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Early Music 1979 7(3):336-345; doi:10.1093/earlyj/7.3.336
© 1979 by Oxford University Press
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Articles

The French style and the overtures of Bach: PART TWO

JOHN O'DONNELL

In terms of performance problems, an overture of Bach principally differs from one by Lully in its greater notational complexity. Most of the rhythmic evidence presented in part 2 of this article is therefore concerned with the 'French style' according to French testimony, and Bach enters into the argument when he confronts us with additional puzzles.


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