Early Music

IFC

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Early Music 2005 33: i; doi:10.1093/earlyj/33.3.i [PDF] [Request Permissions]  

IBC

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Early Music 2005 33: ii; doi:10.1093/earlyj/33.3.ii [PDF] [Request Permissions]  

OBC

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Early Music 2005 33: iii; doi:10.1093/earlyj/33.3.iii [PDF] [Request Permissions]  

EDITORIAL

Tess Knighton

Editorial
Early Music 2005 33: 369-370; doi:10.1093/em/cah098 [Full Text] [PDF] [Request Permissions]  

ARTICLES

David Dolata

Visual and poetic allegory in Bellerofonte Castaldi's extraordinary Capricci a due stromenti
Early Music 2005 33: 371-392; doi:10.1093/em/cah099 [Abstract] [Full Text] [PDF] [Request Permissions]  

Timothy R. McKinney

Point/counterpoint: Vicentino's musical rebuttal to Lusitano
Early Music 2005 33: 393-412; doi:10.1093/em/cah100 [Abstract] [Full Text] [PDF] [Request Permissions]  

Jonathan Drennan

Attributions to Giovanni Rovetta
Early Music 2005 33: 413-424; doi:10.1093/em/cah101 [Abstract] [Full Text] [PDF] [Request Permissions]  

Rob C. Wegman

Musical offerings in the Renaissance
Early Music 2005 33: 425-438; doi:10.1093/em/cah102 [Abstract] [Full Text] [PDF] [Request Permissions]  

Michael J. Levin and Steven Zohn

Don Juan de Austria and the Venetian music trade
Early Music 2005 33: 439-448; doi:10.1093/em/cah103 [Abstract] [Full Text] [PDF] [Request Permissions]  

Erik Albertyn

The Hanover orchestral repertory, 1672–1714: significant source discoveries
Early Music 2005 33: 449-472; doi:10.1093/em/cah104 [Abstract] [Full Text] [PDF] [Request Permissions]  

Dieter Gutknecht

Performance practice of recitativo secco in the first half of the 18th century: A contribution to the debate over the interpretation of recitative, particularly in Handel's operas
Early Music 2005 33: 473-494; doi:10.1093/em/cah105 [Abstract] [Full Text] [PDF] [Request Permissions]  

PERFORMING MATTERS

Peter Phillips

Treble or soprano? Performing Tallis
Early Music 2005 33: 495-502; doi:10.1093/em/cah106 [Abstract] [Full Text] [PDF] [Request Permissions]  

BOOK REVIEWS

Peter Holman

The birth of the orchestra: John Spitzer and Neal Zaslaw, The birth of the orchestra: history of an institution, 1650–1815 (Oxford: Oxford University Press, 2004), £95/$175
Early Music 2005 33: 503-505; doi:10.1093/em/cah108 [Full Text] [PDF] [Request Permissions]  

Andrew Manze

The one-to-a-part concerto: Richard Maunder, The scoring of Baroque concertos (Woodbridge: The Boydell Press, 2004), £50/$85
Early Music 2005 33: 506-508; doi:10.1093/em/cah109 [Full Text] [PDF] [Request Permissions]  

Andrew Johnstone

A story of ‘A’: Bruce Haynes, A history of performing pitch: the story of ‘A’ (Lanham: Scarecrow Press, 2002), $80/£61
Early Music 2005 33: 508-509; doi:10.1093/em/cah110 [Full Text] [PDF] [Request Permissions]  

Jeremy Montagu

Conservation versus use: Robert Barclay, The preservation and use of historic musical instruments: display case or concert hall? (London: Earthscan, 2004), £35
Early Music 2005 33: 510-511; doi:10.1093/em/cah111 [Full Text] [PDF] [Request Permissions]  

Tassilo Erhardt

The south German violin: Thomas Drescher, Spielmännische Tradition und höfische Virtuosität: Studien zu Voraussetzungen, Repertoire und Gestaltung von Violinsonaten des deutschsprachigen Südens im späten 17. Jahrhundert (Tutzing: Hans Schneider, 2004), 75
Early Music 2005 33: 511-513; doi:10.1093/em/cah112 [Full Text] [PDF] [Request Permissions]  

Rachel Cowgill

‘The cradle of music in Ireland’: Barra Boydell, A history of music at Christ Church Cathedral, Dublin (Woodbridge: Boydell & Brewer, 2004), £45
Early Music 2005 33: 514-515; doi:10.1093/em/cah113 [Full Text] [PDF] [Request Permissions]  

Graham Sadler

Couperin in context: David Tunley, François Couperin and ‘the perfection of music’ (Aldershot: Ashgate, 2004), £45
Early Music 2005 33: 516-518; doi:10.1093/em/cah114 [Full Text] [PDF] [Request Permissions]  

Barra Boydell

Concerts in English society: Concert life in 18th-century Britain, ed. Susan Wollenberg and Simon McVeigh (Aldershot: Ashgate, 2004), £52.50
Early Music 2005 33: 518-520; doi:10.1093/em/cah115 [Full Text] [PDF] [Request Permissions]  

Michael Talbot

Sammartini revisited: Giovanni Battista Sammartini and his musical environment, ed. Anna Cattoretti (Turnhout: Brepols, 2004), 150
Early Music 2005 33: 520-522; doi:10.1093/em/cah116 [Full Text] [PDF] [Request Permissions]  

MUSIC REVIEWS

John Milsom

The arcane colours of Fayrfax: Robert Fayrfax, Masses Tecum principium and O quam glorifica, ed. Roger Bray, Early English Church Music, xlv (London: Stainer & Bell for The British Academy, 2004), £55
Early Music 2005 33: 523-524; doi:10.1093/em/cah117 [Full Text] [PDF] [Request Permissions]  

Mark Humphreys

A pastoral and ‘the Scottish play’: Music for Macbeth, ed. Amanda Eubanks Winkler, Recent Researches in the Music of the Baroque Era, cxxxiii (Middleton WI: A-R Editions, 2004), £68 • Maurice Greene, Phoebe: a pastoral opera, ed. H. Diack Johnstone, Musica Britannica, lxxxii (London: Stainer & Bell, 2004), £79
Early Music 2005 33: 524-526; doi:10.1093/em/cah118 [Full Text] [PDF] [Request Permissions]  

RECORDING REVIEWS

Ivan Moody

Visions of the Middle Ages
Early Music 2005 33: 527-528; doi:10.1093/em/cah121 [Full Text] [PDF] [Request Permissions]  

Lucy Robinson

Phantasms sweet
Early Music 2005 33: 528-530; doi:10.1093/em/cah122 [Full Text] [PDF] [Request Permissions]  

John Kitchen

Harpsichord music from England and Germany
Early Music 2005 33: 530-532; doi:10.1093/em/cah123 [Full Text] [PDF] [Request Permissions]  

Francis Knights

The recorder across Europe
Early Music 2005 33: 532-533; doi:10.1093/em/cah124 [Full Text] [PDF] [Request Permissions]  

Elizabeth Roche

Baroque voices and violins
Early Music 2005 33: 533-535; doi:10.1093/em/cah130 [Full Text] [PDF] [Request Permissions]  

David Ledbetter

The artful harpsichord
Early Music 2005 33: 535-536; doi:10.1093/em/cah125 [Full Text] [PDF] [Request Permissions]  

Michael Talbot

Vivaldi in madness and mirth
Early Music 2005 33: 536-538; doi:10.1093/em/cah126 [Full Text] [PDF] [Request Permissions]  

Joyce Lindorff

The sweet sound of cultures clashing
Early Music 2005 33: 538-539; doi:10.1093/em/cah141 [Full Text] [PDF] [Request Permissions]  

REPORTS

Richard Turbet

Seeking early English keyboards
Early Music 2005 33: 541-543; doi:10.1093/em/cah132 [Full Text] [PDF] [Request Permissions]  

Tess Knighton

Questions of copyright
Early Music 2005 33: 543-544; doi:10.1093/em/cah131 [Full Text] [PDF] [Request Permissions]  

CORRESPONDENCE

David Ponsford

Tempering Bach's temperament
Early Music 2005 33: 545; doi:10.1093/em/cah133 [Full Text] [PDF] [Request Permissions]  

Daniel Jencka

Early Music 2005 33: 545; doi:10.1093/em/cah134 [Full Text] [PDF] [Request Permissions]  

Richard Maunder

Early Music 2005 33: 545-546; doi:10.1093/em/cah135 [Full Text] [PDF] [Request Permissions]  

Carl Sloan

Early Music 2005 33: 546; doi:10.1093/em/cah136 [Full Text] [PDF] [Request Permissions]  

Mark Lindley

Early Music 2005 33: 546; doi:10.1093/em/cah137 [Full Text] [PDF] [Request Permissions]  

Kenneth Mobbs and Alexander Mackenzie of Ord

Early Music 2005 33: 546-547; doi:10.1093/em/cah138 [Full Text] [PDF] [Request Permissions]  

Stuart Isacoff

Early Music 2005 33: 547; doi:10.1093/em/cah143 [Full Text] [PDF] [Request Permissions]  

Early Music 2005 33: 547-548; doi:10.1093/earlyj/33.3.547-a [Full Text] [PDF] [Request Permissions]  

Lionel Sawkins

Copyright issues
Early Music 2005 33: 548-549; doi:10.1093/em/cah144 [Full Text] [PDF] [Request Permissions]  

Albert Rice

More on the clarinet in England
Early Music 2005 33: 549; doi:10.1093/em/cah086 [Full Text] [PDF] [Request Permissions]  

Roberto Pagano

The little-known Francesco Scarlatti
Early Music 2005 33: 549-550; doi:10.1093/em/cah139 [Full Text] [PDF] [Request Permissions]  

Richard Rastall

Lassus and the wild beasts
Early Music 2005 33: 550; doi:10.1093/em/cah140 [Full Text] [PDF] [Request Permissions]  

ABSTRACTS

Abstracts
Early Music 2005 33: 550-552; doi:10.1093/em/cah119 [Full Text] [PDF] [Request Permissions]  

ADVERTISERS' INDEX

Advertisers' Index
Early Music 2005 33: 553-554; doi:10.1093/em/cah120 [PDF] [Request Permissions]  

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