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Contents: Volume 13, Number 2, 1985   [Index by Author] 
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To see an article, click its [Full Text] or [PDF] link. To review many abstracts, check the boxes to the left of the titles you want, and click the 'Get All Checked Abstract(s)' button. To see one abstract at a time, click its [Abstract] link.

Articles Back

Christoph Wolff
Bach's Leipzing Chamber Music
Early Music 1985 13: 165-175; doi:10.1093/earlyj/13.2.165 [PDF] [Request Permissions]  

Robert L. Marshall
Bach's Orchestre
Early Music 1985 13: 176-179; doi:10.1093/earlyj/13.2.176 [PDF] [Request Permissions]  

Hans-Joachim Schulze
The French influence in Bach's instrumental music
Early Music 1985 13: 180-184; doi:10.1093/earlyj/13.2.180 [PDF] [Request Permissions]  

George Stauffer
Bach as reviser of his own Keyboard works
Early Music 1985 13: 185-198; doi:10.1093/earlyj/13.2.185 [PDF] [Request Permissions]  

Russell Stinson
J.P. Kellner's copy of Bach's sonatas and partitas for violin solo
Early Music 1985 13: 199-211; doi:10.1093/earlyj/13.2.199 [PDF] [Request Permissions]  

Stephen A Crist
Bach's début at Leipzig:Observations on the genesis of Cantatas 75 and 76
Early Music 1985 13: 212-226; doi:10.1093/earlyj/13.2.212 [PDF] [Request Permissions]  

Robin A. Leaver
Bach and hymnody: The evidence of the Orgelbüchlein
Early Music 1985 13: 227-236; doi:10.1093/earlyj/13.2.227 [PDF] [Request Permissions]  

Laurence Dreyfus
The metaphorical soloist: Concerted organ parts in Bach's cantatas
Early Music 1985 13: 237-247; doi:10.1093/earlyj/13.2.237 [PDF] [Request Permissions]  

Robert Hill
Echtheit angezweifelt: Style and authenticity in two suites attributed to Bach
Early Music 1985 13: 248-255; doi:10.1093/earlyj/13.2.248 [PDF] [Request Permissions]  

Mary Cyr
Bach's music in France: a new Source
Early Music 1985 13: 256-260; doi:10.1093/earlyj/13.2.256 [PDF] [Request Permissions]  

Ephraim Segerman
Praetorius's pitch?
Early Music 1985 13: 261-266; doi:10.1093/earlyj/13.2.261 [PDF] [Request Permissions]  

ARTHUR SEARLE
Manuscripts and printed books
Early Music 1985 13: 267-268; doi:10.1093/earlyj/13.2.267 [PDF] [Request Permissions]  

ARTHUR SEARLE
Instruments
Early Music 1985 13: 268-274; doi:10.1093/earlyj/13.2.268 [PDF] [Request Permissions]  

Warwick Edwards
BOOKS
Early Music 1985 13: 275-277; doi:10.1093/earlyj/13.2.275 [PDF] [Request Permissions]  

Stephen Daw
BOOKS
Early Music 1985 13: 277-279; doi:10.1093/earlyj/13.2.277 [PDF] [Request Permissions]  

John Butt
BOOKS
Early Music 1985 13: 279-283; doi:10.1093/earlyj/13.2.279 [PDF] [Request Permissions]  

Jane Clark
BOOKS
Early Music 1985 13: 283; doi:10.1093/earlyj/13.2.283-a [PDF] [Request Permissions]  

Gareth R. K. Curtis
BOOKS
Early Music 1985 13: 283-284; doi:10.1093/earlyj/13.2.283-b [PDF] [Request Permissions]  

James Chater
BOOKS
Early Music 1985 13: 284-287; doi:10.1093/earlyj/13.2.284 [PDF] [Request Permissions]  

David Tayler
BOOKS
Early Music 1985 13: 287-292; doi:10.1093/earlyj/13.2.287 [PDF] [Request Permissions]  

J.M. Thomson
BOOKS
Early Music 1985 13: 289-292; doi:10.1093/earlyj/13.2.289 [PDF] [Request Permissions]  

Briefly Noted
Early Music 1985 13: 291-292; doi:10.1093/earlyj/13.2.291 [PDF] [Request Permissions]  

Clifford Bartlett
MUSIC
Early Music 1985 13: 293-297; doi:10.1093/earlyj/13.2.293 [PDF] [Request Permissions]  

David Humphreys
MUSIC
Early Music 1985 13: 297-298; doi:10.1093/earlyj/13.2.297 [PDF] [Request Permissions]  

John Milsom
MUSIC
Early Music 1985 13: 299-303; doi:10.1093/earlyj/13.2.299 [PDF] [Request Permissions]  

Geoffrey Webber
MUSIC
Early Music 1985 13: 303; doi:10.1093/earlyj/13.2.303-a [PDF] [Request Permissions]  

Tess Knighton
MUSIC
Early Music 1985 13: 303-307; doi:10.1093/earlyj/13.2.303-b [PDF] [Request Permissions]  

John Harpet
MUSIC
Early Music 1985 13: 307-308; doi:10.1093/earlyj/13.2.307 [PDF] [Request Permissions]  

Peter Phillips
MUSIC
Early Music 1985 13: 308-310; doi:10.1093/earlyj/13.2.308 [PDF] [Request Permissions]  

Robin Stowell
RECORDINGS
Early Music 1985 13: 311-313; doi:10.1093/earlyj/13.2.311 [PDF] [Request Permissions]  

Colin Lawson
RECORDINGS
Early Music 1985 13: 313-315; doi:10.1093/earlyj/13.2.313 [PDF] [Request Permissions]  

Clifford Bartlett
RECORDINGS
Early Music 1985 13: 315-317; doi:10.1093/earlyj/13.2.315 [PDF] [Request Permissions]  

Barry Ife
RECORDINGS
Early Music 1985 13: 317-320; doi:10.1093/earlyj/13.2.317 [PDF] [Request Permissions]  

Bruce Wood
RECORDINGS
Early Music 1985 13: 321-322; doi:10.1093/earlyj/13.2.321 [PDF] [Request Permissions]  

Robin Stowell
RECORDINGS
Early Music 1985 13: 322-323; doi:10.1093/earlyj/13.2.322 [PDF] [Request Permissions]  

Nicholas Anderson
RECORDINGS
Early Music 1985 13: 323-325; doi:10.1093/earlyj/13.2.323 [PDF] [Request Permissions]  

Catherine Massip
RECORDINGS
Early Music 1985 13: 325-326; doi:10.1093/earlyj/13.2.325 [PDF] [Request Permissions]  

Eric Van Tassel
RECORDINGS
Early Music 1985 13: 326-328; doi:10.1093/earlyj/13.2.326 [PDF] [Request Permissions]  

Eric Van Tassel
RECORDINGS
Early Music 1985 13: 328-330; doi:10.1093/earlyj/13.2.328 [PDF] [Request Permissions]  

CHRISTOPHER ADDINGTON
The Baroque flute
Early Music 1985 13: 331-335; doi:10.1093/earlyj/13.2.331 [PDF] [Request Permissions]  

JOHN HENRY VAN DER MEER
Beethoven's Graf piano
Early Music 1985 13: 335; doi:10.1093/earlyj/13.2.335 [PDF] [Request Permissions]  

To see an article, click its [Full Text] or [PDF] link. To review many abstracts, check the boxes to the left of the titles you want, and click the 'Get All Checked Abstract(s)' button. To see one abstract at a time, click its [Abstract] link.