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Contents: Volume 12, Number 1, 1984   [Index by Author] 
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To see an article, click its [Full Text] or [PDF] link. To review many abstracts, check the boxes to the left of the titles you want, and click the 'Get All Checked Abstract(s)' button. To see one abstract at a time, click its [Abstract] link.

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Richard Taruskin
‘The authenticity movement can become a positivistic purgatory, literalistic and dehumanizing’
Early Music 1984 12: 3-12; doi:10.1093/earlyj/12.1.3 [PDF] [Request Permissions]  

Daniel Leech-Wilkinson
‘What we are doing with early music is genuinely authentic to such a small degree that the word loses most of its intended meaning’
Early Music 1984 12: 13-16; doi:10.1093/earlyj/12.1.13 [PDF] [Request Permissions]  

Nicholas Temperley
‘The movement puts a stronger premium on novelty than on accuracy, and fosters misrepresentation’
Early Music 1984 12: 16-20; doi:10.1093/earlyj/12.1.16 [PDF] [Request Permissions]  

Robert Winter
‘The most unwitting foes of the Romantic piano may be those well-intentioned curators who lend their instruments for recording sessions’
Early Music 1984 12: 21-25; doi:10.1093/earlyj/12.1.21 [PDF] [Request Permissions]  

Peter Downey
The Renaissance slide trumpet: Fact or fiction?
Early Music 1984 12: 26-33; doi:10.1093/earlyj/12.1.26 [PDF] [Request Permissions]  

Christopher Addington
In search of the Baroque flute: The flute family 1680–1750
Early Music 1984 12: 34-48; doi:10.1093/earlyj/12.1.34 [PDF] [Request Permissions]  

T. Eric Hoeprich
Clarinet reed Position in the 18th century
Early Music 1984 12: 49-55; doi:10.1093/earlyj/12.1.49 [PDF] [Request Permissions]  

Nick Sandon
F G A B flat A: Thoughts on a Tudor motif
Early Music 1984 12: 56-63; doi:10.1093/earlyj/12.1.56 [PDF] [Request Permissions]  

Thomas F. Taylor
The Spanish high Baroque motet and villancico: Style and performance
Early Music 1984 12: 64-74; doi:10.1093/earlyj/12.1.64 [PDF] [Request Permissions]  

Richard Sherr
A letter from Paolo Animuccia: A composer's response to the Council of Trent
Early Music 1984 12: 75-78; doi:10.1093/earlyj/12.1.75 [PDF] [Request Permissions]  

Terence Ford
Andrea Sacchi's ‘Apollo crowning the singer Marc Antonio Pasqualini’
Early Music 1984 12: 79-84; doi:10.1093/earlyj/12.1.79 [PDF] [Request Permissions]  

Curtis A. Price
Purcell's theatre music on record
Early Music 1984 12: 85-92; doi:10.1093/earlyj/12.1.85 [PDF] [Request Permissions]  

DAVID FALLOWS
BOOKS
Early Music 1984 12: 93-95; doi:10.1093/earlyj/12.1.93 [PDF] [Request Permissions]  

ELIZABETH ROCHE
BOOKS
Early Music 1984 12: 95-97; doi:10.1093/earlyj/12.1.95 [PDF] [Request Permissions]  

MARK E EVERIST
BOOKS
Early Music 1984 12: 97-99; doi:10.1093/earlyj/12.1.97 [PDF] [Request Permissions]  

LEWIS JONES
BOOKS
Early Music 1984 12: 99-102; doi:10.1093/earlyj/12.1.99 [PDF] [Request Permissions]  

DAVID FALLOWS
MUSIC
Early Music 1984 12: 103-107; doi:10.1093/earlyj/12.1.103 [PDF] [Request Permissions]  

DANIEL LEECH-WILKINSON
MUSIC
Early Music 1984 12: 107-109; doi:10.1093/earlyj/12.1.107 [PDF] [Request Permissions]  

IAIN FENLON
MUSIC
Early Music 1984 12: 109-113; doi:10.1093/earlyj/12.1.109 [PDF] [Request Permissions]  

DENIS ARNOLD
MUSIC
Early Music 1984 12: 113-117; doi:10.1093/earlyj/12.1.113 [PDF] [Request Permissions]  

TIM CARTER
MUSIC
Early Music 1984 12: 117-119; doi:10.1093/earlyj/12.1.117 [PDF] [Request Permissions]  

MICHAEL TALBOT
MUSIC
Early Music 1984 12: 119-121; doi:10.1093/earlyj/12.1.119 [PDF] [Request Permissions]  

RICHARD LUCKETT
MUSIC
Early Music 1984 12: 121-124; doi:10.1093/earlyj/12.1.121 [PDF] [Request Permissions]  

ERIC VAN TASSEL
RECORDINGS
Early Music 1984 12: 125-129; doi:10.1093/earlyj/12.1.125 [PDF] [Request Permissions]  

LANCE W. BRUNNER
RECORDINGS
Early Music 1984 12: 129-133; doi:10.1093/earlyj/12.1.129 [PDF] [Request Permissions]  

ERIC VAN TASSEL
RECORDINGS
Early Music 1984 12: 133-135; doi:10.1093/earlyj/12.1.133 [PDF] [Request Permissions]  

JULIAN RUSHTON
RECORDINGS
Early Music 1984 12: 135-137; doi:10.1093/earlyj/12.1.135 [PDF] [Request Permissions]  

PETER WILLIAMS
RECORDINGS
Early Music 1984 12: 137-141; doi:10.1093/earlyj/12.1.137 [PDF] [Request Permissions]  

ALEC HYATT KING
RECORDINGS
Early Music 1984 12: 141; doi:10.1093/earlyj/12.1.141-a [PDF] [Request Permissions]  

IAN WOODFIELD
RECORDINGS
Early Music 1984 12: 141-143; doi:10.1093/earlyj/12.1.141-b [PDF] [Request Permissions]  

IAN WOODFIELD
RECORDINGS
Early Music 1984 12: 143-145; doi:10.1093/earlyj/12.1.143 [PDF] [Request Permissions]  

JAN SMACZNY
RECORDINGS
Early Music 1984 12: 145-147; doi:10.1093/earlyj/12.1.145 [PDF] [Request Permissions]  

LUCY CAROLAN
RECORDINGS
Early Music 1984 12: 147-150; doi:10.1093/earlyj/12.1.147 [PDF] [Request Permissions]  

DENZIL WRAIGHT
Italian harpsichords
Early Music 1984 12: 151-152; doi:10.1093/earlyj/12.1.151 [PDF] [Request Permissions]  

JOHN WALTER HILL
Florentine continuo cl600
Early Music 1984 12: 153; doi:10.1093/earlyj/12.1.153-a [PDF] [Request Permissions]  

Robert Spencer
Florentine continuo cl600
Early Music 1984 12: 153-154; doi:10.1093/earlyj/12.1.153-b [PDF] [Request Permissions]  

NICHOLAS KENYON
Boston
Early Music 1984 12: 155-157; doi:10.1093/earlyj/12.1.155 [PDF] [Request Permissions]  

COLIN TIMMS
Oxford
Early Music 1984 12: 157-158; doi:10.1093/earlyj/12.1.157 [PDF] [Request Permissions]  

YUSKE ARIMURA
Japan
Early Music 1984 12: 159; doi:10.1093/earlyj/12.1.159-a [PDF] [Request Permissions]  

VIRGINIA PLEASANTS
Bruges
Early Music 1984 12: 159; doi:10.1093/earlyj/12.1.159-b [PDF] [Request Permissions]  

To see an article, click its [Full Text] or [PDF] link. To review many abstracts, check the boxes to the left of the titles you want, and click the 'Get All Checked Abstract(s)' button. To see one abstract at a time, click its [Abstract] link.