Early Music

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Early Music 2004 32: i; doi:10.1093/em/32.3.i [PDF] [Request Permissions]  

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Early Music 2004 32: ii; doi:10.1093/em/32.3.ii [PDF] [Request Permissions]  

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Early Music 2004 32: iii; doi:10.1093/em/32.3.iii [PDF] [Request Permissions]  

Tess Knighton

Editorial
Early Music 2004 32: 353-354; doi:10.1093/em/32.3.353 [PDF] [Request Permissions]  

Geoffrey Baker

Music at Corpus Christi in colonial Cuzco
Early Music 2004 32: 355-368; doi:10.1093/em/32.3.355 [PDF] [Request Permissions]  

Alejandro Vera Aguilera

Music in the monastery of La Merced, Santiago de Chile, in the colonial period
Early Music 2004 32: 369-382; doi:10.1093/em/32.3.369 [PDF] [Request Permissions]  

David Irving

Musical politics of empire: the loa in 18th-century Manila
Early Music 2004 32: 383-402; doi:10.1093/em/32.3.383 [PDF] [Request Permissions]  

Joyce Lindorff

Missionaries, keyboards and musical exchange in the Ming and Qing courts
Early Music 2004 32: 403-414; doi:10.1093/em/32.3.403 [PDF] [Request Permissions]  

Robert E. Seletsky

New light on the old bow-2
Early Music 2004 32: 415-426; doi:10.1093/em/32.3.415 [PDF] [Request Permissions]  

Claudia Schweitzer

Madame Ravissa de Turin: a forgotten woman composer of the 18th century
Early Music 2004 32: 427-440; doi:10.1093/em/32.3.427 [PDF] [Request Permissions]  

Michael Burden

Purcell's operas on Craig's stage: the productions of the Purcell Operatic Society
Early Music 2004 32: 441-458; doi:10.1093/em/32.3.441 [PDF] [Request Permissions]  

Nicholas Kenyon

Review: The historical imagination
Early Music 2004 32: 459-460; doi:10.1093/em/32.3.459 [PDF] [Request Permissions]  

Sam Barrett

Review: Early chant
Early Music 2004 32: 460-461; doi:10.1093/em/32.3.460 [PDF] [Request Permissions]  

Elizabeth Eva Leach

Review: Ciconia in transition
Early Music 2004 32: 462-463; doi:10.1093/em/32.3.462 [PDF] [Request Permissions]  

Stephen Rice

Review: Golden Age polyphony
Early Music 2004 32: 463-465; doi:10.1093/em/32.3.463 [PDF] [Request Permissions]  

Graham Dixon

Review: The vernacular oratorio
Early Music 2004 32: 465-466; doi:10.1093/em/32.3.465 [PDF] [Request Permissions]  

John Milsom

Review: A Tallis Scholars' retrospective
Early Music 2004 32: 466-468; doi:10.1093/em/32.3.466 [PDF] [Request Permissions]  

Noel O'Regan

Review: Routes of the Roman oratorio
Early Music 2004 32: 468-469; doi:10.1093/em/32.3.468 [PDF] [Request Permissions]  

Roger Bowers

Review: Fayrfax at the Chapel Royal
Early Music 2004 32: 471-473; doi:10.1093/em/32.3.471 [PDF] [Request Permissions]  

Graham Sadler

Review: French schoolgirls and young ladies
Early Music 2004 32: 473-476; doi:10.1093/em/32.3.473 [PDF] [Request Permissions]  

Graham Sadler

Review: French schoolgirls and young ladies
Early Music 2004 32: 473-476; doi:10.1093/em/32.3.473-a [PDF] [Request Permissions]  

Howard Schott

The world of François Couperin
Early Music 2004 32: 477-478; doi:10.1093/em/32.3.477 [PDF] [Request Permissions]  

David Kidger

Willaert and Gabrieli secular music
Early Music 2004 32: 478-481; doi:10.1093/em/32.3.478 [PDF] [Request Permissions]  

Fabrice Fitch

Briefly noted
Early Music 2004 32: 481-484; doi:10.1093/em/32.3.481 [PDF] [Request Permissions]  

Julie Anne Sadie

Charpentier and his World, Birmingham Conservatoire, 2–4 April 2004
Early Music 2004 32: 485-486; doi:10.1093/em/32.3.485 [PDF] [Request Permissions]  

Juliet Carey

Le ballet de la nuit Louis XIV and dance: an examination of Waddesdon's source for Le ballet de la nuit, 6th Annual Dance Symposium, 21 April 2004, Waddesdon Manor and New College, Oxford
Early Music 2004 32: 486-488; doi:10.1093/em/32.3.486 [PDF] [Request Permissions]  

Malcolm Bilson

Beethoven's tied-note notation
Early Music 2004 32: 489-491; doi:10.1093/em/32.3.489 [PDF] [Request Permissions]  

Jeremy Montagu

Musical instruments of the Bible
Early Music 2004 32: 491-492; doi:10.1093/em/32.3.491 [PDF] [Request Permissions]  

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Early Music 2004 32: 493-494; doi:10.1093/em/32.3.493 [PDF] [Request Permissions]  

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