Early Music

Editorials

Tess Knighton

Editorial
Early Music 2005 33: 1-2; doi:10.1093/em/cah036 [PDF] [Request Permissions]  

Articles

Bradley Lehman

Bach's extraordinary temperament: our Rosetta Stone—1
Early Music 2005 33: 3-24; doi:10.1093/em/cah037 [PDF] [Supplementary Data] [Music Clips associated with this paper] [Request Permissions]  

Seishiro Niwa

‘Madama’ Margaret of Parma's patronage of music
Early Music 2005 33: 25-38; doi:10.1093/em/cah039 [PDF] [Request Permissions]  

Stephen Rose

Daniel Vetter and the domestic keyboard chorale in Bach's Leipzig
Early Music 2005 33: 39-54; doi:10.1093/em/cah040 [PDF] [Erratum - Corrected article with corrected music examples] [Request Permissions]  

Albert R. Rice

The clarinet in England during the 1760s
Early Music 2005 33: 55-64; doi:10.1093/em/cah038 [PDF] [Request Permissions]  

Margaret Yelloly

‘The ingenious Miss Turner’: Elizabeth Turner (d 1756), singer, harpsichordist and composer
Early Music 2005 33: 65-80; doi:10.1093/em/cah041 [PDF] [Request Permissions]  

Eleanor Selfridge-Field

The invention of the fortepiano as intellectual history
Early Music 2005 33: 81-94; doi:10.1093/em/cah042 [PDF] [Request Permissions]  

Observation

Edwin M. Good

What did Cristofori call his invention?
Early Music 2005 33: 95-98; doi:10.1093/em/cah043 [PDF] [Request Permissions]  

Review Article

John Milsom

Absorbing Lassus
Early Music 2005 33: 99-114; doi:10.1093/em/cah044 [PDF] [Erratum - Corrected article with corrected Music Examples] [Request Permissions]  

Book Reviews

Jane Flynn

Review: Medieval improvisation
Early Music 2005 33: 115-117; doi:10.1093/em/cah045 [PDF] [Request Permissions]  

Miguel-Ángel Marín

Review: The soundworld of Toledo cathedral
Early Music 2005 33: 117-119; doi:10.1093/em/cah047 [PDF] [Request Permissions]  

Lionel Sawkins

Review: The Sun King at worship
Early Music 2005 33: 119-121; doi:10.1093/em/cah046 [PDF] [Request Permissions]  

Tanya Kevorkian

Review: Bach in Leipzig
Early Music 2005 33: 121-124; doi:10.1093/em/cah049 [PDF] [Request Permissions]  

John Koster

Review: German keyboards
Early Music 2005 33: 124-128; doi:10.1093/em/cah048 [PDF] [Request Permissions]  

Music Reviews

Lucy Robinson

Review: ‘Alphonso Ferrabosco ... mastring all the spirits of Musique’
Early Music 2005 33: 129-130; doi:10.1093/em/cah050 [PDF] [Request Permissions]  

Flora Dennis

Review: Italian survivals
Early Music 2005 33: 130-132; doi:10.1093/em/cah051 [PDF] [Request Permissions]  

Bruce Gustafson

Review: Louis Couperin at the keyboard
Early Music 2005 33: 132-133; doi:10.1093/em/cah052 [PDF] [Request Permissions]  

David Wyn Jones

Review: A Classical sacred miscellany
Early Music 2005 33: 134-135; doi:10.1093/em/cah053 [PDF] [Request Permissions]  

Recording Reviews

David Pinto

Magic and mystery in Gibbons and Dowland
Early Music 2005 33: 137-141; doi:10.1093/em/cah057 [PDF] [Request Permissions]  

Stephen Rose

The Altbachisches Archiv
Early Music 2005 33: 141-144; doi:10.1093/em/cah058 [PDF] [Request Permissions]  

Michael Talbot

Unknown Scarlatti
Early Music 2005 33: 144-145; doi:10.1093/em/cah059 [PDF] [Request Permissions]  

Phyllis Kinney

The Welsh bowed lyre
Early Music 2005 33: 145-147; doi:10.1093/em/cah060 [PDF] [Request Permissions]  

Errata

Erratum
Early Music 2005 33: 147; doi:10.1093/em/cah062 [PDF] [Request Permissions]  

Salerooms

Jeremy Montagu

Instruments
Early Music 2005 33: 149-153; doi:10.1093/em/cah061 [PDF] [Request Permissions]  

Report

Eleanor Selfridge-Field

The Pietà Museum, Venice
Early Music 2005 33: 154; doi:10.1093/em/cah054 [PDF] [Request Permissions]  

Correspondence

David Skinner

Further thoughts on the Lambeth Choirbook and Jena
Early Music 2005 33: 155-157; doi:10.1093/em/cah055 [PDF] [Request Permissions]  

Abstracts

Abstracts
Early Music 2005 33: 158-160; doi:10.1093/em/cah056 [PDF] [Request Permissions]  

Advertisers' index

Advertisers' index
Early Music 2005 33: 161-162; doi:10.1093/earlyj/33.1.161 [PDF] [Request Permissions]  

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