Early Music

Articles

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Early Music 2004 32: i; doi:10.1093/em/32.4.i [PDF] [Request Permissions]  

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Early Music 2004 32: ii; doi:10.1093/em/32.4.ii [PDF] [Request Permissions]  

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Early Music 2004 32: iii; doi:10.1093/em/32.4.iii [PDF] [Request Permissions]  

Tess Knighton

Editorial
Early Music 2004 32: 495-496; doi:10.1093/em/32.4.495 [PDF] [Request Permissions]  

Shirley Thompson

Marc-Antoine Charpentier and the viol
Early Music 2004 32: 497-510; doi:10.1093/em/32.4.497 [PDF] [Request Permissions]  

C. Jane Gosine and Erik Oland

Docere, delectare, movere: Marc-Antoine Charpentier and Jesuit spirituality
Early Music 2004 32: 511-540; doi:10.1093/em/32.4.511 [PDF] [Request Permissions]  

Graham Sadler

A philosophy lesson with François Couperin?
Early Music 2004 32: 541-548; doi:10.1093/em/32.4.541 [PDF] [Request Permissions]  

Mary Cyr

Representing Jacquet de La Guerre on disc: scoring and basse continue practices, and a new painting of the composer
Early Music 2004 32: 549-568; doi:10.1093/em/32.4.549 [PDF] [Request Permissions]  

Kerry McCarthy

Byrd, Augustine, and Tribue, Domine
Early Music 2004 32: 569-576; doi:10.1093/em/32.4.569 [PDF] [Data supplements] [Request Permissions]  

Malcolm Rose

The history and significance of the Lodewijk Theewes claviorgan
Early Music 2004 32: 577-594; doi:10.1093/em/32.4.577 [PDF] [Request Permissions]  

Howard Schott

The clavichord revival, 1800–1960
Early Music 2004 32: 595-604; doi:10.1093/em/32.4.595 [PDF] [Request Permissions]  

Jacques Boogaart

Review: Machaut and Reims: Anne Walters Robertson, Guillaume de Machaut and Reims: context and meaning in his musical works
Early Music 2004 32: 605-608; doi:10.1093/em/32.4.605 [PDF] [Request Permissions]  

Wendy Heller

Review: Women of the commedia dell'arte: Anne MacNeil, Music and women of the commedia dell'arte in the late sixteenth century
Early Music 2004 32: 608-611; doi:10.1093/em/32.4.608 [PDF] [Request Permissions]  

Tim Carter

Review: Divining Monteverdi: Massimo Ossi, Divining the oracle: Monteverdi's ‘seconda prattica’
Early Music 2004 32: 611-613; doi:10.1093/em/32.4.611 [PDF] [Request Permissions]  

Shirley Thompson

Review: Pictures at a Charpentier exhibition: Patricia M. Ranum, Portraits around Marc-Antoine Charpentier
Early Music 2004 32: 613-614; doi:10.1093/em/32.4.613 [PDF] [Request Permissions]  

C. Jane Gosine

Review: New France: La vie musicale en nouvelle France
Early Music 2004 32: 614-616; doi:10.1093/em/32.4.614 [PDF] [Request Permissions]  

Gregory Barnett

Review: Music and liturgy at San Petronio: Marc Vanscheeuwijck, The cappella musicale of San Petronio in Bologna under Giovanni Paolo Colonna (1674–95)
Early Music 2004 32: 616-619; doi:10.1093/em/32.4.616 [PDF] [Request Permissions]  

Peter Holman

Review: Rediscovering Steffani: Colin Timms, Polymath of the Baroque: Agostino Steffani and his music
Early Music 2004 32: 619-621; doi:10.1093/em/32.4.619 [PDF] [Request Permissions]  

Eric Hoeprich

Review: The Classical clarinet: Albert R. Rice, The clarinet in the Classical period
Early Music 2004 32: 621-622; doi:10.1093/em/32.4.621 [PDF] [Request Permissions]  

Jeremy Barlow

Review: ‘Woeful ballads’ and ‘filthy tunes’?: Shakespeare's songbook
Early Music 2004 32: 623-626; doi:10.1093/em/32.4.623 [PDF] [Request Permissions]  

Eric Van Tassel

Purcell's operas revisited
Early Music 2004 32: 627-632; doi:10.1093/em/32.4.627 [PDF] [Request Permissions]  

Graham Dixon

Carissimi in the round
Early Music 2004 32: 632-634; doi:10.1093/em/32.4.632 [PDF] [Request Permissions]  

Noel O'Regan

New approaches to Victoria
Early Music 2004 32: 634-638; doi:10.1093/em/32.4.634 [PDF] [Request Permissions]  

Edward Wickham

Ars memoria: Medieval and Renaissance Music Conference, Glasgow, 15–18 July 2004
Early Music 2004 32: 639-640; doi:10.1093/em/32.4.639 [PDF] [Request Permissions]  

Virginia Pleasants

Bruges keyboard competition
Early Music 2004 32: 640; doi:10.1093/em/32.4.640 [PDF] [Request Permissions]  

Kerry McCarthy

Byrd's English music Conference: The English-texted music of William Byrd, University of Leeds, 11 September 2004
Early Music 2004 32: 640-a-642; doi:10.1093/em/32.4.640-a [PDF] [Request Permissions]  

Frank Dobbins

Denis Stevens (1922–2004)
Early Music 2004 32: 643-644; doi:10.1093/em/32.4.643 [PDF] [Request Permissions]  

Beverly Jerold

The sound orchestras make: I
Early Music 2004 32: 645; doi:10.1093/em/32.4.645 [PDF] [Request Permissions]  

Luigi Swich

The sound orchestras make: II
Early Music 2004 32: 645-a-645; doi:10.1093/em/32.4.645-a [PDF] [Request Permissions]  

Robert E. Seletsky

Newer light on the old bow
Early Music 2004 32: 645-b-645; doi:10.1093/em/32.4.645-b [PDF] [Request Permissions]  

Ernest H. Sanders

Spiritus et alme
Early Music 2004 32: 646; doi:10.1093/em/32.4.646 [PDF] [Request Permissions]  

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Early Music 2004 32: 647-648; doi:10.1093/em/32.4.647 [PDF] [Request Permissions]  

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