & Bell, 2004), £69
Early Music Advance Access published on October 5, 2005
Early Music 2005 33: 710-713; doi:10.1093/em/cah166 [Full Text] [PDF] [Request Permissions]  

Douglas Hollick

The ‘famous organist’ Vincent Lübeck: Vincent Lübeck, Neue Ausgabe sämtlicher Orgel- und Clavierwerke, vols.1 & 2, ed. Siegbert Rampe (Kassel: Bärenreiter, 2003–4), 37.95, 42.95
Early Music 2005 33: 713-714; doi:10.1093/em/cah167 [Full Text] [PDF] [Request Permissions]  

Lois Rosow

Rameau's galante orgy: Jean-Philippe Rameau, Anacréon: ballet héroique en un acte, ed. Jonathan Huw Williams, Opera Omnia, ser.IV, vol.25 (Kassel, Bärenreiter, 2004), £105.50
Early Music Advance Access published on October 5, 2005
Early Music 2005 33: 714-716; doi:10.1093/em/cah168 [Full Text] [PDF] [Request Permissions]  

RECORDING REVIEWS

Magnus Williamson

Renaissance polyphony
Early Music 2005 33: 717-721; doi:10.1093/em/cah173 [Full Text] [PDF] [Request Permissions]  

John Milsom

A century of English song
Early Music 2005 33: 721-723; doi:10.1093/em/cah184 [Full Text] [PDF] [Request Permissions]  

Michael Talbot

Italian vocal music
Early Music 2005 33: 723-725; doi:10.1093/em/cah174 [Full Text] [PDF] [Request Permissions]  

Peter Holman

Varieties of Vivaldi
Early Music 2005 33: 725-727; doi:10.1093/em/cah187 [Full Text] [PDF] [Request Permissions]  

David Chung

French harpsichord music
Early Music 2005 33: 728-729; doi:10.1093/em/cah185 [Full Text] [PDF] [Request Permissions]  

Bradley Lehman

Death and the Mayerin: Germanic harpsichord music
Early Music 2005 33: 730-732; doi:10.1093/em/cah186 [Full Text] [PDF] [Request Permissions]  

Geoffrey Baker

18th-century Peru
Early Music Advance Access published on August 25, 2005
Early Music 2005 33: 732; doi:10.1093/em/cah127 [Full Text] [PDF] [Request Permissions]  

Peter Branscombe

Recent recordings from the Classical period
Early Music Advance Access published on August 25, 2005
Early Music 2005 33: 732-734; doi:10.1093/em/cah128 [Full Text] [PDF] [Request Permissions]  

Derek Adlam

The fortepiano from Silbermann to Pleyel
Early Music Advance Access published on August 25, 2005
Early Music 2005 33: 734-738; doi:10.1093/em/cah129 [Full Text] [PDF] [Request Permissions]  

OBITUARY

Paul Cienniwa

Howard Schott (1923–2005)
Early Music 2005 33: 739-740; doi:10.1093/em/cah175 [Full Text] [PDF] [Request Permissions]  

REPORTS

Paul Cienniwa

Boris at Boston
Early Music 2005 33: 741-743; doi:10.1093/em/cah176 [Full Text] [PDF] [Request Permissions]  

Giovanni Tasso

Baroque music in Faenza
Early Music 2005 33: 743-744; doi:10.1093/em/cah177 [Full Text] [PDF] [Request Permissions]  

José María Domínguez

Italians in Spain
Early Music 2005 33: 744-745; doi:10.1093/em/cah178 [Full Text] [PDF] [Request Permissions]  

Ian Woodfield

Intercultural contact
Early Music 2005 33: 745-747; doi:10.1093/em/cah179 [Full Text] [PDF] [Request Permissions]  

A correction
Early Music 2005 33: 747-748; doi:10.1093/em/cah183 [Full Text] [PDF] [Request Permissions]  

CORRESPONDENCE

Marianne Hund

Cricket songs
Early Music 2005 33: 749; doi:10.1093/em/cah180 [Full Text] [PDF] [Request Permissions]  

Peter Holman

The clarinet in England
Early Music 2005 33: 749; doi:10.1093/em/cah181 [Full Text] [PDF] [Request Permissions]  

Agnes Kory

Boccherini and the cello
Early Music 2005 33: 749-751; doi:10.1093/em/cah182 [Full Text] [PDF] [Request Permissions]  

Virginia Pleasants

Howard Schott: a personal tribute
Early Music 2005 33: 751; doi:10.1093/em/cah192 [Full Text] [PDF] [Request Permissions]  

Clemens Goldberg

A new Internet Academy
Early Music 2005 33: 751-752; doi:10.1093/em/cah200 [Full Text] [PDF] [Request Permissions]  

ABSTRACTS

Abstracts
Early Music 2005 33: 753-756; doi:10.1093/em/cah156 [Full Text] [PDF] [Request Permissions]  

ANNUAL INDEX

Annual Index
Early Music 2005 33: 757-766; doi:10.1093/em/cah197 [Full Text] [PDF] [Request Permissions]  

ADVERTISERS' INDEX

Advertisers' index
Early Music 2005 33: 767-768; doi:10.1093/em/cah169 [Full Text] [PDF] [Request Permissions]  

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