Early Music

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Early Music 2004 32: i; doi:10.1093/em/32.2.i [PDF] [Request Permissions]  

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Early Music 2004 32: ii; doi:10.1093/em/32.2.ii [PDF] [Request Permissions]  

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Early Music 2004 32: iii; doi:10.1093/em/32.2.iii [PDF] [Request Permissions]  

Tess Knighton

Editorial
Early Music 2004 32: 175-176; doi:10.1093/em/32.2.175 [PDF] [Request Permissions]  

Hiroyuki Minamino

The Spanish plucked viola in Renaissance Italy, 1480–1530
Early Music 2004 32: 177-193; doi:10.1093/em/32.2.177 [PDF] [Request Permissions]  

Bernadette Nelson

The court of don Fernando de Aragón, Duke of Calabria in Valencia, c.1526–c.1550: music, letters and the meeting of cultures
Early Music 2004 32: 194-224; doi:10.1093/em/32.2.194 [PDF] [Request Permissions]  

Grayson Wagstaff

Morales's Officium, chant traditions, and performing 16th-century music
Early Music 2004 32: 225-243; doi:10.1093/em/32.2.225 [PDF] [Request Permissions]  

Ángel Manuel Olmos

New polyphonic fragments from 15th-century Spain: a preliminary report
Early Music 2004 32: 244-251; doi:10.1093/em/32.2.244 [PDF] [Request Permissions]  

Patrick Tröster

More about Renaissance slide trumpets: fact or fiction?
Early Music 2004 32: 252-270; doi:10.1093/em/32.2.252 [PDF] [Request Permissions]  

Ruth Lightbourne

Annibale Stabile and performance practice at two Roman institutions
Early Music 2004 32: 271-285; doi:10.1093/em/32.2.271 [PDF] [Request Permissions]  

Robert E. Seletsky

New light on the old bow—1
Early Music 2004 32: 286-302; doi:10.1093/em/32.2.286 [PDF] [Request Permissions]  

Andrew Parrott

Monteverdi: onwards and downwards
Early Music 2004 32: 303-318; doi:10.1093/em/32.2.303 [PDF] [Request Permissions]  

Richard Rastall

Review: Medieval performances: A performer's guide to medieval music
Early Music 2004 32: 319-320; doi:10.1093/em/32.2.319 [PDF] [Request Permissions]  

Richard Pinnell

Review: The guitar in its fullness: The guitar and its music from the Renaissance to the Classical era
Early Music 2004 32: 320-322; doi:10.1093/em/32.2.320 [PDF] [Request Permissions]  

David Wulstan

Review: Biblical instruments: Musical instruments of the Bible
Early Music 2004 32: 322-326; doi:10.1093/em/32.2.322 [PDF] [Request Permissions]  

Stephen Rose

Review: Words without music in the German Baroque: German secular songbooks of the mid-17th century
Early Music 2004 32: 326-327; doi:10.1093/em/32.2.326 [PDF] [Request Permissions]  

Stephen Rose

Review: Words without music in the German Baroque: A language for German opera: the development of forms and formulas for recitative and aria in 17th-century German libretti
Early Music 2004 32: 326-327; doi:10.1093/em/32.2.326-a [PDF] [Request Permissions]  

Geoffrey Baker

Review: Small-town Spain: Music on the margin: urban musical life in 18th-century Jaca (Spain)
Early Music 2004 32: 327-328; doi:10.1093/em/32.2.327 [PDF] [Request Permissions]  

David Irving

Review: Early America and Cuba: How early America sounded
Early Music 2004 32: 328-333; doi:10.1093/em/32.2.328 [PDF] [Request Permissions]  

David Irving

Review: Early America and Cuba: Music in Cuba
Early Music 2004 32: 328-333; doi:10.1093/em/32.2.328-a [PDF] [Request Permissions]  

Michael Latcham

Review: Balancing a catalogue: The Benton Fletcher collection at Fenton House: early keyboard instruments
Early Music 2004 32: 333-334; doi:10.1093/em/32.2.333 [PDF] [Request Permissions]  

John Milsom

Review: Ludford and Croce: Mass ‘Inclina cor meum deus’ and antiphons, Ed. David Skinner, Early English Church Music, Xliv
Early Music 2004 32: 335-336; doi:10.1093/em/32.2.335 [PDF] [Request Permissions]  

John Milsom

Review: Ludford and Croce: Musica sacra (1608), Ed. John Morehen, The English Madrigalists, Xli
Early Music 2004 32: 335-336; doi:10.1093/em/32.2.335-a [PDF] [Request Permissions]  

Hendrik Schulze

Review: Seicento opera edited: La danza barocca al teatro: ritornelli a ballo nell'opera veneziana del seicento
Early Music 2004 32: 336-338; doi:10.1093/em/32.2.336 [PDF] [Request Permissions]  

Hendrik Schulze

Review: Seicento opera edited: Francesco Cavalli, La Doriclea, ed. Christopher J. Mossey, Recent Researches in the Music of the Baroque Era, cxxxii
Early Music 2004 32: 336-338; doi:10.1093/em/32.2.336-a [PDF] [Request Permissions]  

Hendrik Schulze

Review: Seicento opera edited: Loreto Vittori, La Galatea
Early Music 2004 32: 336-338; doi:10.1093/em/32.2.336-b [PDF] [Request Permissions]  

Tess Knighton

Music for plucked strings
Early Music 2004 32: 339-341; doi:10.1093/em/32.2.339 [PDF] [Request Permissions]  

Mieko Kanno

Biber's Mystery Sonatas
Early Music 2004 32: 341-343; doi:10.1093/em/32.2.341 [PDF] [Request Permissions]  

Fabrice Fitch

Renaissance miscellany
Early Music 2004 32: 343-344; doi:10.1093/em/32.2.343 [PDF] [Request Permissions]  

Peter Bavington

Two Trasuntino harpsichord copies
Early Music 2004 32: 345-346; doi:10.1093/em/32.2.345 [PDF] [Request Permissions]  

Margaret Bent

Harold Copeman (1918–2003)
Early Music 2004 32: 347; doi:10.1093/em/32.2.347 [PDF] [Request Permissions]  

David Wulstan

Pitch in early Anglican church music
Early Music 2004 32: 348-349; doi:10.1093/em/32.2.348 [PDF] [Request Permissions]  

Andrew Parrott

Performing pitch
Early Music 2004 32: 349; doi:10.1093/em/32.2.349 [PDF] [Request Permissions]  

Christopher Page

Basle, Cambridge and openness
Early Music 2004 32: 349; doi:10.1093/em/32.2.349-a [PDF] [Request Permissions]  

Eric Altschuler

Bach's singers
Early Music 2004 32: 350; doi:10.1093/em/32.2.350 [PDF] [Request Permissions]  

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Early Music 2004 32: 351-352; doi:10.1093/em/32.2.351 [PDF] [Request Permissions]  

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