Early Music -- Table of Contents ( 1984, 12 [1])

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Contents: Volume 12, Number 1, 1984 [Index by Author]
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Articles

Richard Taruskin: ‘The authenticity movement can become a positivistic purgatory, literalistic and dehumanizing’
Early Music 1984 12: 3-12; doi:10.1093/earlyj/12.1.3 [PDF] [Request Permissions]

Daniel Leech-Wilkinson: ‘What we are doing with early music is genuinely authentic to such a small degree that the word loses most of its intended meaning’
Early Music 1984 12: 13-16; doi:10.1093/earlyj/12.1.13 [PDF] [Request Permissions]

Nicholas Temperley: ‘The movement puts a stronger premium on novelty than on accuracy, and fosters misrepresentation’
Early Music 1984 12: 16-20; doi:10.1093/earlyj/12.1.16 [PDF] [Request Permissions]

Robert Winter: ‘The most unwitting foes of the Romantic piano may be those well-intentioned curators who lend their instruments for recording sessions’
Early Music 1984 12: 21-25; doi:10.1093/earlyj/12.1.21 [PDF] [Request Permissions]

Peter Downey: The Renaissance slide trumpet: Fact or fiction?
Early Music 1984 12: 26-33; doi:10.1093/earlyj/12.1.26 [PDF] [Request Permissions]

Christopher Addington: In search of the Baroque flute: The flute family 1680–1750
Early Music 1984 12: 34-48; doi:10.1093/earlyj/12.1.34 [PDF] [Request Permissions]

T. Eric Hoeprich: Clarinet reed Position in the 18th century
Early Music 1984 12: 49-55; doi:10.1093/earlyj/12.1.49 [PDF] [Request Permissions]

Nick Sandon: F G A B flat A: Thoughts on a Tudor motif
Early Music 1984 12: 56-63; doi:10.1093/earlyj/12.1.56 [PDF] [Request Permissions]

Thomas F. Taylor: The Spanish high Baroque motet and villancico: Style and performance
Early Music 1984 12: 64-74; doi:10.1093/earlyj/12.1.64 [PDF] [Request Permissions]

Richard Sherr: A letter from Paolo Animuccia: A composer's response to the Council of Trent
Early Music 1984 12: 75-78; doi:10.1093/earlyj/12.1.75 [PDF] [Request Permissions]

Terence Ford: Andrea Sacchi's ‘Apollo crowning the singer Marc Antonio Pasqualini’
Early Music 1984 12: 79-84; doi:10.1093/earlyj/12.1.79 [PDF] [Request Permissions]

Curtis A. Price: Purcell's theatre music on record
Early Music 1984 12: 85-92; doi:10.1093/earlyj/12.1.85 [PDF] [Request Permissions]

DAVID FALLOWS: BOOKS
Early Music 1984 12: 93-95; doi:10.1093/earlyj/12.1.93 [PDF] [Request Permissions]

ELIZABETH ROCHE: BOOKS
Early Music 1984 12: 95-97; doi:10.1093/earlyj/12.1.95 [PDF] [Request Permissions]

MARK E EVERIST: BOOKS
Early Music 1984 12: 97-99; doi:10.1093/earlyj/12.1.97 [PDF] [Request Permissions]

LEWIS JONES: BOOKS
Early Music 1984 12: 99-102; doi:10.1093/earlyj/12.1.99 [PDF] [Request Permissions]

DAVID FALLOWS: MUSIC
Early Music 1984 12: 103-107; doi:10.1093/earlyj/12.1.103 [PDF] [Request Permissions]

DANIEL LEECH-WILKINSON: MUSIC
Early Music 1984 12: 107-109; doi:10.1093/earlyj/12.1.107 [PDF] [Request Permissions]

IAIN FENLON: MUSIC
Early Music 1984 12: 109-113; doi:10.1093/earlyj/12.1.109 [PDF] [Request Permissions]

DENIS ARNOLD: MUSIC
Early Music 1984 12: 113-117; doi:10.1093/earlyj/12.1.113 [PDF] [Request Permissions]

TIM CARTER: MUSIC
Early Music 1984 12: 117-119; doi:10.1093/earlyj/12.1.117 [PDF] [Request Permissions]

MICHAEL TALBOT: MUSIC
Early Music 1984 12: 119-121; doi:10.1093/earlyj/12.1.119 [PDF] [Request Permissions]

RICHARD LUCKETT: MUSIC
Early Music 1984 12: 121-124; doi:10.1093/earlyj/12.1.121 [PDF] [Request Permissions]

ERIC VAN TASSEL: RECORDINGS
Early Music 1984 12: 125-129; doi:10.1093/earlyj/12.1.125 [PDF] [Request Permissions]

LANCE W. BRUNNER: RECORDINGS
Early Music 1984 12: 129-133; doi:10.1093/earlyj/12.1.129 [PDF] [Request Permissions]

ERIC VAN TASSEL: RECORDINGS
Early Music 1984 12: 133-135; doi:10.1093/earlyj/12.1.133 [PDF] [Request Permissions]

JULIAN RUSHTON: RECORDINGS
Early Music 1984 12: 135-137; doi:10.1093/earlyj/12.1.135 [PDF] [Request Permissions]

PETER WILLIAMS: RECORDINGS
Early Music 1984 12: 137-141; doi:10.1093/earlyj/12.1.137 [PDF] [Request Permissions]

ALEC HYATT KING: RECORDINGS
Early Music 1984 12: 141; doi:10.1093/earlyj/12.1.141-a [PDF] [Request Permissions]

IAN WOODFIELD: RECORDINGS
Early Music 1984 12: 141-143; doi:10.1093/earlyj/12.1.141-b [PDF] [Request Permissions]

IAN WOODFIELD: RECORDINGS
Early Music 1984 12: 143-145; doi:10.1093/earlyj/12.1.143 [PDF] [Request Permissions]

JAN SMACZNY: RECORDINGS
Early Music 1984 12: 145-147; doi:10.1093/earlyj/12.1.145 [PDF] [Request Permissions]

LUCY CAROLAN: RECORDINGS
Early Music 1984 12: 147-150; doi:10.1093/earlyj/12.1.147 [PDF] [Request Permissions]

DENZIL WRAIGHT: Italian harpsichords
Early Music 1984 12: 151-152; doi:10.1093/earlyj/12.1.151 [PDF] [Request Permissions]

JOHN WALTER HILL: Florentine continuo cl600
Early Music 1984 12: 153; doi:10.1093/earlyj/12.1.153-a [PDF] [Request Permissions]

Robert Spencer: Florentine continuo cl600
Early Music 1984 12: 153-154; doi:10.1093/earlyj/12.1.153-b [PDF] [Request Permissions]

NICHOLAS KENYON: Boston
Early Music 1984 12: 155-157; doi:10.1093/earlyj/12.1.155 [PDF] [Request Permissions]

COLIN TIMMS: Oxford
Early Music 1984 12: 157-158; doi:10.1093/earlyj/12.1.157 [PDF] [Request Permissions]

YUSKE ARIMURA: Japan
Early Music 1984 12: 159; doi:10.1093/earlyj/12.1.159-a [PDF] [Request Permissions]

VIRGINIA PLEASANTS: Bruges
Early Music 1984 12: 159; doi:10.1093/earlyj/12.1.159-b [PDF] [Request Permissions]