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Contents: Volume 13, Number 1, 1985   [Index by Author] 
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To see an article, click its [Full Text] or [PDF] link. To review many abstracts, check the boxes to the left of the titles you want, and click the 'Get All Checked Abstract(s)' button. To see one abstract at a time, click its [Abstract] link.

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David Rowland
Early pianoforte pedalling:The evidence of the earliest printed markings
Early Music 1985 13: 5-17; doi:10.1093/earlyj/13.1.5 [PDF] [Request Permissions]  

Steward Pollens
The early Portuguese piano
Early Music 1985 13: 18-27; doi:10.1093/earlyj/13.1.18 [PDF] [Request Permissions]  

Howard Schort
From Harpsichord to pianoforte:A chronology and commentary
Early Music 1985 13: 28-38; doi:10.1093/earlyj/13.1.28 [PDF] [Request Permissions]  

Virginia Pleasants
The early piano in Britain (c1760–1800)
Early Music 1985 13: 39-44; doi:10.1093/earlyj/13.1.39 [PDF] [Request Permissions]  

Richard Burnett
English pianos at Finchcocks
Early Music 1985 13: 45-51; doi:10.1093/earlyj/13.1.45 [PDF] [Request Permissions]  

Linda Nicholson
PLAYING THE EARLY PIANO:‘The musician... needs to play not one but many instruments, to develop not one technique but many’
Early Music 1985 13: 52-58; doi:10.1093/earlyj/13.1.52 [PDF] [Request Permissions]  

Christopher Kite
‘The day has still to come when Mozart on a Steinway will be regarded... as necessarily a kind of transcription’
Early Music 1985 13: 54-56; doi:10.1093/earlyj/13.1.54 [PDF] [Request Permissions]  

Melvyn Tan
‘The technique of playing music authentically does not mean simply using the appropriate instruments’
Early Music 1985 13: 57-58; doi:10.1093/earlyj/13.1.57 [PDF] [Request Permissions]  

Nicholas Routley
A practical guide to musicaficta
Early Music 1985 13: 59-72; doi:10.1093/earlyj/13.1.59 [PDF] [Request Permissions]  

Jeffrey Kurtzman
An aberration amplified
Early Music 1985 13: 73-76; doi:10.1093/earlyj/13.1.73 [PDF] [Request Permissions]  

Sonya Monosoff
Violin Fingering
Early Music 1985 13: 76-80; doi:10.1093/earlyj/13.1.76 [PDF] [Request Permissions]  

Chris Nobbs
BOOKS
Early Music 1985 13: 81-82; doi:10.1093/earlyj/13.1.81 [PDF] [Request Permissions]  

Christopher Page
BOOKS
Early Music 1985 13: 82-85; doi:10.1093/earlyj/13.1.82 [PDF] [Request Permissions]  

Denis Stevens
BOOKS
Early Music 1985 13: 85-89; doi:10.1093/earlyj/13.1.85 [PDF] [Request Permissions]  

KEITH FALCONER
BOOKS
Early Music 1985 13: 89-91; doi:10.1093/earlyj/13.1.89 [PDF] [Request Permissions]  

David Fallows
BOOKS
Early Music 1985 13: 91; doi:10.1093/earlyj/13.1.91-a [PDF] [Request Permissions]  

Ephraim Segerman
BOOKS
Early Music 1985 13: 91-93; doi:10.1093/earlyj/13.1.91-b [PDF] [Request Permissions]  

John Caldwell
BOOKS
Early Music 1985 13: 93-96; doi:10.1093/earlyj/13.1.93 [PDF] [Request Permissions]  

Howard Schott
MUSIC
Early Music 1985 13: 97-99; doi:10.1093/earlyj/13.1.97 [PDF] [Request Permissions]  

Howard Schott
MUSIC
Early Music 1985 13: 99-102; doi:10.1093/earlyj/13.1.99 [PDF] [Request Permissions]  

Barry Cooper
MUSIC
Early Music 1985 13: 103-107; doi:10.1093/earlyj/13.1.103 [PDF] [Request Permissions]  

Joan Wess
MUSIC
Early Music 1985 13: 107-110; doi:10.1093/earlyj/13.1.107 [PDF] [Request Permissions]  

Christopher R. Wilson
MUSIC
Early Music 1985 13: 110-112; doi:10.1093/earlyj/13.1.110 [PDF] [Request Permissions]  

Jan Smaczny
MUSIC
Early Music 1985 13: 112; doi:10.1093/earlyj/13.1.112-a [PDF] [Request Permissions]  

Malcolm Boyd
MUSIC
Early Music 1985 13: 112-116; doi:10.1093/earlyj/13.1.112-b [PDF] [Request Permissions]  

Richard Luckett
RECORDINGS: Louis Couperin
Early Music 1985 13: 117-120; doi:10.1093/earlyj/13.1.117 [PDF] [Request Permissions]  

Graham Sadler
RECORDINGS: Louis Couperin
Early Music 1985 13: 120-127; doi:10.1093/earlyj/13.1.120 [PDF] [Request Permissions]  

Michael Turnbull
RECORDINGS
Early Music 1985 13: 127-131; doi:10.1093/earlyj/13.1.127 [PDF] [Request Permissions]  

Julian Rushton
RECORDINGS:C. W. von Gluck
Early Music 1985 13: 131-133; doi:10.1093/earlyj/13.1.131 [PDF] [Request Permissions]  

John Milsom
RECORDINGS
Early Music 1985 13: 133-140; doi:10.1093/earlyj/13.1.133 [PDF] [Request Permissions]  

Paul Guglietti
Barbara Strozzi:CANTATES
Early Music 1985 13: 135-137; doi:10.1093/earlyj/13.1.135 [PDF] [Request Permissions]  

Bruce Wood
Johann Ludwig Krebs
Early Music 1985 13: 137-140; doi:10.1093/earlyj/13.1.137 [PDF] [Request Permissions]  

Richard Luckett
RECORDINGS:Louis Couperin
Early Music 1985 13: 141-143; doi:10.1093/earlyj/13.1.141 [PDF] [Request Permissions]  

John Milsom
RECORDINGS
Early Music 1985 13: 143; doi:10.1093/earlyj/13.1.143-a [PDF] [Request Permissions]  

Frederick Hammond
Recordingsfran
Early Music 1985 13: 143-145; doi:10.1093/earlyj/13.1.143-b [PDF] [Request Permissions]  

James Dack
Recordings
Early Music 1985 13: 145-153; doi:10.1093/earlyj/13.1.145 [PDF] [Request Permissions]  

EVT
Short Notices
Early Music 1985 13: 147-153; doi:10.1093/earlyj/13.1.147 [PDF] [Request Permissions]  

JOHN M. WARD
Sprightly and Cheerful Musick
Early Music 1985 13: 154a-154; doi:10.1093/earlyj/13.1.154a [PDF] [Request Permissions]  

MICHAEL TILMOUTH
Purcell's Sonatas
Early Music 1985 13: 154b-155; doi:10.1093/earlyj/13.1.154b [PDF] [Request Permissions]  

JOHN MILSOM
Cologne
Early Music 1985 13: 156-157; doi:10.1093/earlyj/13.1.156 [PDF] [Request Permissions]  

JOHN CALDWELL
Canterbury
Early Music 1985 13: 157-158; doi:10.1093/earlyj/13.1.157 [PDF] [Request Permissions]  

ROBERT EASTING
Wellington
Early Music 1985 13: 158; doi:10.1093/earlyj/13.1.158-a [PDF] [Request Permissions]  

LIANE CURTIS
EVENTS: Certaldo
Early Music 1985 13: 158-159; doi:10.1093/earlyj/13.1.158-b [PDF] [Request Permissions]  

MARGARET CAMPBELL
Madeira
Early Music 1985 13: 159-160; doi:10.1093/earlyj/13.1.159 [PDF] [Request Permissions]  

To see an article, click its [Full Text] or [PDF] link. To review many abstracts, check the boxes to the left of the titles you want, and click the 'Get All Checked Abstract(s)' button. To see one abstract at a time, click its [Abstract] link.