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Early Music 1980 8(2):148-157; doi:10.1093/earlyj/8.2.148
© 1980 by Oxford University Press
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The role of the keyboard continuo in French opera 1673–1776

GRAHAM SADLER

The research for this article was assisted by a generous award from the British Academy Small Grants Research Fund in the Humanities. The article is a revised version of a paper read to the North Midlands Chapter of the Royal Musical Association at Birmingham University in November 1978.


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